Discover the brilliant, hilarious and unlikely story of a woman's life rebuilt, from the bestselling author of the Adrian Mole series and The Woman who Went to Bed for a Year 'There are two things that you should know about me immediately: the first is that I am beautiful, the second is that yesterday I killed a man. Both things were accidents . . .' When Midlands housewife Coventry Dakin kills her next-door neighbour, in a wild attempt to stop him from strangling his wife, she goes on the run. Finding herself alone and friendless in London, she tries to lose herself in the city's maze of streets. There, she meets a bewildering cast of eccentric characters. From Professor Willoughby D'Eresby and his perpetually naked wife Letitia, to Dodo, a care-in the-community inhabitant of Cardboard City, they all contrive to change Coventry in ways she could never have foreseen . . . Praise for Sue Townsend: 'Laugh-out-loud . . . a teeming world of characters whose foibles and misunderstandings provide glorious amusement. Something deeper and darker than comedy' Sunday Times 'She fills the pages with turmoil, anger, passion, love and big helpings of wit. It's full of colour and glows with life' Independent 'Touching and hilarious. Bursting with witty social commentary as well as humour' Women's Weekly

To mark the 50th anniversary in 2012 of the rebuilding of Coventry Cathedral after its destruction by incendiary bombs in November 1940, this lavishly illustrated volume celebrates a unique church with a unique mission. The decision to rebuild the Cathedral was taken the morning after the bombing - not as an act of defiance, but one of faith, trust and hope for the future of the world. Reconciling People tells the story of every aspect the Cathedral's life: its architecture in war and in peace, its theology, worship and spirituality, music and the arts, its mission and ministry, its place in the life of the city, the Cathedral as a place of reconciliation, its people over the decades and its life today. Co-published with the Friends of Coventry Cathedral, this celebratory volume is a record of a how a 900-year old cathedral rose from the ashes of violent destruction to become a symbol of reconciliation and to develop a unique mission among Britain's churches.

The Coventry Blitz of 14 November 1940 was a key event of the Second World War and in the growth of public consciousness of the destructive power of warfare. The medieval city, already undergoing rapid change, was largely destroyed on that night. The destruction was seen as an opportunity by some including the then City Architect, Donald Gibson. The result was the first of the master plans for post-war redevelopment of Britain's bombed city centres. The redevelopment of Coventry city centre to plans by Gibson and his successors provided an intensely urban and civilised centre, embodying new planning principles. Post-war Coventry was hugely influential and Gibson's ideas helped to shape the rebuilding of other city centres, the post-war new towns and developments in Europe. Despite incremental change in the subsequent decades the planning and architecture of Gibson's city centre are still clearly legible. The modern demands of a growing city on its centre are now very different from those of the post-war years. Coventry needs to grow and plan for its future and change will inevitably affect the city centre. This book aims to inform the public and decision makers of the significance of Coventry, and especially its centre, so that change can be managed in ways that will continue the life, use and enjoyment of the best of Coventry's remarkable post-war heritage.

. Louise Campbell discusses Basil Spence's developing design - and its transformation into a cathedral building - in relation to the fast pace of artistic developments in the 1950s and 60s. She analyses the different priorities of the architectural profession, the clergy, and the city; her book provides a study in the history of patronage as well as of architecture.

Heather Wiebe's book looks to the music of Benjamin Britten to elucidate a British postwar vision of cultural renewal.

An exploration of Europe's urban reconstruction after World War II, this volume contains 12 essays, based on new research which examine the significant architectural continuities in pre-war and post-war building. They highlight the unusual character of rebuilding in several case studies.

From Connie Willis, winner of multiple Hugo and Nebula Awards, comes a comedic romp through an unpredictable world of mystery, love, and time travel . . . Ned Henry is badly in need of a rest. He’s been shuttling between the 21st century and the 1940s searching for a Victorian atrocity called the bishop's bird stump. It’s part of a project to restore the famed Coventry Cathedral, destroyed in a Nazi air raid over a hundred years earlier. But then Verity Kindle, a fellow time traveler, inadvertently brings back something from the past. Now Ned must jump back to the Victorian era to help Verity put things right—not only to save the project but to prevent altering history itself.

The result of extensive research, here is the definitive development history of Coventry Climax racing engines: the first British engines to power Formula One World Championship-winning cars. Des Hamill, an engineer, describes the innovative nature of these wonderful engines, and how racing engine technology advanced through an important era of motorsport. The comments and anecdotes of those who were there give a real insight to life at Coventry Climax before its takeover by Jaguar in 1963. The author was given free access to Walter Hassan’s papers; he also managed to track down and interview all of the surviving key players from the company’s motor racing heyday (four World Championship wins).

The image of Coventry in flames was one of the most haunting of the Second World War. Yet the excitement and optimism of the 1950s and 1960s were succeeded by a quarter century of urban blight and economic slump. The collapse of manufacturing industry - machine tools, aeroplanes, cars - left a proud community adrift and demoralised. Today a revitalised twenty-first century city, Coventry has embraced the new millennium and evolved from bleak post-industrial desert to vibrant cultural oasis, in the process rediscovering a sense of purpose and a vision for the future. "The City of Coventry" tells the story of an experiment in social democracy carried out by a Labour-controlled council which envisaged the bomb shattered city as a model of urban regeneration and imaginative planning. Post-war reconstruction could be a striking success, as in the pedestrian-friendly Precinct and the bold new cathedral, or a notable failure as in the ever more intrusive ring roads and grim high-rise flats. In offering a fresh perspective on the city, this innovative volume of essays rediscovers Coventry as an inspiration for poets and painters such as Philip Larkin and Terry Frost, musicians as varied as Benjamin Britten and The Specials, and film-makers such as Humphrey Jennings, whose "Heart of Britain" was shot in the immediate aftermath of the Blitz. Adrian Smith skilfully mixes memoir, family history and meticulous scholarship to paint a complete and incisive portrait of Coventry. Drawing on new research into topics as diverse as the place of Surrealism in West Midlands culture and the shadowy presence of rugby league in a union bastion, Smith brings a unique insight into the recent history of his native city. Attractively presented, highly readable and with broad appeal, "The City of Coventry" is a lively re-examination of an iconic city of the twentieth century illuminating the profound changes that engulfed industrial England during and after the Second World War.