FINALE is the “thrilling and surprising conclusion” (ENTERTAINMENT WEEKLY) to the #1 NEW YORK TIMES bestselling Caraval trilogy It’s been two months since the Fates were freed, since Legend claimed the throne for his own, and since Tella discovered the boy she fell in love with doesn’t really exist. With lives, empires, and hearts hanging in the balance, Tella must decide if she’s going to trust Legend or a former enemy. After uncovering a secret that upends her life, Scarlett will need to do the impossible. And Legend has a choice to make that will forever change and define him. Caraval is over, but perhaps the greatest game of all has begun. . . . Continue Jacks’s story in ONCE UPON A BROKEN HEART—out now!

The acclaimed New York Times bestseller Welcome, welcome to Caraval--Stephanie Garber's sweeping tale of the unbreakable bond between two sisters. It's the closest you'll ever find to magic in this world... Scarlett has never left the tiny island where she and her beloved sister, Tella, live with their powerful, and cruel, father. Now Scarlett's father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval, the far-away, once-a-year performance where the audience participates in the show, are over. But this year, Scarlett's long-dreamt of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval's mastermind organizer, Legend. It turns out that this season's Caraval revolves around Tella, and whoever finds her first is the winner. Scarlett has been told that everything that happens during Caraval is only an elaborate performance. But she nevertheless becomes enmeshed in a game of love, heartbreak, and magic with the other players in the game. And whether Caraval is real or not, she must find Tella before the five nights of the game are over, a dangerous domino effect of consequences is set off, and her sister disappears forever. Welcome, welcome to Caraval . . . beware of getting swept too far away. New York Times bestseller #1 IndieNext Pick Publishers Weekly Flying Start Entertainment Weekly Best 10 YA Books of 2017 Teen Vogue Best YA Book of the Year Amazon Best Book of the Year Barnes & Noble Best Book of the Year BuzzFeed Best Book of the Year "The Hunger Games meets The Night Circus. Grade: A-." --Entertainment Weekly "Impressive, original, wondrous." --USA Today "Spellbinding." --US Weekly "Magnificent." --Publishers Weekly, starred review "I lost myself in this world." --Sabaa Tahir, author of An Ember in the Ashes "Beautifully written." --Ren e Ahdieh, author of The Wrath and the Dawn "Shimmers with magic." --Marie Rutkoski, author of The Winner's Curse "Darkly enchanting." --Kiersten White, author of And I Darken "Decadent." --Roshani Chokshi, author of The Star-Touched Queen "Like stepping into a living dream." --Stacey Lee, author of Outrun the Moon "Destined to capture imaginations." --Kirkus Reviews "Ideal for fans of The Night Circus, Stardust, and The Hunger Games." --School Library Journal

Season Finale is an inside chronicle of the entertainment industry following the unexpected rise and fall of the WB and UPN networks. In the mid-1990s, Hollywood studios Warner Bros. and Paramount Pictures each launched their own broadcast television network, hoping to become the fifth player in an industry dominated by ABC, CBS, NBC, and, more recently, Fox. Against all odds, the WB and UPN altered primetime television’s landscape, only to merge as the CW in 2006—casualties of conflicting personalities, relentless competition, and a failure to anticipate the business’s future. Following the money, egos, and risks of network television, former WB executive Susanne Daniels and Variety television reporter Cynthia Littleton expose the difficulties of trying to launch two traditional broadcast networks just as cable and the Internet were ending their dominance. Through in-depth reportage and firsthand accounts, Daniels and Littleton re-create the creative and business climate that birthed the WB and UPN, illustrating how the race to find programming spawned their heated rivalry and created shows that became icons of youth culture. Offering insider stories about shows such as Buffy the Vampire Slayer, Dawson’s Creek, 7th Heaven, Gilmore Girls, Smallville, Felicity, Girlfriends, Everybody Hates Chris, and America’s Next Top Model, the authors present the creative environment that ushered these groundbreaking programs into living rooms across America. Despite success, the WB and UPN unraveled due to corporate miscalculations, management missteps, and industry upheaval that led to their decline—and rebirth as the CW. This is a cautionary and compelling entertainment saga about a precarious moment in television history, when the transformation of the broadcast networks signaled an inevitable shift for all pop culture.

Sixteen-year old Nora finds forbidden love with a fallen angel, the New York Times Bestseller, now in paperback!

Easy-to-follow instructions help you to create publisher-quality music notation; learn to use the tools of Finale while writing your own music and arrangements; get started immediately with hundreds of professional templates, partially completed notation files, and libraries available on the companion website (www.FINALEBOOK.com); print transposed parts from scores automatically; write standard notation, guitar tablature, drum set parts, and more with this comprehensive hands-on tutorial. Teachers can create warm-up and practice exercises; write their own compositions, arrangements and method books; and simplify parts for students. --From publisher's description.

