In 'A Study of Pueblo Architecture: Tusayan and Cibola', the Mindeleff brothers delve into the architectural practices of the Pueblo peoples, presenting a comprehensive examination that spans the intricate designs and cultural significance of these indigenous structures. This anthology combines detailed architectural analysis with anthropological insight, showcasing the diversity of Puebloan life and the sophisticated nature of their communal dwellings. Standing as a seminal work in the field of Native American studies, the collection is notable for its meticulous illustrations and descriptions of Puebloan architectural techniques, revealing the advanced understanding of space, functionality, and environment inherent in these ancient communities. Cosmos and Victor Mindeleff, working at the turn of the 20th century, were pioneers in the documentation of Native American architecture. Their efforts align with a broader movement in American anthropology to preserve and understand indigenous cultures. Together, they contribute significantly to our comprehension of Pueblo people, situating their work within a crucial period of American anthropology when the discipline was striving to position itself within both scientific and humanistic studies. Through their detailed observations and drawings, the Mindeleffs provide a window into the Pueblo world, offering invaluable insights into the social, cultural, and environmental aspects that influenced Pueblo architecture. This collection is essential reading for anyone interested in the convergence of architecture, anthropology, and American indigenous studies. 'A Study of Pueblo Architecture: Tusayan and Cibola' invites readers to explore the complexities of Puebloan structures and the societies that created them, highlighting the architectural achievements of indigenous peoples long before European contact. Through its scholarly approach and the unique perspectives of its authors, the anthology enriches our understanding and appreciation of Pueblo architecture, making it a pivotal text for students, researchers, and enthusiasts alike.

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The vast and beautiful landscape of the American Southwest has long haunted artists and writers seeking to understand the mysteries of the deep affinity between the land and the Native Americans who have lived on it for centuries. In this pioneering study, art historian Vincent Scully explores the inhabitants' understanding of the natural world in an entirely original way—by observing and analyzing the complex yet visible relationships between the landscape of mountain and desert, the ancient ruins and the pueblos, and the ceremonial dances that take place with them. Scully sees these intricate dances as the most profound works of art yet produced on the American continent—as human action entwined with the natural world and framed by architectural forms, in which the Pueblos express their belief in the unity of all earthly things. Scully's observations, presented in lively prose and exciting photographs, are based on his own personal experiences of the Southwest; on his exploration of the region of the Rio Grande and the Hopi mesas; on his witnessing of the dances and ceremonies of the Pueblos and others; and on his research into their culture and history. He draws on the vast literature inspired by the Native Americans—from early exploration narratives to the writing of D. H. Lawrence to recent scholarship—to enrich and support his unique approach to the subject. To this second edition Scully has added a new preface that raises issues of preservation and development. He has also written an extensive postscript that reassesses the relationship between nature and culture in Native American tradition and its relevance to contemporary architecture and landscape. "Coming to Pueblo architecture as he does from a provocative study of sacred architecture in ancient Greece, Scully has much to say that is both striking and moving of the Pueblo attitudes toward sacred places, the arrangement of structures in space, the lives of men and beasts, and man's relation to rain, earth, vegetation."—Robert M. Adams, New York Review of Books

Discusses what archaeology can reveal about how Pueblo architecture was built and used, and describes the Hopi buildings at Oraibi, Arizona

"The author intertwines archaeology, history, and ethnohistory to examine the aftermath of the uprising in colonial New Mexico, focusing on the radical changes it instigated in Pueblo culture and society"--Provided by publisher.

The Mesa Verde migrations in the thirteenth century were an integral part of a transformative period that forever changed the course of Pueblo history. For more than seven hundred years, Pueblo people lived in the Northern San Juan region of the U.S. Southwest. Yet by the end of the 1200s, tens of thousands of Pueblo people had left the region. Understanding how it happened and where they went are enduring questions central to Southwestern archaeology. Much of the focus on this topic has been directed at understanding the role of climate change, drought, violence, and population pressure. The role of social factors, particularly religious change and sociopolitical organization, are less well understood. Bringing together multiple lines of evidence, including settlement patterns, pottery exchange networks, and changes in ceremonial and civic architecture, this book takes a historical perspective that naturally forefronts the social factors underlying the depopulation of Mesa Verde. Author Donna M. Glowacki shows how “living and leaving” were experienced across the region and what role differing stressors and enablers had in causing emigration. The author’s analysis explains how different histories and contingencies—which were shaped by deeply rooted eastern and western identities, a broad-reaching Aztec-Chaco ideology, and the McElmo Intensification—converged, prompting everyone to leave the region. This book will be of interest to southwestern specialists and anyone interested in societal collapse, transformation, and resilience.

Few architectural styles evoke so strong a sense of place as Pueblo architecture. This book brings together experts from architecture and art, archaeology and anthropology, philosophy and history, considering Pueblo style not simply architecturally, but within its cultural, religious, economic, and climate contexts as well. The product of successive layers of Pueblo Indian, Spanish, and Anglo influences, contemporary Pueblo style is above all seen as a harmonious response to the magnificent landscape from which it emerged. Pueblo Style and Regional Architecture, first published in 1990, is a unique and thorough study of this enduring regional style, a sourcebook that will inform and inspire architects and designers, as well as fascinate those interested in the anthropology, culture, art, and history of the American Southwest.