A collection of animal fables told by the Greek slave Aesop.

This is the first detailed study that critically compares and contrasts the wisdom sentences of the Book of Proverbs with classical and post-classical Arabic proverbs; reference is also made to current Arabic proverbs. The wisdom tradition of Solomon is examined and is compared to that of the Arab sage Luqmân. The book deals with three main themes that are of special significance both in the Book of Proverbs and in Arabic proverbial works: royalty, speech and silence, wealth and poverty. The book concludes with a study of some form-critical and traditio-historical aspects of the treated proverbs. Hundreds of classical Arabic proverbs and wisdom sayings of Prophet Muḥammad appear for the first time in English.

The thirteen chapters of this book comprise an intriguing and informative entry into the world of proverb scholarship, illustrating that proverbs have always been and continue to be wisdom's international currency. The first section of the book focuses on the field of paremiology (proverb studies) in general, the spread of Anglo-American proverbs in Europe, and the phenomenon of modern proverbs. The second section analyzes the use of proverbs in the world of politics, including a chapter on President Obama, while the third concentrates on the uses of proverbs in literature. The final section ends with detailed cultural studies of the origin, history, dissemination, use, function, and meaning of specific proverbs. Noted scholar Wolfgang Mieder shows that proverbs matter in culture, literature, and politics. Proverbs remain part and parcel of oral and written communication, and, he demonstrates, they deserve to be studied from a range of viewpoints. While various chapters deal with a variety of issues and approaches, they cohere through a rhetorical perspective that looks at the text, texture, and context of proverbs as speech acts that make a noteworthy impact on culture and society. Whether proverbs appear in everyday speech, on the radio, on television, in films, on the pages of newspapers or magazines, in advertisements, in literary works, or in political speeches, they serve as formulaic verbal devices to add authoritative weight through tradition, convention, and wisdom.

NAUTILUS BOOK AWARD GOLD MEDALIST — BODY, MIND, SPIRIT PRACTICES “Combining an extraordinary range of scholarship with an accessible and entertaining writing style, The Infinite Staircase . . . provides a coherent and unified platform for a full human life.” —Midwest Book Review In this bold new book, high-tech’s best-known strategist makes a seminal contribution to the search for meaning in a secular era. Two questions fundamental to human existence have always been the metaphysical “where do I fit in the grand scheme of things?” and the ethical “how should I behave?” Religion is no longer a source of answers for many people, and nothing has replaced it. Moore uses his signature framework-based approach to answer these questions, taking us on an intellectual roller coaster ride through physics, chemistry, biology, the social sciences and the humanities. Along the way, he builds a metaphorical ladder that leads from the big bang to the need for ethical action in our daily lives. Combining an extraordinary range of scholarship with an accessible and entertaining writing style, The Infinite Staircase: What the Universe Tells Us About Life, Ethics, and Mortality provides a coherent and unified platform for a full human life.

“The animals that one culture likes are often hated in the next, and it seems that the animals themselves know it well. Basically, one culture’s animal partner is often another culture’s nightmare from hell. “Naturally, I wonder how relations between people and animals got to be so different around the world. How did it happen that some cultures treat bats, snakes, wolves, or ravens as embodiments of evil, while other people treat the same animals with affection or even reverence?” Our wars with the animals go way back. Beyond the light cast by our prehistoric campfires, the eyes glowing in the night seemed to represent a great hostile force. As we began to cultivate crops and husband a few favoured animals, we generally regarded other creatures as threats to our chosen few. Using the logic of war, we sought to maximize the populations of certain creatures, and the destruction of others. In the past, that war effort was our great crusade for the advancement of civilization as we knew it. The war had a frontier, a front line, and an ongoing battle on the home front. Expanding outward from our various cradles of civilization, we progressively “tamed” the forests and grasslands, converting them to monocrop plantations or pastures. Then we had to defend our monocrops from encroaching weeds, insects, and wild animals. In this immediately engaging, story- and fact-filled page-turner of a book, Brian Griffith looks at the range of ways we relate to animals and the stories we tell about them. He asks how we choose whether buddyhood, fearful respect, businesslike predation, or genocidal war is the most appropriate response to each species we meet. He watches how our treatment of “inferior beings” affects our treatment of “inferior people,” and traces some of the chain reactions we unleash when we try to weed out species we don’t like. “Without much hope of making animals fit my personal preferences,” he writes, “I wonder how good our relations can get.”