Fates unfurl in the gripping conclusion to the New York Times bestselling Hush, Hush saga. Nora is more certain than ever that she is in love with Patch. Fallen angel or no, he is the one for her. Her heritage and destiny may mean they are fated to be enemies, but there is no turning her back on him. Now Nora and Patch must gather their strength to face one last, perilous trial. Old enemies return, new enemies are made, and a friend’s ultimate betrayal threatens the peace Patch and Nora so desperately want. The battle lines are drawn—but which sides are they on? And in the end, are there some obstacles even love can’t conquer?

(Book). Fully updated for Finale 2005, this book remains the definitive guide for understanding and using this powerful, state-of-the-art music notation software. Finale's wide range of capabilities yields a steep learning curve, but The Finale Primer guides users through the powerful intricacies of Finale 2005 one step at a time. This hands-on book assists with all facets of music preparation whether transcribing an existing piece of music or creating an original work and helps maximize the benefits of Finale's invaluable capabilities in editing, reformatting, and reorganizing musical material.

Much has changed with Finale since my first edition of "Finale for Composers". It has taken me several years to write this second edition. With a new version of Finale every year, it was difficult to stay current. In a nutshell, there are a now fewer tools, but the tools that remain are more powerful and perform multiple functions. No longer do you have to use two or three tools to accomplish a common task. You are able do the same thing more quickly and more efficiently with the same tool. You may even think that the tools have become smarter. Almost all tools now have contextual menus which change based on what is selected. You access these menus by right clicking if you have a two-button mouse or by option-clicking on the Mac. Commonly used functions such as changing the key or time signature can be easily accomplished with one right click on the mouse. The other major upgrade in Finale is the addition of the Garritan Instruments. No longer are you stuck with the wimpy QuickTime sounds nor do you have to connect to an external synthesizer. With each new edition, the playback has become better and better. After countless hours of using Finale, hundreds of phone calls from musicians asking for help in Finale, and numerous lectures in the classroom teaching Finale at Carnegie Mellon University, I finally took the advice of my many colleagues, clients, friends, and students and set out to write a book on Finale. But not just any book... a book that focuses on Finale as a tool for composers. In order to get the most out of this book, I would suggest that you have at least a basic knowledge of the workings of Finale. While I will cover the more elusive features, which many users may not know, I occasionally have omitted some of the more basic skills. These skills can be easily learned from the user guide. In the beginning, Coda created Finale and it was good. Well okay, it was good but very few people realized its potential at first. The interface was clunky with a different type of click needed to accomplish various tasks command-click for this, shift-click for that, and option-click for who remembers what. And the learning curve was steeper than Mount Everest, making it all the more appealing to me. I love a challenge and no program, no matter how difficult, was going to get the better of me. So after a few weeks of fooling around with the thing, reading all of the manuals, watching the video, and hours of trial and error, I became a Finale aficionado. From that point on, I jumped right in for every upgrade they offered. I even switched between Mac and PC a few times just for good measure and used it on everything from my old Mac SE/30 to my current 2.4 GHz Quad Core 2 Duo running Vista Ultimate 64 bit. I have used Finale to print everything from simple rhythmic patterns for Eurhythmics exercises to full-blown Symphonies and Operas that were performed by professional orchestras as well as everything in between. Finale has helped me when I needed to quickly arrange a hymn for my limited voice church choir, and has brought me enough clients to start a side business as a music copyist. You may have laughed earlier when I said that Finale has changed my life, but I believe that Finale has made all of these things possible for me. I would be at a very different place in my life if it were not for Finale. Now I would like to share my success in using Finale with you in this book so you can see what it can do for you.

On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder? New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming “trouser roles”—male characters played by women—and captivating audiences far and wide with her travelling theatre company. But Ella’s flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini’s I Capuleti e i Montecchi. Weeks after the woman’s death is ruled a tragic accident, a mysterious English duke arrives in Greenwich Village on a mission. He’s certain someone is getting away with murder, and the refined aristocrat won’t travel back across the Atlantic until Ella helps him expose the truth. As Ella finds herself caught between her craft and a growing infatuation with her dashing new acquaintance, she’s determined to decode the dark secrets surrounding her co-star’s fatale finale—before the lights go dark and the culprit appears for an encore . . . [Author Photo] Kathleen Marple Kalb lives with her family in Cheshire, Connecticut. She’s currently a weekend morning anchor at New York's 1010WINS Radio, capping a career she began as a teenage DJ in rural Western Pennsylvania. She’s currently working on the next Ella Shane historical mystery. Visit us at www.kensingtonbooks.com

This comprehensive reference manual unravels all the intricacies of Finale 2014, for Windows and Mac platforms. The Finale Primer 2014 Edition helps you set up, edit, reformat, and reorganize your notation into a musical masterpiece. This fully illustrated step-by-step guide offers exercises, projects, creative ideas, and power-user tips that will improve your speed and help you become a Finale expert. This book is indispensable whether you're arranging an existing piece of music or creating an original work. This easy-to-use book includes: * Cross-platform instructions for both Macintosh and Windows * Tips to get the most out of Finale's powerful features such as HyperScribe, the Graphics Tool, and MusicScore Lite * Special sections on creative applications of Finale