This vivid and revealing account of thirty-five years of art and history revolves around the locus of the internationally renowned Anna Schwartz Gallery and its eponymous founder. Beginning in St Kilda with United Artists, visionary gallerist Anna Schwartz relocated to City Gallery at 45 Flinders Lane before Anna Schwartz Gallery found its current location at 185 Flinders Lane in 1993. Present Tense captures Schwartz, known for her steadfast promotion of the contemporary and the challenging, alongside the inimitable roster of artists that her gallery represents, and the key figures of Australian art and culture. The visually stunning volume combines historical vignettes, interviews, and hundreds of archival photographs and artworks. Told with wit and verve, it reveals a story that arcs from the journeys of immigrants who make up Australia's rich cultural life to the local artistic scenes of Melbourne to the global stage of the art world. Present Tense is an elegant cloth-bound volume featuring full-colour images throughout and a magnificent portrait of Anna Schwartz by artist Jenny Watson on the spine.

Angelica Mesiti- A Communion of Stranger Gesturesis the first significant publication dedicated to chronicling the practice of one of Australia's leading contemporary artists. The 224-page, full colour book has been designed by Formist to reflect the elegance and beauty of Mesiti's approach, with a subtle aesthetic nod to the ideas around communication and transmission that she often explores. Two major new texts have been commissioned to expand the field of writing around Mesiti's body of work, from leading Australian academic and writer Justin Clemens, and Director of Lafayette Anticipations, Paris, Franpois Quintin.A Communion of Stranger Gesturesalso includes an in-depth artist interview with Artspace Executive Director Alexie Glass-Kantor and Curator Talia Linz, along with nine original short texts on new and existing works over the last ten years. The publication ties in with Mesiti's first solo institutional presentation, Relay League, which was commissioned by Artspace earlier this year, curated by Glass-Kantor and Deputy Director Michelle Newton. The work takes as its departure point a Morse code message transmitted by the French Navy on 31 January 1997 to signal the imminent demise of this communication method. Mesiti interprets the dots and dashes of this final poetic phrase through music, choreography, non-verbal communication and sculpture. A Communion of Stranger Gesturesfeatures extensive imagery from the development and presentation of this exciting new work, which is touring to Art Sonje Center, Seoul, in addition to nine venues across Australia including Griffith University Art Gallery, Brisbane, and Ian Potter Museum of Art, Melbourne. Recently shortlisted for the 9th edition of the prestigious Prix Meurice for contemporary art and with a residency at the Centre National de la Danse in Paris, Mesiti is increasingly establishing her reputation as one of Australia's most outstanding artists. Working with the mediums of video and installation, and incorporating music and performance, her practice expands ideas of collective behaviour, social dynamics and human subjectivity through non-verbal forms of language and communication, exchange and adapted methods of expression. Mesiti has exhibited extensively at institutions and biennales worldwide, including the 19th Biennale of Sydney, 2014; 13th Istanbul Biennial, 2nd Aichi Triennale, 5th Auckland Triennial and 11th Sharjah Biennale, 2013; and 1st Kochi-Mizuris Biennale, 2012; as well as at the Palais de Tokyo and Centre Pompidou, Paris; Barbican Centre, London; Jewish Museum, New York; Kunstmuseum, Bonn; Haus der Kulturen der Welt, Berlin; Museo Reina SofYa, Madrid; Tate Modern, London; Tokyo Metropolitan Museum of Photography; and Para Site, Hong Kong.

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

Shaun Gladwell- Stereo Sequences has been conceived and created for ACMI's unique subterranean gallery and features a series of multi-screen video works that explore concepts of duality, parallels and mirroring.Using filmic devices such as long pans and slow-motion, Gladwell captures tightly choreographed, repetitive performances by classical ballerinas, helicopters, motorcycles, muscle cars, trials bike-riders and skateboarders. Gladwell's latest offerings radiate a distinct Australian sensibility, inspired by the unique landscape and local film culture, including Ozploitation era films.Many of the works are set in distinct Australian locations such as the Wollemi National Park, the open plains of Broken Hill and even Sydney's M5 underpass, each landscape a central character in the resulting work.ACMI Director, Mr Tony Sweeney, said today the centres largest single commission by an Australian artist, reflected Gladwell's growing international reputation.'Shaun Gladwell has an enviable international reputation as one of Australia's leading video artists and we are thrilled to be working with him on the creation of what is a stunning series of works,' he said. 'This significant new commission reflects our strong commitment to supporting Australian artists, both established and emerging, and the ongoing development of contemporary moving image art practice in this country.'

Catalog of an exhibition held at the Museum of Modern Art, New York, Aug. 10-Nov. 3, 2013.

Mike Parr is Australia's most significant performance artist. His contribution to the development and establishment of performance art in Australia remains continuous and resolute. Parr's dedication and research into the boundaries of performance art within the parameters of art history and theory are unprecedented. At the forefront of performance art in Australia in 1970, Parr explored areas far removed from mainstream visual culture at the time. Despite the contempt, he persevered, remaining true to his practice. This long awaited book pays homage to Parr's achievements and is an essential admission into Australia's cultural memory. Compiled by the artist, this first hand account includes an extraordinary array of photographic documentation together with performance scripts and the artist's writings on his work, encapsulating the qualities that have made Mike Parr one of Australia's greatest cultural assets on the world stage. Parr has performed in Switzerland, France, Austria, Italy, USA, Japan, The Philippines, Sweden and throughout Australia since 1973.