The Aesop's Fable Paradigm is a collection of essays that explore the cutting-edge intersection of Folklore and Science. From moralizing fables to fantastic folktales, humans have been telling stories about animals—animals who can talk, feel, think, and make moral judgments just as we do—for a very long time. In contrast, scientific studies of the mental lives of animals have professed to be investigating the nature of animal minds slowly, cautiously, objectively, with no room for fanciful tales, fables, or myths. But recently, these folkloric and scientific traditions have merged in an unexpected and shocking way: scientists have attempted to prove that at least some animal fables are actually true. These interdisciplinary chapters examine how science has targeted the well-known Aesop's fable "The Crow and the Pitcher" as their starting point. They explore the ever-growing set of experimental studies which purport to prove that crows possess an understanding of higher-order concepts like weight, mass, and even Archimedes' insight about the physics of water displacement. The Aesop's Fable Paradigm explores how these scientific studies are doomed to accomplish little more than to mirror anthropomorphic representations of animals in human folklore and reveal that the problem of folkloric projection extends far beyond the "Aesop's Fable Paradigm" into every nook and cranny of research on animal cognition.

Reformer of the church, biblical theologian, and German translator of the Bible Martin Luther had the highest respect for stories attributed to the ancient Greek author Aesop. He assigned them a status second only to the Bible and regarded them as wiser than "the harmful opinions of all the philosophers." Throughout his life, Luther told and retold Aesop’s fables and strongly supported their continued use in Lutheran schools. In this volume, Carl Springer builds on the textual foundation other scholars have laid and provides the first book in English to seriously consider Luther’s fascination with Aesop’s fables. He looks at which fables Luther knew, how he understood and used them, and why he valued them. Springer provides a variety of cultural contexts to help scholars and general readers gain a deeper understanding of Luther’s appreciation of Aesop.

In the words of Saint Augustine, the Bible is long, complicated, and difficult to read. Orange Proverbs & Purple Parables is a book about reading the Bible. How does one become a more spiritually discerning and critically appreciative reader of the Holy Scriptures? What does it take to become a better interpreter of biblical texts? This book explores wide-ranging approaches and considerations germane to the enterprise of reading. The catch phrase used throughout the book is that of reading the Holy Scriptures as scripture. What goes into reading the Bible as scripture? What are some of the major elements inherent in this endeavor that should be of concern to the one who aspires to become a deep, thoughtful reader and an effective interpreter? This book weaves through a labyrinth of characters and disciplines as it explores this enterprise of reading the Holy Scriptures. The likes of Chomsky, Augustine, neuroscience, Barth, linguistics, theological interpretation, Origen, metaphor theory, devotional reading, and Jerome, along with many more people and fields of inquiry, are all garnered to encourage the reader in an exploration of the enterprise of reading the Holy Scriptures.

Most of us grew up with Aesop's Fables—tales of talking animals, with morals attached. In fact, the familiar versions of the stories attributed to this enigmatic and astute storyteller are based on adaptations of Aesop by the liberated Roman slave Phaedrus. In turn, Phaedrus's renderings have been rewritten so extensively over the centuries that they do not do justice to the originals. In Aesop's Human Zoo, legendary Cambridge classicist John Henderson puts together a surprising set of up-front translations—fifty sharp, raw, and sometimes bawdy, fables by Phaedrus into the tersest colloquial English verse. Providing unusual insights into the heart of Roman culture, these clever poems open up odd avenues of ancient lore and life as they explore social types and physical aspects of the body, regularly mocking the limitations of human nature and offering vulgar or promiscuous interpretations of the stuff of social life. Featuring folksy proverbs and satirical anecdotes, filled with saucy naughtiness and awful puns, Aesop's Human Zoo will amuse you with its eccentricities and hit home with its shrewdly candid and red raw messages. The entertainment offered in this volume of impeccably accurate translations is truly a novelty—a good-hearted and knowing laugh courtesy of classical poetry. Beginning to advanced classicists and Latin scholars will appreciate the original Latin text provided in this bilingual edition. The splash of classic Thomas Bewick wood engravings to accompany the fables renders the collection complete.