After Grandma, Grandpa, and Mama Bear unsuccessfully try to sing Baby Bear to sleep, Papa finds just the right song. By the creators of Hey, Pipsqueak! Reprint.

“Papa?”asked Little Blue. “Are we going very far?” “Yes, Little Blue. We will travel farther than we have ever gone before.” As two whales swim together through the big ocean, Little Blue has many questions for Papa, especially ones about the long migration. How will they know the way? Will he be able to keep up? What will they see along the way? Papa has answers for all these questions, but Little Blue remains curious as they begin their journey. What could be down below, where they can’t see? The answer is a magical world and Little Blue is enchanted . . . until there is only darkness surrounding the young whale. But if Little Blue is quiet and listens, can Little Blue hear Papa’s song? Filled with the wonders of the ocean and the comfort of a father’s presence, Following Papa’s Song is a heartwarming story to be read again and again.

In a book with foldout pages, Monica's father fulfills her request for the moon by taking it down after it is small enough to carry, but it continues to change in size.

A mother tells her daughter a series of stories about life on Guam before the daughter was born and when she was a baby.

Little Crow loves to sing, and Papa Crow loves his song. But when Little Crow shares his crow songs with the other birds at the big old tree, they laugh and scatter. Maybe Mockingbird can teach him to sing songs with the finches, flycatchers, and cardinals and help him make some friends. But Little Crow should be careful what he wishes for... Using Mockingbird's tip, Little Crow quickly becomes the most popular bird on the block. But, in a moment of danger, he learns that singing someone else's song can have terrible consequences and that his own voice and his father's love is of the greatest value. Paired with colorful collage illustrations, this inspirational story is complemented by fun facts about North American birds and their sounds. Grades Pre-K to 2.

In an old lullaby a baby is promised an assortment of presents from its adoring parent.

The Rock Song Index, Second Edition, is a new version of a well-received index to the classic songs of the rock canon, from the late '40s through the end of the 20th century. The study of the history of rock music has exploded over the last decade; all college music departments offer a basic rock-history course, covering the classic artists and their songs.

Discover the Music that Changed Everything Embark on a complex and inspiring journey through the last 101 years as told through some of the most memorable hits and the artists behind them. Noah Lefevre, creator of Polyphonic, explores how our favorite music does more than entertain. From Aretha Franklin carving out her own space in what had been considered a man’s world by reworking the chauvinistic lyrics to the 1967’s hit “Respect,” to Doja Cat’s successful backlash against toxic fans of the digital age; from a broken amplifier on “Rocket 88” ushering in the distorted sounds of rock n’ roll, to Kendrick Lamar’s release of “Alright,” which became the unofficial anthem to the BLM protests—each song mirrors the strife, change and progress of our country’s narrative. In this rich and engrossing guide for music lovers everywhere, you’ll discover how a single song can make history.

As the composer/lyricist for Godspell, Pippin, Wicked, and other musicals, Stephen Schwartz has enjoyed one of the mostsignificant careers in American musical theater for more than four decades. Schwartz has also achieved success on the big screen, contributing to such films as Enchanted, The Prince of Egypt, and Pocahontas. For his work, he has received six Tony nominations, three Grammys, and three Academy Awards. The Musical Theater of Stephen Schwartz: From Godspell to Wicked and Beyond is a detailed examination of Schwartz’s various projects throughout his career. Musicologist Paul R. Laird discusses at length Schwartz’s major shows and also considers his other ventures, such as the music and lyrics for animated features from Disney and Dreamworks. The book focuses on two major aspects of Schwartz’s creations: the process of collaboration resulting in a project’s completion and a descriptive analysis of his music and lyrics. Laird also describes each show’s critical reception and its place in the larger history of musical theater. Based on extensive interviews with Schwartz and a number of his major collaborators, this book provides a rare look into the creation of the composer and lyricist’s shows and films. The Musical Theater of Stephen Schwartz is intended for fans as well as students and professional researchers in music, theater, and the musical theater.