A history and description of southwestern textiles along with a catalog of Pueblo, Navajo, Mexican, and Spanish American blankets, ponchos, and sarapes.

Explores the history and evolution of Navajo and Pueblo fabric arts, with 250-plus color illustrations of examples from the Southwest Museum's collection, 57 details of the works, and 49 historical photographs. Includes accounts of the early collectors and some of the colorful people who were involved in the founding of the museum and the shaping of its collection.

A catalog for a traveling exhibition of Native American folk art presents and describes hand-woven textiles from the Pueblo, Navajo, and New Mexico Hispanic village cultures

-Lavishly illustrated with over 320 color illustrations -Photographs of weaving methods, traditional dying methods and ceremonies -One of the world's great textile collections -Written by acclaimed writer Catherine Bourzat whose previous works includes books on India and Sri Lanka Philippe Fatin is a traveler, photographer and collector who has established a world-class collection of tribal textiles from southern China. These exquisitely colorful, hand-woven textiles are highly prized by collectors and here for the first time is the most extensive collection of garments collected from tribes across southern China including the Bazhai, Zhouxi, Xijiang and Gedong amongst others. The distinctive styles, colors and motifs from each are looked at in turn and the remarkable photographs allow the reader to appreciate the intricacy of each piece and the tradition prized by each tribe. Profusely illustrated with over 320 color illustrations the book not only studies the designs themselves but shows the ceremonies the textiles are made for, the traditional weaving methods employed as well other ornamentations such as headpieces and fastenings as well dying techniques and working methods.

According to the Navajos, the holy people Spider Man and Spider Woman first brought the tools for weaving to the People. Over the centuries Navajo artists have used those tools to weave a web of beautyÑa rich tradition that continues to the present day. In testimony to this living art form, this book presents 74 dazzling color plates of Navajo rugs and wall hangings woven between 1971 and 1996. Drawn from a private southwestern collection, they represent the work of sixty of the finest native weavers in the American Southwest. The creations depicted here reflect a number of stylesÑrevival, sandpainting, pictorial, miniature, samplerÑand a number of major regional variations, from Ganado to Teec Nos Pos. Textile authority Ann Hedlund provides an introductory narrative about the development of Navajo textile collectingÑincluding the shift of attention from artifacts to artÑand a brief review of the history of Navajo weaving. She then comments on the shaping of the particular collection represented in the book, offering a rich source of knowledge and insight for other collectors. Explaining themes in Navajo weaving over the quarter-century represented by the Santa Fe Collection, Hedlund focuses on the development of modern rug designs and the influence on weavers of family, community, artistic identity, and the marketplace. She also introduces each section of plates with a description of the representative style, its significance, and the weavers who perpetuate and deviate from it. In addition to the textile plates, Hedlund's color photographs show the families, landscapes, livestock, hogans, and looms that surround today's Navajo weavers. Navajo Weaving in the Late Twentieth Century explores many of the important connections that exist today among weavers through their families and neighbors, and the significant role that collectors play in perpetuating this dynamic art form. For all who appreciate American Indian art and culture, this book provides invaluable guidance to the fine points of collecting and a rich visual feast.

This ground-breaking book documents the weaving traditions and textiles of one of Asia's most ethnically diverse areas, placing them in a regional context. Based on more than a decade of first-hand study in the field, the authors record the traditions of Miao, Yao, Buyi, Dong, Zhuang, Maonan, Dai and Li weavers from Guizhou to Hainan Island. They describe the looms and techniques of these groups, including diagrams, descriptions and photographs of the weaving processes and woven structures. Each tradition is illustrated with outstanding examples of textiles, drawn from the He Haiyan collection in Beijing, including many 19th century examples.The authors present a novel analysis of loom technology across the Asian mainland, using techniques derived from linguistics and biology. They use these to chart the evolutionary history of looms in Asia, demonstrating that all the major traditions are related in spite of their apparent diversity. The results have far-reaching implications, for example shedding light on the development of the Chinese Drawloom and showing how key patterning features were derived from Tai-Kadai looms.The book is a visual delight as well as a resource for scholars, collectors and curators. The fieldwork in this book is a primary, while the looms and techniques will be essential reading for those interested in weaving and textile history, as well as contemporary weavers and designers wishing to learn how to reproduce traditional patterns and methods. The account of the development and links between weaving cultures will be a revelation for those interested in cultural evolution and the diversity of mankind.

Features forty-four coverlets and two quilts made by hand weavers who lived in Western North Carolina, Eastern Kentucky, East Tennessee, and Southwest Virginia. Ms. Wilson has spent many years researching southern Appalachian overshot coverlet weaving.

In 1984, while studying textiles in the collections of the School of American Research, Kate Peck Kent discovered a manuscript on Spanish-American weaving by the late H.P. Mera, curator of archaeology at Santa Fe's Lab of Anthropology. This forgotten manuscript describes the origin and history of the distinctive textiles woven by Spanish-Americans in New Mexico. Kate Peck Kent was professor emerita of anthropology at the University of Denver, a research associate at the Museum of International Folk Art in Santa Fe, New Mexico, and a resident scholar at the School of American Research. Dr. Kent has also written Pueblo Indian Textiles and Navajo Weaving: Three Centuries of Change which describes and interprets the textile collections at the School of American Research's Indian Arts Research Center.

Examines the archaeological evidence for textiles and the materials and technologies used in producing them in the prehistoric Southwest.

The author has matched maker's marks used on jewelry, pots, fetish carvings, rugs, and baskets with their names, tribes, relatives, and style notes.