Working without the use of the potter's wheel, Pueblo Indians in the American Southwest create beautiful ceramic ware for both utilitarian and ceremonial use. A classic, this book is the first comprehensive account of historic Pueblo pottery, and results from years of study. With nearly 200 examples, the authors appraise the aesthetic value of Pueblo pottery as rivaling that of any ware made by Neolithic societies.

In 1974 Seven Families in Pueblo Pottery was published to accompany an exhibit at the Maxwell Museum of Anthropology: twenty years later there are some 80,000 copies in print. Like Seven Families, this updated and greatly enlarged version by Rick Dillingham, who curated the original exhibition, includes portraits of the potters, color photographs of their work, and a statement by each potter about the work of his or her family. In addition to the original seven--the Chino and Lewis families (Acoma Pueblo), the Nampeyos (Hopi), the Guteirrez and Tafoya families (Santa Clara), and the Gonzales and Martinez families (San Ildefonso)--the author had added the Chapellas and the Navasies (Hopi-Tewa), the Chavarrias (Santa Clara), the Herrera family (Choti), the Medina family (Zia), and the Tenorio-Pacheco and the Melchor families (Santo Domingo). Because the craft of pottery is handed down from generation to generation among the Pueblo Indians, this extended look at multiple generations provides a fascinating and personal glimpse into how the craft has developed. Also evident are the differences of opinion among the artists about the future of Pueblo pottery and the importance of following tradition. A new generation of potters has come of age since the publication of Seven Families. The addition of their talents, along with an ever-growing interest in Native American pottery, make this book a welcome addition to the literature on the Southwest.

Major Reference Book Series for American Indian Art! ca. 1800-Present, with Value/Price Guide Featuring over 20 Years of Auction Records, 1,000 illustrations, family tree charts, illustrated hallmarks, Very Positive Reviews: The volume will for decades remain a primary resource. Dr. Bruce Bernstein, Assistant Director of Cultural Resources, Smithsonian Institution, National Museum of the American Indian This is the first time that a comprehensive survey and databases for Indian artists have been done. It has been a long time in coming, and its impact will be significant for Indian artists and collectors of Indian art for decades to come. Dr. Greg Cajete, University of New Mexico; What a wonderful addition it is to my reference collection . . . There are so many potters whose names I have not seen before. What a great opportunity to meet new potters and appreciate their talents. The Bibles of Native Arts, Dan Gibson, Editor, Native Peoples Magazine.

Members of a Tewa Indian family living in Santa Clara Pueblo in New Mexico follow the ages-old traditions of their people as they create various objects of clay.

Noted archaeologist Polly Schaafsma presents new research by current scholars on this largely neglected ancestral Puebloan site.

A comprehensive illustrated survey of Acoma pottery made between about 1300 and the present.

Primarily a women's art, American Indian pottery reflects a heritage of powerful social, religious, and aesthetic values. Even now, modern American Indian women use the clay, paint, and fire of pottery making to express themselves, creating designs that range from dutifully traditional to strikingly original. This book - written in conjunction with one of the most important exhibitions of American Indian pottery ever mounted - provides an in-depth look at a unique North American art form.

This book combines extensive research with interviews granted by three Santa Clara potters. During the interviews, the author recorded and photographed each step -- from clay pit to market -- in the making of contemporary Santa Clara pottery. Collecting and preparing the clay, making slips and paints, modelling various kinds of vessels, sanding, smoothing, slipping, polishing, decorating, firing -- all are described and illustrated so thoroughly that the reader can experiment with the Santa Clara techniques himself if he wishes.

The history of the emergence of pottery figures in Pueblo art and the cultural significance of these creations.

The major essay by renowned art historian J. J. Brody traces the development of southwestern pottery from the prehistoric Anasazi through modern Pueblo. A section on pottery technology examines the different types of clays and details the pottery-makings process. Rebecca Allen has contributed an essay on the history of the Museum's southwestern collection, providing insights into the personalities of the collectors and the ways their personal tastes affected the contents of their collections. The catalogue includes a compendium of the 104 objects in the exhibition, each accompanied by a photograph.