The Dead Sea Scrolls have opened up for modern readers the ancient world of Jewish interpretation of the Bible during the Second Temple period. Among these scrolls are several manuscripts dating to the first century BC, the oldest surviving texts dealing with interpretation of the Genesis Flood. A literary analysis of the four primary Qumran Flood texts (1QapGen, 4Q252, 4Q370, and 4Q422) reveals how ancient Jews interpreted and employed the Genesis Flood narrative. These texts contain commentary, paraphrase, and admonition, among other things, addressing issues such as the cause, chronology, and purpose of the Flood. In addition, these fragmentary treasures reveal such ancient understandings of the Flood as a reversal and renewal of creation, a restoration of Eden and anticipation of the Promised Land, and an archetype of eschatological judgment.

The Dead Sea Scrolls have opened up for modern readers the ancient world of Jewish interpretation of the Bible during the Second Temple period. Among these scrolls are several manuscripts dating to the first century BC, the oldest surviving texts dealing with interpretation of the Genesis Flood. A literary analysis of the four primary Qumran Flood texts (1QapGen, 4Q252, 4Q370, and 4Q422) reveals how ancient Jews interpreted and employed the Genesis Flood narrative. These texts contain commentary, paraphrase, and admonition, among other things, addressing issues such as the cause, chronology, and purpose of the Flood. In addition, these fragmentary treasures reveal such ancient understandings of the Flood as a reversal and renewal of creation, a restoration of Eden and anticipation of the Promised Land, and an archetype of eschatological judgment.

This volume brings together interpretations of the story of Noach and the Flood in diverse ancient Jewish and Christian traditions (including the Dead Sea Scrolls, Gnostic mythology, rabbinical tradition). It opens with an analysis of the biblical story within its ancient oriental context and ends with essays by a historian of science and a psycho-analyst.

The Dead Sea Scrolls continue to shed ancient light on both the text and interpretation of the Hebrew Bible during the Second Temple period. Among the scrolls are several copies of Genesis dating from the first century BC to the mid-first century AD that contain portions of text from the creation account. These fragmentary copies have provided an unprecedented glimpse into the condition of the text in antiquity and have also provided a unique window into certain scribal practices in the copying of the text. In addition, several texts from Qumran contain the most ancient surviving interpretations of the Genesis creation account, dating from the mid-second century BC to the first century AD. A literary analysis of these texts reveals how ancient Jews interpreted and employed the creation account. These diverse texts address issues such as the creation of various entities (the universe, angels, Eden, humanity), Adam's dominion and knowledge in Eden, God's election of Israel on the first Sabbath, the prohibition in the garden and Adam's rebellion, and the Garden of Eden as an archetype of the sanctuary.

The Dead Sea Scrolls continue to shed ancient light on both the text and interpretation of the Hebrew Bible during the Second Temple period. Among the scrolls are several copies of Genesis dating from the first century BC to the mid-first century AD that contain portions of text from the creation account. These fragmentary copies have provided an unprecedented glimpse into the condition of the text in antiquity and have also provided a unique window into certain scribal practices in the copying of the text. In addition, several texts from Qumran contain the most ancient surviving interpretations of the Genesis creation account, dating from the mid-second century BC to the first century AD. A literary analysis of these texts reveals how ancient Jews interpreted and employed the creation account. These diverse texts address issues such as the creation of various entities (the universe, angels, Eden, humanity), Adam’s dominion and knowledge in Eden, God’s election of Israel on the first Sabbath, the prohibition in the garden and Adam’s rebellion, and the Garden of Eden as an archetype of the sanctuary.

In Reading and Re-reading Scripture at Qumran, Moshe J. Bernstein gathers more than three decades of his work on diverse aspects of biblical interpretation in the Dead Sea Scrolls. The essays range from broad surveys of the genres of biblical interpretation in these texts to more narrowly focused studies and close readings of specific documents. Volume I focuses on the book of Genesis, with a substantial portion being dedicated to studies of the Genesis Apocryphon and Commentary on Genesis A. Volume II contains several historical and programmatic essays, with specific studies focusing on legal material in the DSS and the pesharim. Under the former rubric, the documents known as 4QReworked Pentateuch, 4QOrdinancesa, 4QMMT, and the Temple Scroll are discussed.

The annual Review of Biblical Literature presents a selection of reviews of the most recent books in biblical studies and related fields, including topical monographs, multi-author volumes, reference works, commentaries, and dictionaries. RBL reviews German, French, Italian, and English books and offers reviews in those languages.

The Genesis flood account has been probed and analyzed for centuries. But what might the biblical author have been saying to his ancient audience? In order to rediscover the biblical flood, we must set aside our own cultural and interpretive assumptions and visit the distant world of the ancient Near East. Walton and Longman lead us on this enlightening journey toward a more responsible reading of a timeless biblical narrative.

This book contends the text of the Noachian deluge narrative categorically underscores all God did to preserve life in spite of the disaster. Despite the picture of devastation that the narrative depicts, the prominent emphasis of the text is on deliverance and redemption, i.e., salvation, not judgment. The focus of the Genesis flood is acutely bent towards God's salvific rather than punitive purposes. The arc of salvation within the flood narrative can be broken down into two main ideas. Firstly, God's intention for creation is not thwarted, and, secondly, God commits himself to his intentions of creation. God's intention for creation can be stated thus: the establishment of order via covenant showing the sanctity of human life and the upholding of all life. This involves, in particular, humanity as his image bearers, including the lex talionis (life-for-life) principle.

This collection of essays by biblical scholars is the first book-length treatment of the 2014 film Noah, directed by Darren Aronofsky. The film has proved to be of great interest to scholars working on the interface between the Bible and popular culture, not only because it was heralded as the first of a new generation of biblical blockbusters, but also because of its bold, provocative, and yet unusually nuanced approach to the interpretation and use of the Noah tradition, in both its biblical and extra-biblical forms. The book’s chapters, written by both well-established and up-and-coming scholars, engage with and analyze a broad range of issues raised by the film, including: its employment and interpretation of the ancient Noah traditions; its engagement with contemporary environmental themes and representation of non-human animals; its place within the history of cinematic depictions of the flood, status as an ‘epic’, and associated relationship to spectacle; the theological implications of its representation of a hidden and silent Creator and responses to perceived revelation; the controversies surrounding its reception among religious audiences, especially in the Muslim world; and the nature and implications of its convoluted racial and gender politics. Noah as Antihero will be of considerable interest to scholars conducting research in the areas of religion and film, contemporary hermeneutics, reception history, religion and popular culture, feminist criticism, and ecological ethics.