A large format version of the popular Dorling Kindersley Travel Guide series features meticulously detailed three-dimensional and cutaway illustrations of popular landmarks and sites throughout Ireland, along with fascinating travel information, full-color photography, and detailed captions.

"This perceptive and highly readable book is primarily about the Republic and how it has changed profoundly over the past forty years, as a traditional rural-based society has adapted to a wider modern world. Once so enclosed, the Irish are now committed Europeans and have gained much from Europe. They have banished their old poverty, modernized their economy and lifestyles - but are they losing the old 'Irish' values? On this the nation is split, as a powerful Catholic Church sees its authority contested and social change leads to moral confusion." "Ardagh has talked with President Mary Robinson, Gay Byrne, the king of Irish TV, Eamonn Casey, the disgraced ex-Bishop of Galway, and countless others. His book ranges widely, from the Dublin slums to the fate of the small Mayo farms; it takes in the changing role of women, the young novelists, the music revival, the fight for the Irish language, the new-style emigrants, the creaking political system." "The long chapter on the North gives an upbeat picture of the patient grass-roots efforts at reconciliation, and of how a resilient people continue normal life in the shadow of the ongoing conflict. The logic of history may well lead to a united Ireland - but not by any means yet."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Aboriginal design is of a distinctly cultural nature, based in the Dreaming and in ancient practices grounded in Country. It is visible in the aerodynamic boomerang, the ingenious design of fish traps and the precise layouts of community settlements that strengthen social cohesion. Alison Page and Paul Memmott show how these design principles of sophisticated function, sustainability and storytelling, refined over many millennia, are now being applied to contemporary practices. Design: Building on Country issues a challenge for a new Australian design ethos, one that truly responds to the essence of Country and its people. About the series: Each book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia. Other titles in the series include: Songlines by Margo Neale & Lynne Kelly (2020); Country by Bill Gammage & Bruce Pascoe (2021); Plants by Zena Cumpston, Michael Fletcher & Lesley Head (2022); Astronomy (2022); Innovation (2023)."--

Beginning in the early 17th century and continuing to the present day, the city of Dublin has built up a portrait collection that is unique on the island of Ireland in terms of range and diversity, and is brilliantly expressive of the political aspirations and realities that have informed its creation. The collection contains 66 works in oil-on-canvas and 8 statues in bronze and marble. This book contains a catalogue of the entire collection with an introduction placing it within the broader context of civic imagery and regalia, giving due regard to ceremony, heraldry, dress and accoutrements of office.

This volume offers fresh perspectives on the political, military, religious, social, cultural, intellectual, economic, and environmental history of early modern Ireland and situates these discussions in global and comparative contexts. The opening chapters focus on 'Politics' and 'Religion and War' and offer a chronological narrative, informed by the re-interpretation of new archives. The remaining chapters are more thematic, with chapters on 'Society', 'Culture', and 'Economy and Environment', and often respond to wider methodologies and historiographical debates. Interdisciplinary cross-pollination - between, on the one hand, history and, on the other, disciplines like anthropology, archaeology, geography, computer science, literature and gender and environmental studies - informs many of the chapters. The volume offers a range of new departures by a generation of scholars who explain in a refreshing and accessible manner how and why people acted as they did in the transformative and tumultuous years between 1550 and 1730.

Richard Mulcahy was architect of the guerrilla war that forced the British to grant Dominion status to Ireland and the guiding spirit behind the civil war that ensured the survival of the new state. In this illuminating portrait, Maryann Valiulis uses Mulcahy's career as a focus for reexamining Ireland's transition from colony to nation state between 1916 and 1924. She also views the Irish struggle from Mulcahy's varied perspectives - chief of staff in the Anglo-Irish war and minister for defence and commander-in-chief during the civil war. Contrary to traditional interpretation, she argues, Mulcahy and General Headquarters Staff played a crucial role in setting ethical boundaries for the guerrilla war, in ensuring that the war of independence did not degenerate into wanton violence, sectarian conflict, or personal vengeance. In the civil war, Mulcahy was less successful. In fact, in an attempt to enforce standards and control the actions of the army, he was led into his most controversial policy - execution of prisoners. Valiulis contends that within an atmosphere of terror and counter-terror, Mulcahy and GHQ kept the threads of the revolutionary struggle woven together. Under Mulcahy's direction, GHQ became a focal point for a guerrilla war that the IRA may not have been able to win but, thanks to Mulcahy and GHQ, did not lose. Mulcahy's life reveals much about the diversity of Irish nationalism, the nature of the revolutionary struggle, and the influence of colonialism. He epitomized the political and cultural nationalist whose vision of a free and independent Ireland was a synthesis of traditions: Gaelic and English, constitutional and revolutionary, modern and traditional. From such blendings did Ireland forge an enduring democratic nation state. Portrait of a Revolutionary is an essential contribution to our understanding of modern Irish history.

Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.