A photographic journey by one of the twentieth century’s great photographers through eight African countries on the cusp of independence post WWII. Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that brought him to eight African countries. In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia, and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately fifteen hundred color negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017. Todd Webb in Africa includes over 150 striking color photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Included essays engage the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.

From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.

Even before he wrote his bestselling book The Ethnic Cleansing of Palestine, historian Ilan Pappe was a controversial figure in Israel. In Out of the Frame, he gives a full account of his break with conventional Israeli scholarship and its consequences. Growing up in a conventional Israeli community influenced by the utopian visions of Theodor Herzl, Pappe was barely aware of the Nakbah in his high school years. Here, he traces his journey of discovery from the whispers of Palestinian classmates to his realization that the "enemy's" narrative of the events of 1948 was correct. After producing his Ph.D at Oxford University based on recently declassified documents in the early 1980s, he returned to Palestine determined to protect the memory of the Nakbah and struggle for the rectification of its evils. For the first time, he gives the details of the formidable opposition he faced in Israel, including death threats fed by the media, denunciations by the Knesset, and calls for him to be sacked from his post at Haifa University. This revealing work, written with dignity and humor, highlights Israel's difficulty in facing up to its past and forging a peaceful, inclusive future in Palestine.

Beverly Naidus shares her passion and strategies for teaching socially engaged art, offering, as well, a short history of the field and the candid views of more than thirty colleagues. A provocative, personal look at the motivations and challenges of teaching socially engaged arts, Arts for Change overturns conventional arts pedagogy with an activist's passion for creating art that matters. How can polarized groups work together to solve social and environmental problems? How can art be used to raise consciousness? Using candid examination of her own university teaching career as well as broader social and historical perspectives, Beverly Naidus answers these questions, guiding the reader through a progression of steps to help students observe the world around them and craft artistic responses to what they see. Interviews with over 30 arts education colleagues provide additional strategies for successfully engaging students in what, to them, is most meaningful.

"Cleveland Center for Contemporary Art has taken this opportunity to explore the language of exhibitions by examining the historical trajectory of performance art, producing new and existing live performances, and aligning that material with the possibilities of an interactive, installation-based, and documentary-style exhibition. Outside the Frame is a highly selective exhibition, designed to touch on many different forms of performance and to raise critical questions concerning the interrelationship between performance art and all other art forms."--Foreword

Look at it this way... Everywhere we look, “framing” affects how we see things. Frames restrict our view, keeping us from seeing the whole truth, and subtly influencing our take on everything from deck-chairs to democracy. This upbeat, punchy guide to framespotting will open your eyes and your mind. Learn to notice frames and it’s amazing what else you’ll see: fresh ideas; how and why you’re being hoodwinked; and how you’re part of the transition from growth to growing up. Framespotting is empowering and liberating. And you’ll never look at sprinklers or economists the same way again.

Breaking Poetry Out of the Frame a collection of verse that offers a unique look at love and at a heart being broken into tiny pieces. Author Tamara Kae shares the emotional confusion experienced when we make the wrong choices for love. Her poems offer a stark reminder that inner strength can be strongest when love passes or skips a beat. Breaking Poetry Out of the Frameconsiders the need to understand life and the hidden secrets of love through poetic healing. Seeking to examine the reality of all types of love and lust, this collection offers a reminder that love comes in many different forms, some more controversial than others. Seems like almost every wedding band sparkles with diamonds and infidelity and forget the wedding bliss the first kiss hand to hand date to date Until you decide to make Her your mate. Now it’s All too late. You say Forget wifey I’m going to explore The hottie from next door Lifelong vows you ready to diss to hit the skins of some two day three day whore.

Romance trades the open road for the high seas in the latest from the author of Focus on Me and Trust the Focus... Perpetually shy, Quinn Mathers is content to remain in the shadow of his brash best friend Jess Hartman. But before their college graduation, he and Jess have planned one last hurrah: a spring break Caribbean cruise. And it won’t be just any cruise. On board are members of the reality show Trip League, which follows young twenty-somethings on adventures around the world. Since the show’s beginning, Quinn has been fascinated by J. R. Butler, with his amazing body, warm eyes, and killer grin. Unfortunately, he’s straight—or so the world thinks. At nineteen, J. R. signed a contract to play straight for the show, and there’s no way to get out of it now. Yet with each passing day, Quinn and J. R. find it harder to keep their hands off each other and to keep out of the camera’s frame. But when the lens finally focuses on them, J. R. must decide if he’s willing to risk his career by admitting his bisexuality, and Quinn must determine if he's bold enough to stand in the spotlight with the man of his dreams... Praise for the In Focus Series “Erickson displays fantastic writing. She brings the road trip to life and delivers banter and sizzle with ease.”—RT Book Reviews “Credible characterizations and a sensitive ear for the ways men talk about love and sex make this a delectable summer read.”—Publishers Weekly “This author writes the best sexual tension and sex scenes.”—Smexy Books

'66 Frames chronicles encounters with Timothy Leary, Allen Ginsberg and many others as - in the words of Lawrence Ferlinghetti - "the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures." Gordon Ball offers a swirl of sixties life - working as assistant to film pioneer Jonas Mekas in his Third Avenue loft; visits with Andy Warhol at his Factory; antiwar marches - in a journey through the decade that took visual imagery outside the box, beyond the frame.