Portmeirion village is a whimsical seaside tourist destination on the west coast of Wales, attracting 250,000 visitors annually. A retirement project by an eccentric British architect named Sir Clough Williams-Ellis, this "home for fallen buildings" is a fascinating architectural garden for day visitors and an elaborate resort for overnight guests. Portmeirion is famous as the shooting location for the 1960s cult television series "The Prisoner," starring Patrick McGoohan. Puzzling Portmeirion is an involving, insightful guidebook that explores Sir Clough's trailblazing experiments in virtual reality, his subtle but powerful time-warping and space-folding tricks, the little-known myths and legends echoing down every footpath, and the myriad restless spirits at play. Eccentric globe-trotters will have their eyes opened, curiosities piqued, intellects tickled, feet motivated, and pens recording the most fascinating entries in their travel diaries, bar none.

Atlas of Improbable Places shows the modern world from surprising new vantage points that will inspire urban explorers and armchair travellers alike to consider a new way of understanding the world we live in.

The Times called Portmeirion 'the last folly of the Western World' while the Guardian saw it as 'a giant gnomes' village'. For eccentric architect Clough Williams-Ellis, the man who designed and built the resort, it was 'propaganda for good manners,' a statement of how planned development could enhance rather than destroy its environment. And for the quarter of a million visitors a year who make the trip to this Italianate village in North-West Wales, it's quite simply one of the most magical places on Earth. It was here Noel Coward wrote his comedy Blithe Spirit , Patrick McGoohan filmed the legendary 1960s TV series The Prisoner and George Harrison celebrated his 50th birthday. It's the kind of place where Larry Adler gave informal concerts to other guests and hotel staff, Ingrid Bergman could be found talking movies with Bertrand Russell, and where royalty - from Edward VIII to King Zog of Albania - would join the general public in seeking escape from the modern world. Here too was born the world-famous Portmeirion Pottery, founded by Clough's daughter, Susan William-Ellis, and still one of Britain's leading ceramics companies nearly a half-century on. The book Portmeirion is published to celebrate the 80th anniversary of the opening of the resort in 1926. Lavishly illustrated with many unpublished and rare photographs, plans and drawings, it is the first book to cover the whole story of the village, the extensive gardens both at Portmeirion and Plas Brondanw, the Williams-Ellis family home, Portmeirion Pottery as well as Clough himself. 250 colour & 63 b/w illustrations

The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as "surreal" or "Kafkaesque." In I Am (Not) a Number, Cox takes an opposing view. While the series has surreal elements, he believes it provides the answers to all the questions which have confounded viewers: who is Number 6? Who runs The Village? Who—or what—is Number 1? According to Cox, the key is to view the series in the order in which the episodes were made, not in the order of the UK or US television screenings. In this book he does exactly that, and provides an entirely original and controversial "explanation" for what is perhaps the best, and certainly the most perplexing, TV series of all time.

Game players in search of a difficult answer, a clue, or a helpful hint to master crossword puzzles can turn to this guide for the answers--arranged by number of letters--in a wide range of categories, from science and technology to literature and the arts. Listed are rhyming pairs, double meanings, palindromes, acronyms, and more.

Patrick McGoohan Danger Man or Prisoner, is the definitive tribute to one of Britain's brightest stars, affirming his cult status as a guiding light in international film, television and theatre.

This edited collection analyses the prison through the most fundamental challenge it faces: escapes. The chapters comprise original research from established prison scholars who develop the contours of a sociology of prison escapes. Drawing on firm empirical evidence from places like India, Tunisia, Canada, the UK, France, Uganda, Italy, Sierra Leone, and Mexico, the authors show how escapes not only break the prison, but are also fundamental to the existence of such institutions: how they are imagined, designed, organized, justified, reproduced and transformed. The chapters are organised in four interconnected themes: resistance and everyday life; politics and transition; imaginaries and popular culture; and law and bureaucracy, which reflect how escapes are productive, local, historical, and equivocal social practices, and integral to the mysterious intransigence of the prison. The result is a critical and theoretically informed understanding of prison escapes – which has so far been absent in prison scholarship – and which will hold broad appeal to academics and students of prisons and penology, as well as practitioners.