The compelling biography of the violinist who founded the symphony that became the Israel Philharmonic Orchestra and saved hundreds of people from Hitler—as seen in Josh Aronson’s documentary Orchestra of Exiles. At fourteen, Bronislaw Huberman played the Brahms Violin Concerto in Vienna—winning high praise from the composer himself, sparking his legendary career as a musical superstar. But after witnessing the tragedy of World War I, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan-European Movement. When hope for their noble vision was destroyed by the rise of Nazism, Huberman began a crusade that would become his greatest legacy—the creation, in 1936, of the Palestine Symphony, which twelve years later became the Israel Philharmonic Orchestra. This deluxe digital edition of Orchestra of Exiles features exclusive video extras, including an interview with author and filmmaker Josh Aronson, as well as scholars, renowned musicians and conductors including Itzhak Perlman, current members of the Israeli Philharmonic Orchestra, and others who discuss the inspiration, impact, and historical context of Bronislaw Huberman's life-saving mission. Also included is the Orchestra of Exiles PBS movie trailer.

The compelling biography of the violinist who founded the Palestine Symphony Orchestra and saved hundreds of people from Hitler—as seen in Josh Aronson’s documentary Orchestra of Exiles. “The true artist does not create art as an end in itself. He creates art for human beings. Humanity is the goal.”—Bronislaw Huberman At fourteen, Bronislaw Huberman played the Brahms Violin Concerto in Vienna— winning high praise from the composer himself, who was there. Instantly famous, Huberman began touring all over the world and received invitations to play for royalty across Europe. But after witnessing the tragedy of World War I, he committed his phenomenal talent and celebrity to aid humanity. After studying at the Sorbonne in Paris, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan European Movement. But when hope for their noble vision was destroyed by the rise of Nazism, Huberman began a crusade that would become his greatest legacy—the creation, in 1936, of the Palestine Symphony, which twelve years later became the Israel Philharmonic Orchestra. In creating this world-level orchestra, Huberman miraculously arranged for the very best Jewish musicians and their families to emigrate from Nazi-threatened territories. His tireless campaigning for the project—including a marathon fundraising concert tour across America—ultimately saved nearly a thousand Jews from the approaching Holocaust. Inviting the great Arturo Toscanini to conduct the orchestra’s first concert, Huberman’s clarion call of art over cruelty was heard around the world. His story contains estraordinary adventures, riches and royalty, politicians and broken promises, losses and triumphs. Against near impossible obstacles, Huberman refused to give up on his dream to create a unique and life-saving orchestra of exiles which was one of the great cultural achievements of the 20th century. Includes Photographs

(Book). The late Lowell George is best known as the lead singer, slide guitarist, songwriter and producer of Little Feat. George's humor and surreal lyrics became a Little Feat trademark, making songs like "Fat Man in the Bathtub" and "Dixie Chicken" unforgettable. Rock and Roll Doctor explores the genius that animated Little Feat from George's early bands to his work with Frank Zappa, landmark albums such as Feats Don't Fail Me Now and The Last Record Album , and his later production work with Linda Ronstadt and the Grateful Dead. George's colorful childhood is covered in depth as is his solo career after Little Feat that was cut short tragically. Each Little Feat album is treated to a separate chapter that examines the development of every song how it was conceived, recorded and produced. The analysis of Little Feat's complex rhythms will fascinate musicians and fans alike. "Lowell George was the best singer, songwriter and guitar player I have ever heard, hands down, in my life." Bonnie Raitt

With the warmth and humor we've come to know, the creator and host of A Prairie Home Companion shares his own remarkable story. In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation. He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”

My father wrote this unpublished manuscript in 1975 and stated then that "this was the first linguistically oriented book on the Yiddish language as a whole, as opposed to monographs on specific aspects of Yiddish linguistics, to be written in English." As for the title (usually spelt mamaloshen) he said 'the restriction of the Yiddish recorded in this book to the "Yiddish my mother taught me" strengthens some of the contentions advanced in it'. Thus, in stressing the importance of the Hebrew elements in Yiddish, the author only uses the Hebrew words and phrases he recalled actually hearing from his mother. The book seeks to analyse the various strands: German, Hebrew-Aramaic, Polish-Russian, that have gone into the making of Yiddish. It tries to bring out the strength of the Hebrew element and to show that the German element is not bad or corrupt German, but normal Middle High German.Whatever can be said about the Yiddish recorded in these pages, the reader can rest assured that it is not factitious. The writer would claim it to be normal, authentic (not Standard) Yiddish. "Standard" Yiddish was laid down by Yivo, the Yiddish Scientific Institute of New York, too late, alas; after the Holocaust. The slaughter of millions of virtually unilingual Yiddish speakers, together with the loss by natural causes of millions of Jews in the USA and the USSR who spoke Yiddish as their mother tongue, meant that those who could have been expected to adopt a "Standard" Yiddish were a fraction of those who had spoken it for generations previously without benefit of "standards".

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post

The gods grant immortality to the mermaid Sirena when she rescues a human man from the sea and they fall in love, but his mortality creates great conflict between love and honor when he is called to defend Greece in the Trojan War.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Meet fourteen-year-old Gary. A self-described "tree-toad,"a sly and endearing geek, Gary has many unwieldy passions, chief among them his cousin Kate, his Underwood typewriter and the soft-porn masterpiece, High School Orgies. The folks of Lake Wobegon don't have much patience for a kid's ungodly obsessions, and so Gary manages to filter the hormonal earthquake that is puberty and his hopeless devotion to glamorous, rebellious Kate through his fantastic yarns. With every marvellous story he moves a few steps closer to becoming a writer. And when Kate gets herself into trouble with the local baseball star, Gary also experiences the first pangs of a broken heart. With his trademark gift for treading "a line delicate as a cobweb between satire and sentiment"(Cleveland Plain Dealer), Garrison Keillor brilliantly captures a newly minted post-war America and delivers an unforgettable comedy about a writer coming of age in the rural Midwest.

Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music.