In 1940, when Hitlers bombers reduced Coventrys ancient cathedral to ruins, he coined a new word. He threatened to coventrate all of Britain. Coventry thus was given an iconic status as a symbol of the triumph of good over evil, of forgiveness over revenge, of reconciliation and peace over division and conflict. The ruins are still there today as a warning, but the new and magnificent new cathedral has become the powerhouse of a ministry both to the city and to international conflicts. The book is in three parts. Part 1 is a series of dramatic and moving stories of that outreach, from Europe, Asia, and the Middle East. Part 2 describes the history of how the cathedral came to be such a unique and active symbol of renewal and peace. Part 3 asks what lessons are to be learned from that story for a world in greater danger and with deeper divisions than ever. Finally, the author, from his long experience of international reconciliation, defines the steps that are essential if the old wounds of history are really to be healed.

Visiting Coventry Cathedral must be one of the most moving experiences. Destroyed in a bombing raid in 1940, it was rebuilt in the 1950s/1960s.

Building the Post-War World offers for the first time an overall account of Modern Architecture in the decade after the Second World War.

To mark the 50th anniversary in 2012 of the rebuilding of Coventry Cathedral after its destruction by incendiary bombs in November 1940, this lavishly illustrated volume celebrates a unique church with a unique mission. The decision to rebuild the Cathedral was taken the morning after the bombing - not as an act of defiance, but one of faith, trust and hope for the future of the world. Reconciling People tells the story of every aspect the Cathedral's life: its architecture in war and in peace, its theology, worship and spirituality, music and the arts, its mission and ministry, its place in the life of the city, the Cathedral as a place of reconciliation, its people over the decades and its life today. Co-published with the Friends of Coventry Cathedral, this celebratory volume is a record of a how a 900-year old cathedral rose from the ashes of violent destruction to become a symbol of reconciliation and to develop a unique mission among Britain's churches.

In this groundbreaking examination of British war art during the Second World War, Brian Foss delves deeply into what art meant to Britain and its people at a time when the nation's very survival was under threat. Foss probes the impact of war art on the relations between art, state patronage, and public interest in art, and he considers how this period of duress affected the trajectory of British Modernism. Supported by some two hundred illustrations and extensive archival research, the book offers the richest, most nuanced view of mid-century art and artists in Britain yet written. The author focuses closely on Sir Kenneth Clark's influential War Artists' Advisory Committee and explores topics ranging from censorship to artists' finances, from the depiction of women as war workers to the contributions of war art to evolving notions of national identity and Britishness. Lively and insightful, the book adds new dimensions to the study of British art and cultural history.

. Louise Campbell discusses Basil Spence's developing design - and its transformation into a cathedral building - in relation to the fast pace of artistic developments in the 1950s and 60s. She analyses the different priorities of the architectural profession, the clergy, and the city; her book provides a study in the history of patronage as well as of architecture.

The Coventry Blitz of 14 November 1940 was a key event of the Second World War and in the growth of public consciousness of the destructive power of warfare. The medieval city, already undergoing rapid change, was largely destroyed on that night. The destruction was seen as an opportunity by some including the then City Architect, Donald Gibson. The result was the first of the master plans for post-war redevelopment of Britain's bombed city centres. The redevelopment of Coventry city centre to plans by Gibson and his successors provided an intensely urban and civilised centre, embodying new planning principles. Post-war Coventry was hugely influential and Gibson's ideas helped to shape the rebuilding of other city centres, the post-war new towns and developments in Europe. Despite incremental change in the subsequent decades the planning and architecture of Gibson's city centre are still clearly legible. The modern demands of a growing city on its centre are now very different from those of the post-war years. Coventry needs to grow and plan for its future and change will inevitably affect the city centre. This book aims to inform the public and decision makers of the significance of Coventry, and especially its centre, so that change can be managed in ways that will continue the life, use and enjoyment of the best of Coventry's remarkable post-war heritage.

Cathedrals are awe-inspiring buildings. Most are grand medieval structures, while others appear simple and unpretentious – yet all were designed to reflect the glory of God and have a profound impact on us. As trailblazers of architectural development, each cathedral has distinct individual features – such as the powerful Norman Romanesque west towers of Durham, the unique octagonal tower at Ely, and the daring late Gothic finery and spaciousness at Gloucester. In this lavishly illustrated guide to cathedrals from Bangor to York, with profiles of Roman Catholic and Scottish cathedrals, David Pepin outlines the evolution of architectural style, each building's key features, and the ongoing story of daily worship, wide-ranging ministry, conservation, the new work of craftspeople, and the increasing numbers of pilgrims and visitors.

Why are so many people drifting away from today's churches? John Killinger suggests that part of the problem is that they have personally outpaced the thinking and understanding of the church, so that they no longer find it adequate as a social structure for the celebration of their faith. In their attempts to find Jesus and his teachings relevant within the new culture, they strike out on their own or adhere to para-Christian organizations that retain an allegiance to Jesus without the baggage of the traditional institution. Killinger, a former big-steeple minister and theologian, describes how he himself has been forced essentially to abandon the church in order to remain faithful to the beliefs and ideals that first drew him into it.