Desire, in all of its complexity and excess, defined the American millennial moment. On the surface, to listen to the present political cacophony, things have changed, but not in the way people actually think and behave in private life. Though terror and trauma are said to have gained the upper hand, desire continues to provide the propulsive force of the culture. But how do you paint desire? How do you capture its richness, power, and meaning? This monograph addresses those questions in the process of considering more than fifty major oil paintings made by the American realist Terry Rodgers between 1990 and 2005. Because most of these spectacular paintings are in the hands of private collectors, the best way to get to know them is www.terryrodgers.com, where all of the images reproduced here in black and white are available in color. Rodgers, with upcoming shows scheduled in Amsterdam and Atlanta, is in the midst of a prodigiously productive period and is on the verge of attracting the international critical notice he deserves, and will certainly soon command, owing to his irresistible subject matter, his remarkable technical accomplishment, and his brilliant overall vision of painting and culture.

James Richardson is one of the finest poets now writing, and the best contemporary practitioner of the art of aphorism."--Publishers Weekly "Not since the appearance of W. S. Merwin's translations and adaptations of aphorisms in Asian Figures, some thirty years ago, has an American poet managed to put down so much delightful and compelling wisdom."--American Literary Review "No one theme or moral pervades these tesserae of specificity. Rather, Richardson's elegant compression invites the reader to fill in the blanks with personal experience... Richardson's knack for the quintessential, sustained for more than a hundred pages, left me satisfied yet hungry for more."-- Times Literary Supplement "Readers will be obsessed by this book; they will memorize passages, give copies to friends, proselytize. That's because Vectors so generously provides the best that poetry can offer. It is a masterpiece of practicality, beauty, and solace."-- Boston Review "James Richardson's Vectors... penetrates to the very heart of human nature. I stand looking in the mirror, alert to my own foibles, shaking my head as I tolerate what I know he knows about who I am."-- The Georgia Review "Almost every entry... introduces a new insight, provides a revelation, supplies a surprise... it is a book one wants to spend time with, a wonderfully friendly book, generous, witty and entertaining."-- Gulf Coast "Vectors is the kind of book you read, reread, thumb through, and pick up several extra copies because you want to share the joy you found in perusing it with friends."-- Barrow Street "James Richardson's Vectors is a book of subversive wonders. Stunningly precise, these brilliant aphorisms and ten-second essays show a mind assessing, reassessing, discovering, and interrogating assumptions in ways that feel diamond-sharp, at once good-natured, quietly sly at times, and always, always, very shrewd. 'It can never be satisfied, the mind, never,' wrote Wallace Stevens. Vectors is a remarkable testament to such questing, vivid minding, as these aphorisms alight on everything from the nature of perception, to God, success, fear, shame, self-consciousness, love and friendship."--Laurie Sheck

Attention, designers, it’s time to get serious about your creative process. For too long you’ve allowed yourself to go soft, relying on your software to do all of your creative work at the expense of your craftsmanship. This book will NOT show you how to use every tool and feature in Adobe Illustrator. This book WILL, however, teach you the importance of drawing out your ideas, analyzing the shapes, and then methodically building them precisely in vector form using the techniques explained in this book. In Vector Basic Training, Second Edition acclaimed illustrative designer Von Glitschka takes you through his systematic process for creating the kind of precise vector graphics that separate the pros from the mere toolers. Along the way, he’ll whip your drawing skills into shape and show you how to create elegant curves and precise anchor points for your designs. In addition to new illustrative examples throughout the book, this edition includes an all-new chapter on how to apply color and detail to your illustrations using tried-and-true methods that you’ll use over and over again. You’ll also get access to over seven hours of all-new HD video tutorials and source files so you can follow along with Von as he walks you through his entire process. Whether you’re creating illustrations in Adobe Illustrator, Affinity Designer, CorelDRAW, or even Inkscape, you’ll be able to use Von’s techniques to establish a successful creative process for crafting consistently precise illustrations every single time you pick you up your pen, stylus, or mouse. In Vector Basic Training, Second Edition, you’ll learn: The tools and shortcuts that make up a design pro’s creative arsenal How to use “The Clockwork Method” to create accurate curves every time When and where to set just the right number of anchor points for any design How to build shapes quickly using basic Illustrator tools and plug-ins Techniques for art directing yourself to get the results you desire Fundamental methods for applying color and detail to your illustrations

Prize-winning study traces the rise of the vector concept from the discovery of complex numbers through the systems of hypercomplex numbers to the final acceptance around 1910 of the modern system of vector analysis.

