Pop Flop is up and away in a big balloon high in the sky during Balloon Fiesta! Suitable for ages 4-8.

This book is both an introduction to adobe structures and an idea book for those who want to remodel a classic home or build a new one. 80 photos, 75 in full color.

Dreaming of building an adobe home? This classic guide, with floor plans ranging from a small casita to larger ones gives 18 comprehensive period designs for the traditional adobe (the earthern "bricks" used all over the world) house adapted to building materials, plumbing, heating and small lot sizes of today. Thousands of readers have found this a valuable handbook. The authors also venture into actual adobe brick-making, construction techniques, furnishing, even how to make a horno, a traditional Indian oven. Illustrated, detailed diagrams, house plans. The first seeds for the concept for this book on adobe architecture were sown as early as 1916, when Wilfred Stedman was a student at the Art Students League in New York City. It was there that he saw Ernest Blumenschein and Bert Phillips' paintings of adobe homes in villages in and around Taos and Santa Fe, New Mexico. When in the early 1920s and 1930s Wilfred and Myrtle came to see and experience this area for themselves, they met Mary Austin, Alice Corbin Henderson, Will Shuster, Frank Applegate, Josef Bakos and Mabel Dodge Luhan-all famous artists and writers of that time. These people made themselves and their friends from all over the world feel at home in this vernacular architecture. While nowhere in the United States is the Earth Building spirit as revered as in Santa Fe and Taos, new interest is spreading all over the world. New research and new technology is being combined with the traditional in keeping with an overall awakening to the natural resources and beauty of our planet and with a new personal sense of responsibility on the part of individuals in regard to better planning in the use of these. There is a new sense of joy in finding out how much one can do oneself with natural materials. * * * * * Myrtle Stedman was known as an "Artist in Adobe," designing, building, and remodeling adobe homes under a contractor's license. She was also a well-known artist whose academic training started in 1927 when she was a student in the Houston Museum of Fine Arts school. Her English born husband, Wilfred Stedman, whose background was in architecture as well as in painting and illustrating was recognized as one of the most outstanding artists of the American Southwest. Adobe architecture in New Mexico was one of Wilfred's favorite topics of conversation and Myrtle was instilled with the love of adobes from the moment they were married. After his death in 1950, Myrtle went on to become one of the foremost authorities on adobe construction. Myrtle Stedman was a member of PEN New Mexico, a branch of PEN Center USA West of International PEN and believed that there is no end to what the mind can do with the eye and hand, in time and in spirit. She is also the author of "Artists in Adobe," "A House Not Made With Hands," "Adobe Remodeling and Fireplaces," "Of One Mind," "Of Things to Come," "Ongoing Life," "Rural Architecture," "The Ups and Downs of Living Alone in Later Life," and "The Way Things Are or Could Be," all from Sunstone Press.

First survey of modernist and contemporary architecture and interiors in the richly layered architectural history of Santa Fe Santa Fe Modern reveals the high desert landscape as an ideal setting for bold, abstracted forms of modernist houses. Wide swaths of glass, deep-set portals, long porches, and courtyards allow vistas, color, and light to become integral parts of the very being of a house, emboldening a way to experience a personal connection to the desert landscape. The architects featured draw from the New Mexican architectural heritage--they use ancient materials such as adobe in combination with steel and glass, and they apply this language to the proportions and demands exacted by today's world. The houses they have designed are confident examples of architecture that is particular to the New Mexico landscape and climate, and yet simultaneously evoke the rigorous expressions of modernism. The vigor and the allure of modern art and architecture hearten each other in a way that is visible and exciting, and this book demonstrates the synergistic relationship between art, architecture, and the land.

For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.

ADOBE HOUSES FOR TODAY features 12 plans for compact, beautifully-proportioned adobe homes in modern and traditional styles. Yet the book offers much more. The richly-illustrated text shows how the basic houses, designed for today's smaller families, can be as flexible as a set of building blocks. Intriguing drawings demonstrate how readers can expand and adapt the plans to fit their own budgets, family sizes, style preferences, and building sites.After a brief look at adobe's rich history, ADOBE HOUSES FOR TODAY surveys adobe's advantages as a building material. Next, readers take an eye-opening tour through the facts and fantasies of energy conservation. Then, the heart of the book illustrates the basic and expanded versions of the plans, using them as examples of design techniques that increase livability and control costs in any house. The book also explains site requirements, adobe construction, and estimating basics with an adobe house that assembles itself. ADOBE HOUSES FOR TODAY and its associated construction drawings are valuable, enjoyable tools not only for those buying, building, or remodeling a house, but also for contractors, drafters, drafting teachers, and real estate professionals.Award-winning author LAURA SANCHEZ previously ran a drafting business that specialized in adobe houses. She called it quits sometime after the 250th set of plans, but maintains an abiding interest in designing the very best, most cost-effective houses possible. ALEX SANCHEZ, who grew up building houses, has taught courses in adobe construction and solar energy. He founded and currently heads the renowned computer-aided drafting program at the University of New Mexico-Valencia Campus. Theauthors' previous books and CDs concern architectural computer graphics.

"The ground we walk on and grow crops in also just happens to be the most widely used building material on the planet. Civilizations throughout time have used it to create stable warm low-impact structures. The world's first skyscrapers were built of mud brick. Paul Revere Chairman Mao and Ronald Reagan all lived in earth houses at various points in their lives and several of the buildings housing Donald Judd's priceless collection at the Chinati Foundation in Marfa Texas are made of mud brick." "While the vast legacy of traditional and vernacular earthen construction has been widely discussed, little attention has been paid to the contemporary tradition of earth architecture. Author Ronald Rael founder of Eartharchitecture.org provides a history of building with earth in the modern era focusing particularly on projects constructed in the last few decades that use rammed earth mud brick compressed earth cob and several other interesting techniques. Earth Architecture presents a selection of more than 40 projects that exemplify new creative uses of the oldest building material on the planet."--BOOK JACKET.

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In their third book, the authors forge through the mountains of Mexico and the deserts of the American Southwest in celebration of the strength and wonder of adobe design style. 195 photos, 175 in color.

On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.