Lights! Camera! Outrageous! Superstar female impersonator Craig Russell and the birth of drag on the international stage. Craig Russell was an internationally admired entertainer and actor, known for his outrageous impersonations of some of Hollywood's greatest female celebrities: Mae West, Barbra Streisand, Bette Midler, Carol Channing, and Judy Garland, to name a few. Lori Russell Eadie, a shy theatre lover, was Craig's No. 1 fan and, eventually, his wife. Together they were fun, fabulous, and eschewed convention. But behind the curtains, Craig and Lori's lives were troubled by their mental health, drug addiction, sexual assault, and abuse. Through nearly one hundred interviews and extensive research, Outrageous Misfits reveals the life and legacy of one of the world's most popular female impersonators and his biggest fan.

Lights! Camera! Outrageous! Superstar female impersonator Craig Russell and the birth of drag on the international stage. Craig Russell was an internationally admired entertainer and actor, known for his outrageous impersonations of some of Hollywood's greatest female celebrities: Mae West, Barbra Streisand, Bette Midler, Carol Channing, and Judy Garland, to name a few. Lori Russell Eadie, a shy theatre lover, was Craig's No. 1 fan and, eventually, his wife. Together they were fun, fabulous, and eschewed convention. But behind the curtains, Craig and Lori's lives were troubled by their mental health, drug addiction, sexual assault, and abuse. Through nearly one hundred interviews and extensive research, Outrageous Misfits reveals the life and legacy of one of the world's most popular female impersonators and his biggest fan.

Politicians are weird - we can all agree on that. But do you know how much weirder they used to be? If not, Honourable Misfits is the book for you. Spanning from the past seven hundred years, this is a celebration of the oddest and most eccentric MPs the House of Commons has ever seen. From mad inventors and fearless adventurers to machiavellian villains and mavericks with more money than sense, it offers sixty-five pen portraits of the unique, the mysterious and the downright deranged. There is the one who built a complex network of tunnels and underground rooms underneath his estate; the one who liked to go hunting naked; the one who set himself on fire to cure his hiccups, and the one who invented a very small gun with which to kill flies. Still, they weren't all useless; there was also the MP who invented weather forecasts, and the one who documented more animal species than nearly everyone else. They weren't all good either; between the fascist turned Buddhist monk and the spy who faked his death, there are more than enough villains to go around. They also weren't all lucky; included in Honourable Misfits are tributes to MPs with tragic deaths, from falling on a turnip to getting in a car accident the day after getting elected. This is a book to celebrate human nature in all its odd, compelling complexity.

In this fun and fresh sequel to Saints and Misfits, Janna hopes her brother’s wedding will be the perfect start to her own summer of love, but attractive new arrivals have her more confused than ever. Janna Yusuf is so excited for the weekend: her brother Muhammad’s getting married, and she’s reuniting with her mom, whom she’s missed the whole summer. And Nuah’s arriving for the weekend too. Sweet, constant Nuah. The last time she saw him, Janna wasn’t ready to reciprocate his feelings for her. But things are different now. She’s finished high school, ready for college…and ready for Nuah. It’s time for Janna’s (carefully planned) summer of love to begin—starting right at the wedding. But it wouldn’t be a wedding if everything went according to plan. Muhammad’s party choices aren’t in line with his fiancée’s taste at all, Janna’s dad is acting strange, and her mom is spending more time with an old friend (and maybe love interest?) than Janna. And Nuah’s treating her differently. Just when things couldn’t get more complicated, two newcomers—the dreamy Haytham and brooding Layth—have Janna more confused than ever about what her misfit heart really wants. Janna’s summer of love is turning out to be super crowded and painfully unpredictable.

Fifteen-year-old Janna Yusuf, a Flannery O'Connor-obsessed book nerd and the daughter of the only divorced mother at their mosque, tries to make sense of the events that follow when her best friend's cousin--a holy star in the Muslim community--attempts to assault her at the end of sophomore year.

Arty, an abnormally short fourteen-year-old boy, enlists the help of a group of students, known at school as the "pathetic losers," to take revenge against his abusive, tall fraternal twin brother.

Suspended from her job as a promising police officer for firing "one bullet too many", Anne Capestan is expecting the worst when she is summoned to H.Q. to learn her fate. Instead, she is surprised to be told that she is to head up a new police squad, working on solving old cold cases. Though relieved to still have a job, Capestan is not overjoyed by the prospect of her new role. Even less so when she meets her new team: a crowd of misfits, troublemakers and problem cases, none of whom are fit for purpose and yet none of whom can be fired. But from this inauspicious start, investigating the cold cases throws up a number a number of strange mysteries for Capestan and her team: was the old lady murdered seven years ago really just the victim of a botched robbery? Who was behind the dead sailor discovered in the Seine with three gunshot wounds? And why does there seem to be a curious link with a ferry that was shipwrecked off the Florida coast many years previously? Translated from the French by Sam Gordon

The underground world of con men, winos, prostitutes, laborers, and artists has been an abundant source of material for great writers from Dickens to Bukowski. The underground world of Taos, New Mexico, is no different. In the late 1950s this mountain town was higher, brighter, poorer, and farther removed than London, Paris, or Los Angeles, but it was every bit as rich for the explorations of a young writer. Max Evans, the beloved New Mexican writer of such enduring classics of Western fiction as The Rounders and The Hi-Lo Country, returns to form with The King of Taos. Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and—mostly—talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion.

Finalist for the 2020 Kobo Emerging Writer Prize in Nonfiction Joanne Vannicola grew up in a violent home with a physically abusive father and a mother who had no sexual boundaries. After being pressured to leave home at fourteen, and after fifteen years of estrangement, Joanne learns that her mother is dying. Compelled to reconnect, she visits with her, unearthing a trove of devastating secrets. Joanne relates her journey from child performer to Emmy Award–winning actor, from hiding in the closet to embracing her own sexuality, from conflicted daughter and sibling to independent woman. All We Knew But Couldn’t Say is a testament to survival, love, and the belief that it is possible to love the broken, and to love fully, even with a broken heart.

* Accessible to both lay readers and decision-makers * These stories are as exciting, if even more exciting, than even the most fast-paced movie adventure. Hackers strike quickly and with disastrous results. The story and post-mortems are fascinating * Homes are becoming increasingly wired and, thanks to Wi-Fi, unwired. What are the associated risks of fast Internet? * Technology is everywhere. People who subvert and damage technology will soon by enemy #1. * The author is an internationally recognized authority on computer security