True stories of prison breaks including those of Frank Abagnale, whose story is told in Catch Me If You Can; Henri Charrière who claimed to have escaped from the supposedly inescapable Devil's Island - the true story as opposed to his questionable memoir, Papillon; Bud Day, said to be the only US serviceman ever to have escaped to South Vietnam; the six prisoners who escaped from Death Row in Mecklenburg Correctional Center; and Pascal Payeret, the French armed robber who escaped not once, but twice from French prisons with the help of a helicopter.

These men for whom there is little else that life has to offer, little or nothing to lose; these are men who are at the limits; these are men who might walk on hot coals without burning their feet.' In the folklore of World War II, the memory of those heroes who staged 'Great Escapes' from PoW camps still endures. But what of the other side of the coin: the audacious and daring breakouts of gangsters and villains today? The focus of Prison Break is one these 'Great Escapes' from civilian prisons, whether the escape is planned or opportunistic, aided from within by corrupt guards or facilitated by a violent gang of intruders. We travel with out subjects as they go over walls, tunnel out, or are lifted from the exercise yard into the skies. The exploits of such legendary Houdini type figures as the 18th Century rogue Jack Sheppard and the Canadian serial escaper Wayne Carlson are recounted alongside tales of breakouts from seemingly unassailable jails; Alcatraz, Northern Ireland's Maze prison, and the Bangkok Hilton.

This edited collection analyses the prison through the most fundamental challenge it faces: escapes. The chapters comprise original research from established prison scholars who develop the contours of a sociology of prison escapes. Drawing on firm empirical evidence from places like India, Tunisia, Canada, the UK, France, Uganda, Italy, Sierra Leone, and Mexico, the authors show how escapes not only break the prison, but are also fundamental to the existence of such institutions: how they are imagined, designed, organized, justified, reproduced and transformed. The chapters are organised in four interconnected themes: resistance and everyday life; politics and transition; imaginaries and popular culture; and law and bureaucracy, which reflect how escapes are productive, local, historical, and equivocal social practices, and integral to the mysterious intransigence of the prison. The result is a critical and theoretically informed understanding of prison escapes – which has so far been absent in prison scholarship – and which will hold broad appeal to academics and students of prisons and penology, as well as practitioners.

On April 4, 1943, ten American prisoners of war and two Filipino convicts executed a daring escape from one of Japan’s most notorious prison camps. The prisoners were survivors of the infamous Bataan Death March and the Fall of Corregidor, and the prison from which they escaped was surrounded by an impenetrable swamp and reputedly escape-proof. Theirs was the only successful group escape from a Japanese POW camp during the Pacific war. Escape from Davao is the story of one of the most remarkable incidents in the Second World War and of what happened when the Americans returned home to tell the world what they had witnessed. Davao Penal Colony, on the southern Philippine island of Mindanao, was a prison plantation where thousands of American POWs toiled alongside Filipino criminals and suffered from tropical diseases and malnutrition, as well as the cruelty of their captors. The American servicemen were rotting in a hellhole from which escape was considered impossible, but ten of them, realizing that inaction meant certain death, planned to escape. Their bold plan succeeded with the help of Filipino allies, both patriots and the guerrillas who fought the Japanese sent to recapture them. Their trek to freedom repeatedly put the Americans in jeopardy, yet they eventually succeeded in returning home to the United States to fulfill their self-appointed mission: to tell Americans about Japanese atrocities and to rally the country to the plight of their comrades still in captivity. But the government and the military had a different timetable for the liberation of the Philippines and ordered the men to remain silent. Their testimony, when it finally emerged, galvanized the nation behind the Pacific war effort and made the men celebrities. Over the decades this remarkable story, called the “greatest story of the war in the Pacific” by the War Department in 1944, has faded away. Because of wartime censorship, the full story has never been told until now. John D. Lukacs spent years researching this heroic event, interviewing survivors, reading their letters, searching archival documents, and traveling to the decaying prison camp and its surroundings. His dramatic, gripping account of the escape brings this remarkable tale back to life, where a new generation can admire the resourcefulness and patriotism of the men who fought the Pacific war.

