POSITIVE POETRY FOR THE OPEN MINDED. WORDS OF SELF EMPOWERMENT WITH A POETICAL DELIVERY PUNCH DESIGNED FROM OUT THE BOX THINKING IN REAL LIFE SITIUATIONS.

A new revision of the classic anthology presents 195 poets and 1,596 poems representing the range of English language modern and contemporary poetry.

Horace speaks of poetry delighting and instructing. While Evaluations of US Poetry since 1950, Volume 1 explores the pleasures of poetry--its language, forms, and musicality--volume 2 focuses on the public dimensions. In this volume, von Hallberg and Faggen have gathered a diverse selection of poets to explore questions such as: How does poetry instruct a society with a highly evolved knowledge industry? Do poems bear a relation to the disciplined idioms of learning? What do poets think of as intellectual work? What is the importance of recognizable subject matter? What can honestly be said by poets concerning this nation so hungry for learning and so fixated on its own power? To these questions, the literary critics collected here find some answers in the poetry of Robert Pinsky, Susan Howe, Robert Hass, Anthony Hecht, Adrienne Rich, Sharon Olds, Ed Dorn, and August Kleinzahler.

A special collection of poems written with a desire to give dignity and voice to those often shamed and ostracised, particularly by religion.

Poetry. Fiction. Ribitch was a surrealist, artist, poet, photographer, and storyteller. For the first time ever, his complete writings have been collected in two volumes, a project he started and his friends and family finished. This two-volume collection encompasses 50 years of his creative expression.

Provides up-to-date profiles on the careers of leading and emerging poets.

“Directors today are equipped with a larger toolbox than their forerunners, standing on their shoulders as well as those of pioneers in non-Western theater, experimental visual art, community-based theater, and the ever-evolving commercial theater scene.”— Jason Loewith This second volume presents a cross-section of the most diverse and dynamic stage directors defining today’s American theater, in conversation with director/producer Jason Loewith. A follow-up to the immensely popular first volume, which has sold over eighteen thousand copies, much has changed in the twenty years since The Director’s Voice debuted. “The nonprofit model has been turned on its head,” Loewith notes. “Institution-building is out for these directors; creating a distinctive voice from a multiplicity of influences is in.” Together, these directors sketch a compelling portrait of the art form in the new century. Interviews include: Anne Bogart, Mark Brokaw, Peter Brosius, Ping Chong, David Esbjornson, Oskar Eustis, Frank Galati, Michael Kahn, Moisés Kaufman, James Lapine, Elizabeth LeCompte, Emily Mann, Michael Mayer, Marion McClinton, Bill Rauch, Bartlett Sher, Julie Taymor, Theatre de la Jeune Lune (Barbra Berlovitz, Steven Epps, Vincent Gracieux, Robert Rosen, and Dominique Serrand), George C. Wolfe, and Mary Zimmerman. Jason Loewith is a producer, director, and writer. He has served since 2002 as artistic director of Chicago’s Next Theatre Company, where he conceived, co-wrote, and produced Adding Machine: A Musical, which had an award-winning run off-Broadway.

The Story of a Desert Knight is the second volume of a trilogy entitled Oral Poetry and Narratives from Central Arabia. It is devoted to the narratives told about and the poems composed by Šlēwīḥ al-‘Aṭāwi and his brother Bxīt, both famous desert knights in the middle and second half of the nineteenth century. The principal source of this book is Šlēwīḥ's great-grandson Xālid, a sheikh of the ‘Utaybah tribe. The introduction discusses inter alia the general characteristics of Bedouin oral culture, the linguistic, prosodic and stylistic features of the text, and Xālid's use of his ancestors' oral legacy in order to enhance his position in the tribal hierarchy of prestige. In addition to the translation of the oral text this volume offers a complete transcription, based on taped records and including variants found in published Saudi sources, and a substantial glossary.

Interviews with leading stage directors working in the American theater.