An exciting and unusual book first published in 1632, Rare Adventures and Painful Peregrinations has been a much-ignored masterpiece of global literature, though it is one of the world's great travel tales.Beginning his travels in the Orkney and Shetland Islands of Scotland, Lithgow soon went off to explore the Netherlands, Germany, Bohemia, France, and Italy. He then traveled throughout Greece, Egypt, and Malta before having a spin through Western Europe again and finally returning to Great Britain. Most notably, Lithgow survived torture by the Inquisition in Spain and later traveled throughout his native Scotland.AUTHOR BIO: One of the earliest world explorers and great men of literature, William Lithgow (1582-1645) completed his major work, The Total Discourse of the Rare Adventures and Painful Peregrinations of Long Nineteen Years Travayles in 1632. It was reprinted in 1906.

Examines the impact of Islam on Britain from the accession of Elizabeth to the death of Charles II.

Using the lens of one riotous year—1616—the acclaimed writer and translator weaves together the surprising tales of the men and women who set the world on its tumultuous course toward modernity With 140 full color reproductions of period artwork, engravings, maps, and drawings, plus fascinating sidebars throughout The early 17th century was a time of enormous change in most regions of the world. The advent of maritime globalism accelerated the exchange of both goods and ideas, and the first international mega-corporations started to emerge as economic powers. In Europe, the deaths of Shakespeare and Cervantes marked the end of an era in literature. The discoveries of Kepler and Galileo inspired new attitudes that would lead to an age of revolutions. Great changes were also taking place in East Asia, where the last native Chinese dynasty was entering its final years and Japan was beginning its long period of warrior rule. Artists there were rethinking their connections to ancient traditions and experimenting with new directions. Women everywhere were redefining their roles in family and society. Slave trading was relocating large numbers of people, while others were migrating in search of new opportunities. The first tourists, traveling not for trade or exploration but for personal fulfillment, were exploring this new globalized world. "With its stories of restless spirits and restless feet and its truly amazing images from Japan to Persia to Rome, this book will surprise and delight every reader and provide new insights into an interactive early modern world." —John E. Wills, Jr., author of 1688: A Global History

The place of the Middle East in European heterosexual fantasy is well documented in the works of Edward Said and others, yet few have considered the male Anglo-European (and, later, American) writers, artists, travelers, and thinkers compelled to represent what, to their eyes, seemed to be an abundance of erotic relations between men in the Islamicate world. Whether feared or desired, the mere possibility of sexual contact with or between men in the Middle East has covertly underwritten much of the appeal and practice of the enterprise of Orientalism, frequently repeating yet just as often upending its assumed meanings. Traces of this undertow abound in European and Middle Eastern fiction, diaries, travel literature, erotica, ethnography, painting, photography, film, and digital media. Joseph Allen Boone explores these vast representations, linking European art to Middle Eastern sources largely unfamiliar to Western audiences and, in some cases, reproduced in this volume for the first time.

Oliver Goldsmith (1728–1774) moved between the genres and geographies of enlightenment writing with considerable dexterity. As a consequence he has been characterized as a passive purveyor of enlightenment thought, a hack, a harried translator of the French enlightenment for an English audience, an ideological lackey, and a subtle ironist. In poetry, he is either a compliant pastoralist or an engaged social critic. Yet Goldsmith’s career is as complex and as contradictory as the enlightenment currents across which he wrote, and there is in Goldsmith’s oeuvre a set of themes—including his opposition to the new imperialism and to glibly declared principles of liberty—which this book addresses as a manifestation of his Irishness. Michael Griffin places Goldsmith in two contexts: one is the intellectual and political culture in which he worked as a professional author living in London; the other is that of his nationality and his as yet unstudied Jacobite politics. Enlightenment in Ruins thereby reveals a body of work that is compellingly marked by tensions and transits between Irishness and Englishness, between poetic and professional imperatives, and between cultural and scientific spheres.

Celebrating its 900th year, Edinburgh is an unrivalled theatre of story. In this commemorative book, Donald Smith unravels the city's storytelling evolution across the centuries, illustrated with vivid detail by Cat Outram. How did Edinburgh get its name? What gives the city its unique character? Why do nation and planet come together here? How did Edinburgh become the city of literature, and a Festival city? Which books have made the most impact? Through its nine official centuries Edinburgh has thrived on books, words and ideas. Everyone who loves Edinburgh will love Donald Smith's exploration of this storied town, as will anyone interested in how place shapes people and people, place.

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