A comprehensive illustrated survey of Acoma pottery made between about 1300 and the present.

In 1974 Seven Families in Pueblo Pottery was published to accompany an exhibit at the Maxwell Museum of Anthropology: twenty years later there are some 80,000 copies in print. Like Seven Families, this updated and greatly enlarged version by Rick Dillingham, who curated the original exhibition, includes portraits of the potters, color photographs of their work, and a statement by each potter about the work of his or her family. In addition to the original seven--the Chino and Lewis families (Acoma Pueblo), the Nampeyos (Hopi), the Guteirrez and Tafoya families (Santa Clara), and the Gonzales and Martinez families (San Ildefonso)--the author had added the Chapellas and the Navasies (Hopi-Tewa), the Chavarrias (Santa Clara), the Herrera family (Choti), the Medina family (Zia), and the Tenorio-Pacheco and the Melchor families (Santo Domingo). Because the craft of pottery is handed down from generation to generation among the Pueblo Indians, this extended look at multiple generations provides a fascinating and personal glimpse into how the craft has developed. Also evident are the differences of opinion among the artists about the future of Pueblo pottery and the importance of following tradition. A new generation of potters has come of age since the publication of Seven Families. The addition of their talents, along with an ever-growing interest in Native American pottery, make this book a welcome addition to the literature on the Southwest.

A comprehensive history of the Acoma sanctioned by the tribe.

Working without the use of the potter's wheel, Pueblo Indians in the American Southwest create beautiful ceramic ware for both utilitarian and ceremonial use. A classic, this book is the first comprehensive account of historic Pueblo pottery, and results from years of study. With nearly 200 examples, the authors appraise the aesthetic value of Pueblo pottery as rivaling that of any ware made by Neolithic societies.

When this book first appeared in 1996, it was “Pottery 101,” a basic introduction to the subject. It served as an art book, a history book, and a reference book, but also fun to read, beautiful to look at, and filled with good humor and good sense. After twenty years of faithful service, it’s been expanded and brought up-to-date with photographs of more than 1,600 pots from more than 1,600 years. It shows every pottery-producing group in the Southwest, complete with maps that show where each group lives. Now updated, rewritten, and re-photographed, it's a comprehensive study as well as a basic introduction to the art.

Describes the experiences of Alicia, a young girl who wants to grow up to be a potter.

Native American pottery of the U.S. southwest has long been considered collectible and today can fetch many thousands of dollars per piece. Authors, collectors, and dealers Carol and Allen Hayes provide readers with a concise overview of the pottery of the southwest, from its origins in the Bastketmaker period (around 400 AD) to the Spanish entrada (1540 AD-1879 AD) to today's new masters. Readers will find dozens of color images depicting pottery from the Zuni, Hopi, Anasazi, and many other peoples. Maps help readers identify where these master potters and their peoples lived (i.e. the Pueblo a tribal group or area). Pottery of the Southwest will serve as a useful introduction as well as a lovely guide for enthusiasts.

"Hailed by many as the most accessible of all epic narratives recounting a classic Pueblo Indian story of creation, migration, and ultimate residence, this version of the Acoma Pueblo creation myth offers a unique window into Pueblo Indian cosmology and its dramatic, ancient history. It reveals how one premodern society answered key existential questions and formed its guiding social, religious, and economic customs. In 1928 it was narrated by Edward Proctor Hunt, a Pueblo Indian man from the mesa-top village of Acoma, New Mexico, to Smithsonian Institution scholars. In this new edition, Peter Nabokov renders this important document into clear sequence, adds excerpted material from the original storytelling sessions, and explains the creation and roles of such central myths in American Indian cultures." -- Back of cover.

Lucy is one of the small number of craftspeople of genius in this century. Her importance is in the way she has dipped into the past, taken ancient designs and techniques, and transformed them into new statements. She has quickened and vitalized her ancestral traditions, and in so doing has given the world beautiful and unleashed a creative power in her own community, having inspired a whole new generation of Acoma pottery-makers.