For German military document collectors this volume has a treasure trove of rare Afrikakorps related award documents, propaganda leaflets, Soldbuchs, Wehrpass and Remembrance/Death cards. Among the many rare documents you will see both Allied and German/Italian propaganda leaflets, Afrikakorps field newspapers, and two field-made newsletters associated with the Sonderverband 288 unit. We have also assembled several complete Afrikakorps veteran groupings and every known document variant of the AFRIKA cuffband and Italian-German Medal.

A look at wargaming’s past, present, and future—from digital games to tabletop games—and its use in entertainment, education, and military planning. With examples from Call of Duty: Modern Warfare, Harpoon, Warhammer 40,000, and more! Games with military themes date back to antiquity, and yet they are curiously neglected in much of the academic and trade literature on games and game history. This volume fills that gap, providing a diverse set of perspectives on wargaming’s past, present, and future. In Zones of Control, contributors consider wargames played for entertainment, education, and military planning, in terms of design, critical analysis, and historical contexts. They consider both digital and especially tabletop games, most of which cover specific historical conflicts or are grounded in recognizable real-world geopolitics. Game designers and players will find the historical and critical contexts often missing from design and hobby literature; military analysts will find connections to game design and the humanities; and academics will find documentation and critique of a sophisticated body of cultural work in which the complexity of military conflict is represented in ludic systems and procedures. Each section begins with a long anchoring chapter by an established authority, which is followed by a variety of shorter pieces both analytic and anecdotal. Topics include the history of playing at war; operations research and systems design; wargaming and military history; wargaming’s ethics and politics; gaming irregular and non-kinetic warfare; and wargames as artistic practice.

A collection of essays by prominent scholars from many disciplines on the construction of public memories The study of public memory has grown rapidly across numerous disciplines in recent years, among them American studies, history, philosophy, sociology, architecture, and communications. As scholars probe acts of collective remembrance, they have shed light on the cultural processes of memory. Essays contained in this volume address issues such as the scope of public memory, the ways we forget, the relationship between politics and memory, and the material practices of memory. Stephen Browne’s contribution studies the alternative to memory erasure, silence, and forgetting as posited by Hannah Arendt in her classic Eichmann in Jerusalem. Rosa Eberly writes about the Texas tower shootings of 1966, memories of which have been minimized by local officials. Charles Morris examines public reactions to Larry Kramer’s declaration that Abraham Lincoln was homosexual, horrifying the guardians of Lincoln’s public memory. And Barbie Zelizer considers the impact on public memory of visual images, specifically still photographs of individuals about to perish (e.g., people falling from the World Trade Center) and the sense of communal loss they manifest. Whether addressing the transitory and mutable nature of collective memories over time or the ways various groups maintain, engender, or resist those memories, this work constitutes a major contribution to our understanding of how public memory has been and might continue to be framed.

Fiction. I HAVE BLINDED MYSELF WRITING THIS was written by a woman with an affliction: her body needs her memories to clot her cuts, to heal means to lose parts of her past. It is a collection of the blueprints, lists, and photographs of memory meant to be private. It a book written for you. It is a question: as we lose our memories, do we become fragments of ourselves? It is a plea: participate with me in the remembering and the destruction of memory.

In 2000, Histoire & Collections released two books by Jean Bouchery on the British Soldier in World War 2. Both books have been enormously successful. This new book, in the same format, will appeal in the same way as its predecessors. There is an unprecedented amount of color artwork depicting uniforms, variants, insignia, badges and equipment used by Canada's soldiers in the Second World War.

Eva Braun, daughter of a respectable German bourgeois family, was convent educated. Yet she grew up to become the mistress of Adolf Hitler and went with him to her death in the holocaust of Berlin during the waning days of World War II. The product of a happy but uneventful childhood in middle-class Munich, Eva went to work for photographer Heinrich Hoffmann after her schooling ws completed. It was at Hoffmann's that she met the rising National Socialist politician, Adolf Hitler. Though considerably older than the nubile Eva, he exerted a strong fascination over her. A stormy courtship ensued, during which Eva attempted suicide. Eventually she became mistress to the man who would soon rule Germany. From this point on, she remained Hitler's faithful and dedicated companion for seventeen years during which time her paramour was destined to shake the very foundations of western civilization. Eva Braun was Hitler's official hostess at Berchtesgaden and was present at most of the important gatherings where the fate of nations was being decided and where history was being made. When the mighty edifice of the Third Reich was collapsing in ruin under the pounding of the Allies, she joined her doomed lover in Berlin where he finally made her his wife and they perished together during the Russian assault. Eva Braun had a uniquely intimate view of Adolf Hitler and Nazi Germany, and no history of those days is complete without her. The book contains numerous photographs of Hitler and his entourage and utilizes material taken from Eva Braun's unpublished scrapbooks and letters.

The Myth of the Blitz was nurtured at every level of society. It rested upon the assumed invincibility of an island race distinguished by good humour, understatement and the ability to pluck victory from the jaws of defeat by team work, improvisation and muddling through. In fact, in many ways, the Blitz was not like that. Sixty-thousand people were conscientious objectors; a quarter of London's population fled to the country; Churchill and the royal family were booed while touring the aftermath of air-raids; Britain was not bombed into classless democracy. Angus Calder provides a compelling examination of the events of 1940 and 1941 - when Britain 'stood alone' against the Luftwaffe - and of the Myth which sustained her 'finest hour'.

World War II British Women's Uniforms records the uniforms and insignia worn by the women's services in all theatres of war, in more than 220 photographs from private collections.

The Second World War was, for Britain, a 'total war'; no section of society remained untouched by military conscription, air raids, the shipping crisis and the war economy. In this comprehensive and engrossing narrative Angus Calder presents not only the great events and leading figures but also the oddities and banalities of daily life on the Home Front, and in particular the parts played by ordinary people: air raid wardens and Home Guards, factory workers and farmers, housewives and pacifists. Above all this revisionist and important work reveals how, in those six years, the British people came closer to discarding their social conventions than at any time since Cromwell's republic. Winner of the John Llewellyn Rhys prize in 1970, The People’s War draws on oral testimony and a mass of neglected social documentation to question the popularised image of national unity in the fight for victory.