This is the story of the U.S. Navy's communications intelligence (COMINT) effort between 1924 and 1941. It races the building of a program, under the Director of Naval Communications (OP-20), which extracted both radio and traffic intelligence from foreign military, commercial, and diplomatic communications. It shows the development of a small but remarkable organization (OP-20-G) which, by 1937, could clearly see the military, political, and even the international implications of effective cryptography and successful cryptanalysis at a time when radio communications were passing from infancy to childhood and Navy war planning was restricted to tactical situations. It also illustrates an organization plagues from its inception by shortages in money, manpower, and equipment, total absence of a secure, dedicated communications system, little real support or tasking from higher command authorities, and major imbalances between collection and processing capabilities. It explains how, in 1941, as a result of these problems, compounded by the stresses and exigencies of the time, the effort misplaced its focus from Japanese Navy traffic to Japanese diplomatic messages. Had Navy cryptanalysts been ordered to concentrate on the Japanese naval messages rather than Japanese diplomatic traffic, the United States would have had a much clearer picture of the Japanese military buildup and, with the warning provided by these messages, might have avoided the disaster of Pearl Harbor.

Fellow priests called his ministry "just short of a miracle." A superior castigated him as "an adventurer," Apaches and migrant Mexicans claimed him "one of us." To his fellow soldiers he was "a man's man." Of himself he chuckled, "I've been in mischief all my life." He was Father Albert Braun, OFM, in turn mule-headed, explosive, or penitent. Vigorously outspoken, he once charged a group of august bishops to "get off your butts and out among the people." His sense of duty was profound, his humor crusty. He arrived in New Mexico as missionary to the Mescalero Apaches just after Pancho Villa's raid, was a highly decorated chaplain in both World Wars, and after World War II he participated in the top-secret birth of the first hydrogen bomb on a south Pacific atoll. Drawing on archival and military records, letters, memoirs, and interviews, Dorothy Cave chronicles the amazing life of this last of the frontier priests from his birth in the lusty, brawling California of 1889, to his death and burial in 1983 in the church he built for his beloved Mescaleros. This book is at once a biography and a kaleidoscopic history of the tumultuous times in which he lived. From it there emerges the inspiring saga of a man who changed thousands of lives with faith, humor, dedication, and a generous dash of pure hard-headed cussedness. Dorothy Cave spent much of her childhood exploring with her geologist father the isolated villages and mountains of northern New Mexico, a practice she continues today. Although her formal education was at Agnes Scott College and the Universities of Colorado and Wyoming, she feels her true education has come from these remote but rapidly vanishing hamlets and pueblos and from the soil-rooted wisdom of those who live in them. Cave has traveled widely, danced with the Atlanta Ballet, acted, and taught. She is the author of two histories: "Beyond Courage," which won the New Mexico Presswomen's Zia Award, and "Four Trails to Valor," both from Sunstone Press. Her two novels, "Mountains of the Blue Stone" and "Song on a Blue Guitar" were also published by Sunstone Press. Cave served as historical consultant for two documentary films: "Colors of Courage," produced by Scott Henry and E. Anthony Martinez for the University of New Mexico's Center for Regional Studies; and for Aaron Wilson's award-winning "A New Mexico Story," based largely on her "Beyond Courage." She appears in both films as narrator/commentator. "Beyond Courage" also inspired composer Steven Melillo's musical opus of the same title, acclaimed on two continents.

The Japanese attack on Hawaii provoked ¿the never-ending story.¿ Multiple official investigations and private historical inquiries into the attack and its background have generated enormous stocks of info. about both the American and Japanese sides. Even so, info. gaps still exist, and many important questions remain under debate. The authors of this report have focused on two of the event¿s controversies, the Winds Message and the state of U.S. communications intelligence prior to the Hawaiian attack. This assemblage of documents, supplemented by the authors¿ clear guide to their meaning, places the reader right in the middle of the behind-the-scenes events and helps the scholar and researcher to follow them closely. Illustrations.

​*** OVER 210,000 WEST POINT MILITARY HISTORY SERIES SETS IN PRINT ​*** Beginning with a look at the readiness of the Imperial Japanese Army and Navy and the United States armed forces, this book gives a detailed account of the Allies’ brutal five-year struggle with Japan. It examines the interrelationship of land, sea, and air forces as they battled over the vast reaches of the Pacific Theater of War.

Excerpt from Pearl Harbor Attack, Vol. 29: Hearings Before the Joint Committee on the Investigation of the Pearl Harbor Attack, Congress of the United States, Seventy-Ninth Congress, First Session; Proceedings of Army Pearl Harbor Board And nov. 23, 24, 26 to 30, Dec. 3 and 4, 1945. Dec. 5, 6, 7, 8, 10, ll, 12, and 13, 1945. Dec. 14, 15, 17, 18, 19, 20, and 21, 1945. Dec. 31, 1945, and Jan. 2, 3, 4, and 5, 1946. Jan. 15, 16, 17, 18, 19, and 21, 1946. Jan. 22, 23, 24, 25, 26, 28 and 29, Jan. 30, 31, Feb. 1, 2, 4, 5, and 6, 1946. Feb. 7, 8, 9, 11, 12, 13, and 14, 1946. Feb. 15, 16, 18, 19, and 20, 1946. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.