Listen up, designers, and wipe those grins off your faces! It’s time to get serious about your design work. For too long you’ve allowed yourself to go soft, relying on your software to do all of your creative work for you. This book will NOT show you how to use every tool and feature in Adobe Illustrator. This book WILL, however, teach you the importance of drawing out your ideas, analyzing the shapes, and then methodically building them precisely in vector form using the methods covered in this book. ¿ In Vector Basic Training, acclaimed iillustrative designer Von Glitschka takes you through his systematic process for creating the kind of precise vector graphics that separate the pros from the toolers and hacks. Along the way, he’ll whip your drawing skills into shape and show you how to create elegant curves and precise anchor points for your designs. Between the book and the video tutorials on the included DVD, you’ll be ready for active creative duty in zero hundred hours or less.¿ ¿ In Vector Basic Training, you’ll learn: ¿The tools, plugins, and shortcuts that make up a design pro’s creative armament How to use “The Clockwork Method” to create accurate curves every time When and where to set just the right number of anchor points for any design How to build shapes quickly using familiar Illustrator tools Techniques for art directing yourself so that your work gets the response you desire Why symmetry is your friend and how to use it effectively in your designs Available by download: Von Glitschka reports for duty in over an hour’s worth of video tutorials that walk you through all of the techniques explained in the book. Also included: downloadable art files you can use to follow along on your own. See the instructions for download at the end of your ebook.

Gathers 20 of Smith's new and classic essays into one volume for the first time. Combining his most important pieces over the last 15 years along with two completely new essays, 'On the Becoming of Concepts' and 'The Idea of the Open', this volume is Smith's definitive treatise on Deleuze. The four sections cover Deleuze's use of the history of philosophy, his philosophical system, several Deleuzian concepts and his position within contemporary philosophy.Smith's essays are frequent references for students and scholars working on Deleuze. Several of the articles have already become touchstones in the field, notably those on Alain Badiou and Jacques Derrida. For anyone interested in Deleuze's philosophy, this book is not to be missed.

The first edited volume to examine philosopher Slavoj Žižek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Žižek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.

Lipsett's approach is theoretically versatile, drawing on the writings of Foucault, psychoanalytic theorists, and the ancient literary critic Longinus. Lipsett offers close readings of each story, while advancing discussions of ancient views of desire, masculinity, virginity, and the self. --Book Jacket.

Space in Theory: Kristeva, Foucault, Deleuze seeks to give a detailed but succinct overview of the role of spatial reflection in three of the most influential French critical thinkers of recent decades. It proposes a step-by-step analysis of the changing place of space in their theories, focussing on the common problematic all three critics address, but highlighting the significant differences between them. It aims to rectify an unaccountable absence of detailed analysis to the significance of space in their work up until now. Space in Theory argues that Kristeva, Foucault and Deleuze address the question: How are meaning and knowledge produced in contemporary society? What makes it possible to speak and think in ways we take for granted? The answer which all three thinkers provide is: space. This space takes various forms: psychic, subjective space in Kristeva, power-knowledge-space in Foucault, and the spaces of life as multiple flows of becoming in Deleuze. This book alternates between analyses of these thinkers' theoretical texts, and brief digressions into literary texts by Barrico, de Beauvoir, Beckett, Bodrozic or Bonnefoy, via Borges, Forster, Gide, Gilbert, Glissant, Hall, to Kafka, Ondaatje, Perec, Proust, Sartre, Warner and Woolf. These detours through literature aim to render more concrete and accessible the highly complex conceptulization of contemporary spatial theory. This volume is aimed at students, postgraduates and researchers interested in the areas of French poststructuralist theory, spatial reflection, or more generally contemporary cultural theory and cultural studies.

The core material of this text is arranged to allow for the main introductory material on linear algebra, including basic vector space theory in Euclidean space and the initial theory of matrices and linear systems, to be covered in ten or eleven lectures, followed by a similar number of lectures on basic multivariable analysis, including first theorems on differentiable functions on domains in Euclidean space and a brief introduction to submanifolds.