"The History of a Heel chronicles the genesis, influence, and significance of Rodgers and Hart's classic musical comedy Pal Joey (1940). When Pal Joey opened at the Barrymore on Christmas day, 1940, it flew in the face of musical comedy convention. The characters and situation were depraved. The setting was caustically realistic. Its female lead was frankly sexual and yet not purely comic. A narratively-driven dream ballet closed the first act, begging audiences to take seriously the inner life and desires of a confirmed heel. Although the show appears on many top-ten lists surveying the so-called "Golden Age," it is a controversial classic; its legacy is tied both to the fashionable scandal that it provoked, and, retrospectively, to the uncommon attention it paid to characterization and narrative cohesion. Through an archive-driven investigation of the show and its music, History of a Heel offers insight into the historical moment during which Joey was born, and to the process of genre classification, canon formation, and the ensuing critical debates related to musical and theatrical maturity. More broadly, I argue that the critique and commentary on class and gender conventions in Pal Joey reveals a uniquely American concern over status, class mobility, and progressive gender roles in the pre-war era The History of a Heel chronicles the genesis, influence, and significance of Rodgers and Hart's classic musical comedy Pal Joey (1940).

A New York Times Notable Book A Washington Post Notable Book One of the Best Books of the Year: San Francisco Chronicle, The Daily Beast, The Miami Herald, St. Louis Post-Dispatch Before there was Reagan the conservative icon, there was Reagan the president: genial, unknowable, faced with doubters, scandals, and the final throes of the Cold War. In this extraordinary novel, Thomas Mallon takes us to the tense, high-stakes months in 1986 when—with the Iran-Contra affair, the AIDS epidemic, and the Reykjavik summit with Gorbachev—Reagan and those around him were shaping history. We see Nancy Reagan—brooding, protective, consulting her astrologist at every turn. We see the young Christopher Hitchens—his incisive, acerbic voice lending a powerful counterpoint to events as they unfold. And we see Reagan himself: apparently warm but in fact distant and mercurial, by turns seeming to know more than he lets on and let on more than he knows. Written with impeccable language and savage wit, Finale is historical fiction of the highest order, brilliantly rendering the human drama behind these famous—and familiar—faces.

The dean of Broadway musical directors examines the dynamics of how the book, music and lyrics work together to create such hits as My Fair Lady, Fiddler on the Roof, Guys and Dolls, Hair, Pal Joey, West Side Story, Company, South Pacific, Threepenny Opera and Porgy and Bess. Howard Kissel, chief theater critic for the New York Daily News, extends the reach of Engel's subjects by bringing them up to date with commentary on such shows as A Chorus Line, Nine, Sunday in the Park with George, Rent, Working and Falsettos. Kissel offers a thoughtful history on how musical theater has evolved in the three decades since Engel wrote Words with Music (1972) and how Engel's classic work remains vital and illuminating today.

A New York Times Notable Book A Washington Post Notable Book A St. Louis Post-Dispatch Best Book of 2012 A 2013 PEN/Faulkner Award for Fiction Finalist From one of our most esteemed historical novelists, a remarkable retelling of the Watergate scandal, as seen through a kaleidoscope of its colorful perpetrators and investigators. For all the monumental documentation that Watergate generated—uncountable volumes of committee records, court transcripts, and memoirs—it falls at last to a novelist reconstruct some of the scandal’s greatest mysteries (who did erase those eighteen-and-a-half minutes of tape?) and to see this gaudy American catastrophe in its human entirety. In Watergate, Thomas Mallon conveys the drama and high comedy of the Nixon presidency through the urgent perspectives of seven characters we only thought we knew before now. Mallon achieves with Watergate a scope and historical intimacy that surpasses even what he attained in his previous novels, and turns a “third-rate burglary” into a tumultuous, first-rate entertainment.

Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades. It traces his early dance years and the importance of mentors George Abbott and Jerome Robbins on his work. It examines how each of the important women in his adult life--all dancers--impacted his career and influenced his dance aesthetic. Finally, the book investigates how his evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.

Get ready for an adventure with a little boy named Joey and his favorite stuffed turtle Iggy, as they make the most out of a day that they cannot be outside and play! Joey uses his imagination and positive mind-set to go on wondrous adventures with Iggy, all from his bedroom!

Exploring a city famous for its role in film settings and television backdrops, this book is a comprehensive guide to thousands of movie and television locations in the San Francisco Bay area. From the cement steps in Alta Plaza Park as featured in Barbra Streisand's What's Up, Doc? to the actual nightclub of Frank Sinatra's character in Pal Joey and the haunts of Don Johnson's Nash Bridges, this jaunty expedition around San Francisco and the surrounding bay explores an area featured in more than 1,500 movies. Easy-to-follow maps identify significant historical film sites, locations for classic and contemporary films, movie palaces, and production companies, making this travel guide a best bet for planning a tour of locales associated with Charlie Chaplin and Alfred Hitchcock, as well as current film-makers such as George Lucas, Francis Ford Coppola, and Clint Eastwood.

The early career of Arthur Lowe (1915-1982) was that of a typical struggling actor. First the army (No. 2 Field Entertainment Unit), then years of weekly rep. His 'big break' came in 1952 when he played Senator Brockbank in the London premiere of Irving Berlin's Call Me Madam. Then Pal Joey, then The Pajama Game. And all the time, bits on radio and television, character roles in Ealing Comedies and, repeatedly, TV commercials. In 1961 a new TV soap, rather experimental, was launched in Manchester. Arthur played Leonard Swindley. The soap was Coronation Street, and Arthur became a household face. He kept faith with 'serious acting, appearing at the National in Shakespeare, at the Royal Court in plays by John Osborne and Edward Bond, and in a string of films of Lindsay Anderson, This Sporting Life, If..., O Lucky Man. But television loved his comic genius, and Captain Mainwaring beckoned. Arthur made 81 episodes of Dad's Army in nine years... This candid and touching biography gives us Arthur from the inside - the loving husband, the pompous father, the passionate amateur sailor - but also the hard-working actor, going off to the theatre each night, regular as clockwork, with his sandwiches in a lunch-box. For the author, Arthur's only son, now 43, the book has been a journey of discovery, a voyage round his father, and there is a terrific poignancy as he unearths the man he only partly knew.