Debunks the romanticist stereotyping of Navajo weavers and Reservation traders and situates weavers within the economic history of the southwest.

Describes Navajo patterns, styles, and weaving materials as an aid to identification, and recounts how Navajo weavers have adapted to the times

Simply written text, accompanied by detailed line illustrations of plants, explains how to select and mix natural colors of wool and prepare "recipes" for producing specific colors of dye from desert plants, among them single-flowered actinea for yellow, alder bark for a soft brown, the Rocky Mountain bee plant for a pale greenish yellow, more.

Navajo blankets, rugs, and tapestries are the best-known, most-admired, and most-collected textiles in North America. There are scores of books about Navajo weaving, but no other book like this one. For the first time, master Navajo weavers themselves share the deep, inside story of how these textiles are created, and how their creation resonates in Navajo culture. Want to weave a high-quality, Navajo-style rug? This book has detailed how-to instructions, meticulously illustrated by a Navajo artist, from warping the loom to important finishing touches. Want to understand the deeper meaning? You'll learn why the fixed parts of the loom are male, and the working parts are female. You'll learn how weaving relates to the earth, the sky, and the sacred directions. You'll learn how the Navajo people were given their weaving tradition (and it wasn't borrowed from the Pueblos!), and how important a weaver's attitude and spirit are to creating successful rugs. You'll learn what it means to live in hózhó, the Beauty Way. Family stories from seven generations of weavers lend charm and special insights. Characteristic Native American humor is not in short supply. Their contribution to cultural understanding and the preservation of their craft is priceless.

Explores the history and evolution of Navajo and Pueblo fabric arts, with 250-plus color illustrations of examples from the Southwest Museum's collection, 57 details of the works, and 49 historical photographs. Includes accounts of the early collectors and some of the colorful people who were involved in the founding of the museum and the shaping of its collection.

A basic guide to Indian bead weaving containing over 200 instructional illustrations and photographs of forty-seven bead-work projects.

Exquisite blankets, sarapes and ponchos handwoven by southwestern peoples are admired throughout the world. Despite many popularized accounts, serious gaps have existed in our understanding of these textiles—gaps that one man devoted years of scholarly attention to address. During much of his career, anthropologist Joe Ben Wheat (1916-1997) earned a reputation as a preeminent authority on southwestern and plains prehistory. Beginning in 1972, he turned his scientific methods and considerable talents to historical questions as well. He visited dozens of museums to study thousands of nineteenth-century textiles, oversaw chemical tests of dyes from hundreds of yarns, and sought out obscure archives to research the material and documentary basis for textile development. His goal was to establish a key for southwestern textile identification based on the traits that distinguish the Pueblo, Navajo, and Spanish American blanket weaving traditions—and thereby provide a better way of identifying and dating pieces of unknown origin. Wheat's years of research resulted in a masterful classification scheme for southwestern textiles—and a book that establishes an essential baseline for understanding craft production. Nearly completed before Wheat's death, Blanket Weaving in the Southwest describes the evolution of southwestern textiles from the early historic period to the late nineteenth century, establishes a revised chronology for its development, and traces significant changes in materials, techniques, and designs. Wheat first relates what Spanish observers learned about the state of native weaving in the region—a historical review that reveals the impact of new technologies and economies on a traditional craft. Subsequent chapters deal with fibers, yarns, dyes, and fabric structures—including an unprecedented examination of the nature, variety, and origins of bayeta yarns—and with tools, weaves, and finishing techniques. A final chapter, constructed by editor Ann Hedlund from Wheat's notes, provides clues to his evolving ideas about the development of textile design. Hedlund—herself a respected textile scholar and a protégée of Wheat's—is uniquely qualified to interpret the many notes he left behind and brings her own understanding of weaving to every facet of the text. She has ensured that Wheat's research is applicable to the needs of scholars, collectors, and general readers alike. Throughout the text, Wheat discusses and evaluates the distinct traits of the three textile traditions. More than 200 photos demonstrate these features, including 191 color plates depicting a vast array of chief blankets, shoulder blankets, ponchos, sarapes, diyugi, mantas, and dresses from museum collections nationwide. In addition, dozens of line drawings demonstrate the fine points of technique concerning weaves, edge finishes, and corner tassels. Through his groundbreaking and painstaking research, Wheat created a new view of southwestern textile history that goes beyond any other book on the subject. Blanket Weaving in the Southwest addresses a host of unresolved issues in textile research and provides critical tools for resolving them. It is an essential resource for anyone who appreciates the intricacy of these outstanding creations.

In Navajo families, the first person to make a new baby laugh hosts the child's First Laugh Ceremony. Who will earn the honor in this story? The First Laugh Ceremony is a celebration held to welcome a new member of the community. As everyone--from Baby's nima (mom) to nadi (big sister) to cheii (grandfather)--tries to elicit the joyous sound from Baby, readers are introduced to details about Navajo life and the Navajo names for family members. Back matter includes information about other cultural ceremonies that welcome new babies and children, including man yue celebration (China), sanskaras (Hindu) and aquiqa (Muslim).