Richard English's brilliant new book, now available in paperback, is a compelling narrative history of Irish nationalism, in which events are not merely recounted but analysed. Full of rich detail, drawn from years of original research and also from the extensive specialist literature on the subject, it offers explanations of why Irish nationalists have believed and acted as they have, why their ideas and strategies have changed over time, and what effect Irish nationalism has had in shaping modern Ireland. It takes us from the Ulster Plantation to Home Rule, from the Famine of 1847 to the Hunger Strikes of the 1970s, from Parnell to Pearse, from Wolfe Tone to Gerry Adams, from the bitter struggle of the Civil War to the uneasy peace of the early twenty-first century. Is it imaginable that Ireland might – as some have suggested – be about to enter a post-nationalist period? Or will Irish nationalism remain a defining force on the island in future years? 'a courageous and successful attempt to synthesise the entire story between two covers for the neophyte and for the exhausted specialist alike' Tom Garvin, Irish Times

This detailed account of Irish archaeological and archival evidence is presented in a clear and consise manner. There are chapters on cult objects, shrines, round towers, relics, Ogham stones, sundials, bullauns, cursing stones, and holed stones.

Art, Ireland and the Irish Diaspora reveals a labyrinth of social and cultural connections that conspired to create and sustain an image of Ireland for the nation and for the Irish diaspora between 1893 and 1939. This era saw an upsurge of interest among patrons and collectors in New York and Chicago in the 'Irishness' of Irish art, which was facilitated by gallery owners, émigrés, philanthropists, and art-world celebrities. Leading Irish art historian, Éimear O'Connor, explores the ongoing tensions between those in Ireland and the expatriate community in the US, split as they were between tradition and modernity, and between public expectation and political rhetoric, as Ireland sought to forge a post-Treaty international identity through its visual artists. Featuring a glittering cast of players including Jack. B. Yeats, George Russell (AE), Lady Gregory, and Seán Keating, and richly illustrated in colour with images from archives on both sides of the Atlantic, Art, Ireland and the Irish Diaspora presents a wealth of new research, and draws together, for the first time, a series of themes that bound the Dublin art scene with that in New York and Chicago through complex networks and contemporary publications at an extraordinary time in Ireland's history.

Often imitated but never equalled, the Old Ireland in Colour books are beloved by Irish readers at home and abroad, and in this, the third book of the series, the authors have uncovered yet more photographic gems and breathed new life into them in glorious colour. All of Irish life is here – from evictions in Connemara to the mosgt elegant drawing rooms in Dublin. Famous faces from politics and the arts appear alongside humble labourers and farmers and impish children from all kinjds of backgrounds light up this book’s glorious pages. With endless surprising details to pore over in every picture, and captivating and illuminating text, Old Ireland in Colour 3 is a winning addition to this spectacular series of bestsellng books.

Explains the reasons for the large Irish emigration, and examines the problems they faced adjusting to new lives in the United States.

Engagingly written and packed with illustrations, Early Ireland offers an authoritative introduction to the riches of Irish prehistory.

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Providing an introduction to the art of Irish cookery, a collection of more than 250 traditional recipes includes dishes that range from Watercress Soup to Apple Amble Tart

Focusing on Irish speakers in Catholic West Belfast, this ethnography on Irish language and identity explores the complexities of changing, and contradictory, senses of Irishness and shifting practices of 'Irish culture' in the domains of language, music, dance and sports. The author’s theoretical approach to ethnicity and ethnic revivals presents an expanded explanatory framework for the social (re)production of ethnicity, theorizing the mutual interrelations between representations and cultural practices regarding their combined capacity to engender ethnic revivals. Relevant not only to readers with an interest in the intricacies of the Northern Irish situation, this book also appeals to a broader readership in anthropology, sociology, cultural studies, history and political science concerned with the mechanisms behind ethnonational conflict and the politics of culture and identity in general.