TIME-LIFE presents Great Prisons Escapes: Thrilling Tales of How they Got Away. Includes the true story behind the Papillon legend, the story for Tupac's godmother, and the real con artist of Catch Me If You Can.

Non-fiction that reads like a novel! A thrilling, moment by moment account of an epic escape and the real-life adventures that followed.

The extraordinary true story behind New Zealand's most infamous career criminal and prolific escapee. Arthur Taylor is New Zealand's best known, most influential, and colourful career criminal. A household name, he was paroled from prison in 2019 after more than 38 years behind bars. His life story is nothing short of remarkable. He has more than 150 convictions ranging from bank robberies to fraud, theft, escaping, and having weapons and explosives. He has served in New Zealand's most notorious high security prison, Auckland Prison at Paremoremo, including eight months in solitary confinement. But Arthur isn't what most people might expect. Now in his sixties and living in Dunedin, Arthur is an engaging, highly intelligent man who studied law behind bars and took on precedent-setting cases against Corrections and the Crown, cementing himself as one of the foremost authorities on prisoners' rights. He has become, perhaps, a poster child for redemption and rehabilitation. He is now an advocate for prisoners, and a bloody good storyteller. During his time in prison, Arthur masterminded two particularly audacious prison escapes including a weeks-long caper where he and three others holed up at a millionaire's mansion. He has shared cells with some of the country's most feared killers (readers will come across high profile inmates such as William Bell, Liam Reid, Scott Watson, Leslie Maurice Green and Graeme Burton) and is responsible for one of the country's most bizarre behind-bars weddings. His stories of prison life are entertaining, gripping; sometimes horrifying. This book is the story of Arthur Taylor's life, and a potted history of the prison system, particularly prisoners' rights, in New Zealand, including the work put into ensuring prisoners were given the right to vote. It details Arthur's mistakes, his triumphs, and how he outsmarted prison guards - "screws" - Corrections, and other officials, time and again. It's a warts-and-all look at prison life, and a no-apologies insight into how the prison system can change you for the better, or the worse, told in Arthur's own distinctive voice.

When fourteen-year-old Alex is framed for murder, he becomes an inmate in the Furnace Penitentiary, where brutal inmates and sadistic guards reign, boys who disappear in the middle of the night sometimes return weirdly altered, and escape might just be possible.

This “fast-paced account” of WWI airmen who escaped Germany’s most notorious POW camp is “expertly narrated” by the New York Times bestselling author (Kirkus, starred review). During World War I, Allied soldiers might avoid death only to find themselves in the abominable conditions of Germany’s many prison camps. The most infamous was Holzminden, a land-locked Alcatraz that housed the most escape-prone officers. Its commandant was a boorish tyrant named Karl Niemeyer, who swore that none should ever leave. Desperate to break out of “Hellminden”, a group of Allied prisoners hatch an audacious escape plan that requires a risky feat of engineering as well as a bevy of disguises, forged documents, and fake walls—not to mention steely resolve and total secrecy. Once beyond the watchtowers and round-the-clock patrols, they are then faced with a 150-mile dash through enemy-occupied territory toward free Holland. Drawing on never-before-seen memoirs and letters, historian Neal Bascomb “has unearthed a remarkable piece of hidden history, and told it perfectly. The story brims with adventure, suspense, daring, and heroism” (David Grann, New York Times bestselling author of Killers of the Flower Moon).

For the past four decades, a rich scholarship has investigated the emergence of the prison in Europe and North America, mainly the connection between institutional architecture, techniques of social control, and mechanisms of discipline. Prison Architecture and Punishment in Colonial Senegal asks if these connections did exist in colonial Senegal since prisons in Africa had never been the focus of such scholarship. This book addresses three main themes. First, it analyzes prison buildings and their changing architectural forms throughout the colonial period to highlight how the French used prison architecture to control Africans. Second, it describes the connections between the internal layout of prison spaces and punishment to show how the design of prisons expressed the notions of punishment and reforms. The book also undertakes a critical assessment of inmates’ agency in reshaping the world of prisons in colonial Senegal. Finally, it discusses the legacy of colonial prisons in independent Senegal. By providing a comprehensive history of prison architecture in Senegal, the book helps insert Africa into a more global history by offering a uniquely comparative study of colonialism, architecture, and punishment.