A local busybody is silenced for good in this tale by “a peerless practitioner of the slightly surreal, English-village comedy-mystery” (Kirkus Reviews). In their Dorset village, neither Miss Campanula nor her friend Miss Prentice are known as lovable little old ladies. They’re waspish, gossiping snobby little old ladies, passionate only about their amateur theatrical productions, their narrowly defined opinions about how everyone else should behave . . ..and, perhaps, about the local vicar. But could one of them have been sufficiently unpleasant to provoke a murderer? For Miss Campanula has perished on her piano bench—and it’s unclear whether Miss Prentice may have been the actual intended victim . . . “A goodie.” —Kirkus Reviews “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “In her ironic and witty hands the mystery novel can be civilized literature.” —The New York Times

A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times

The inspector digs into a cold case on a New Zealand sheep farm in this “well-sustained crime story” from the Mystery Writers of America Grand Master (Kirkus Reviews). Flossie Rubrick, a highly opinionated and influential member of the New Zealand Parliament, was last seen heading off to one of the storage sheds on her sheep farm. Three weeks later, she turned up dead and packed in a bale of her own wool. What happened on the night of her long-ago disappearance? In the country on counterespionage duty, Inspector Roderick Alleyn is happy to lend a hand. “The doyenne of traditional mystery writers.” —The New York Times

This tale of murder at a snowed-in country house is a “constant puzzle to the end . . . alive with wit” (The New York Times). The unspeakably wealthy (and generally unspeakable) Jonathan Royal has decided to throw a party and, just for fun, has studded the guest list with people who loathe one another. When a blizzard imprisons them all in Royal’s country house, murder ensues, and there are nearly as many suspects as there are potential victims. Eventually, Inspector Alleyn makes his way through the snow to put things right, in this classic whodunit by the Mystery Writers of America Grand Master. “A smooth yarn.” —Kirkus Reviews (starred review)

The Ritual Wine Taste of Evil When lovely Cara Quayne dropped dead to the floor after drinking the ritual wine at the House of the Sacred Flame, she was having a religious experience of a sort unsuspected by the other initiates. Discovering how the fatal prussic acid got into the bizarre group's wine is but one of the perplexing riddles that confronts Scotland Yard's Inspector Rocerick Alleyn when he's called to discover who sent this wealthy cult member to her untimely death.

During the first winter of the twentieth century, Gilded Age trouser diva Ella Shane refuses to dim the lights on her dazzling show business career for marriage—even to a dashing British duke. But the versatile mezzo-soprano may have to put it all on the line once murder takes centerstage . . . New York City, 1900. Renowned opera singer and theatre company owner Ella may have both much to gain and much to lose by getting engaged to her courtly long-distance love, Gil Saint Auburn. But there’s little time for romance or resolutions with Gil’s aristocratic mother and aunts visiting Greenwich Village—especially when the ladies discover a dead man in the bathtub of their hotel suite. The victim’s disturbing background and subsequent demise at the elegant Waverly Place Hotel leave the group puzzled beyond the obvious certainty of an unnatural death. Adding to the confusion and mounting fear, danger explodes through Ella’s close-knit circle after a friend makes a stunning confession and Gil becomes a fresh target for violence. Now, with a London tour run fast approaching, prenuptial worries weighing heavily on her heart, and an intricate Joan of Arc aria to rehearse, can Ella decide what she’s willing to sacrifice before confronting a relentless criminal bent on watching her entire life go up in smoke?

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The village of South Mardian always observes the winter solstice with an ancient, mystical sword dance--complete with costumed performers. This year, however, the celebration turns into an execution when one of the dancers is murdered. Now Inspector Alleyn has to perform some nimble steps of his own to solve the case. Copyright © Libri GmbH. All rights reserved.

It’s “great fun” when a baker’s dozen of Golden Age authors collaborate on a whodunit—including Agatha Christie, Dorothy L. Sayers, and G. K. Chesterton (The Guardian). Originally published in 1931, The Floating Admiral is a classic literary collaboration by members of the Detection Club, in which each chapter is written by a different mystery author, with G. K. Chesterton adding a prologue after the novel was completed. Each writer was tasked with building on what the previous writer created, without ignoring or avoiding whatever plot points had come before. Although Anthony Berkeley wrote the definitive conclusion to the mystery in his final chapter, the writers all provided their own individual solutions, each in a sealed envelope, which appear in the appendix. In the words of Dorothy L. Sayers in her introduction, the spirit of the project was that of a “detection game,” for the amusement of the authors—and their readers. In the sleepy English seaside village of Whynmouth, an old sailor discovers a corpse floating serenely in a rowboat owned by the local vicar. The victim has been stabbed in the chest. It falls to Inspector Rudge to solve this most baffling mystery, in which not only the identity of the killer but the identity of the victim is called into question. The Floating Admiral includes contributions by Canon Victor L. Whitechurch, G. D. H. and Margaret Cole, Henry Wade, Agatha Christie, John Rhode, Milward Kennedy, Dorothy L. Sayers, Ronald A. Knox, Freeman Wills Crofts, Edgar Jepson, Clemence Dane, and Anthony Berkeley. “I was . . . hugely entertained by the virtuoso displays of mental gymnastics, which kept me guessing all the way.” —The Guardian

A classic Ngaio Marsh novel in which she more than lives up to her reputation as a crime writer of intelligence and style.