The compelling biography of the violinist who founded the Palestine Symphony Orchestra and saved hundreds of people from Hitler--as seen in Josh Aronson's documentary Orchestra of Exiles. "The true artist does not create art as an end in itself. He creates art for human beings. Humanity is the goal."--Bronislaw Huberman At fourteen, Bronislaw Huberman played the Brahms Violin Concerto in Vienna-- winning high praise from the composer himself, who was there. Instantly famous, Huberman began touring all over the world and received invitations to play for royalty across Europe. But after witnessing the tragedy of World War I, he committed his phenomenal talent and celebrity to aid humanity. After studying at the Sorbonne in Paris, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan European Movement. But when hope for their noble vision was destroyed by the rise of Nazism, Huberman began a crusade that would become his greatest legacy--the creation, in 1936, of the Palestine Symphony, which twelve years later became the Israel Philharmonic Orchestra. In creating this world-level orchestra, Huberman miraculously arranged for the very best Jewish musicians and their families to emigrate from Nazi-threatened territories. His tireless campaigning for the project--including a marathon fundraising concert tour across America--ultimately saved nearly a thousand Jews from the approaching Holocaust. Inviting the great Arturo Toscanini to conduct the orchestra's first concert, Huberman's clarion call of art over cruelty was heard around the world. His story contains estraordinary adventures, riches and royalty, politicians and broken promises, losses and triumphs. Against near impossible obstacles, Huberman refused to give up on his dream to create a unique and life-saving orchestra of exiles which was one of the great cultural achievements of the 20th century. Includes Photographs

The compelling biography of the violinist who founded the symphony that became the Israel Philharmonic Orchestra and saved hundreds of people from Hitler—as seen in Josh Aronson’s documentary Orchestra of Exiles. At fourteen, Bronislaw Huberman played the Brahms Violin Concerto in Vienna—winning high praise from the composer himself, sparking his legendary career as a musical superstar. But after witnessing the tragedy of World War I, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan-European Movement. When hope for their noble vision was destroyed by the rise of Nazism, Huberman began a crusade that would become his greatest legacy—the creation, in 1936, of the Palestine Symphony, which twelve years later became the Israel Philharmonic Orchestra. This deluxe digital edition of Orchestra of Exiles features exclusive video extras, including an interview with author and filmmaker Josh Aronson, as well as scholars, renowned musicians and conductors including Itzhak Perlman, current members of the Israeli Philharmonic Orchestra, and others who discuss the inspiration, impact, and historical context of Bronislaw Huberman's life-saving mission. Also included is the Orchestra of Exiles PBS movie trailer.

A "novel based on an unexplored slice of World War II history, following a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia"--

Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Chapter 1. Lost -- Chapter 2. A Family Long Free -- Chapter 3. City of Sound -- Chapter 4. City of Dust -- Chapter 5. City of Song -- Chapter 6. City of Exile -- Chapter 7. The Lost Violin -- Chapter 8. Found -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z

Interviews with famous jazz musicians about their experiences palying abroud. Interviewees include : Garvin Bushell, Bud Freeman, JAy Cameron, BobDorough, Art Farmer, Mark Murphy, Eddie "Lockjaw" Davis, Phil Woods, Jon Hendricks, NAthan Davis, Red Mitchell, Donald "Duck" Bailey.

"Originally published in Great Britain by Persephone Books"--Title page verso.

After her beloved dad got addicted to right-wing talk radio and Fox News, Jen Senko feared he would never be the same again... Frank Senko had always known how to have a good time. Despite growing up in a poverty-stricken family during the Depression and having to fight his way to middle-class status as an adult, he tended to look on the bright side. But after a job change forced Frank to begin a long car commute every day, his daughter Jen noticed changes in his personality and beliefs. Long hours on the road listening to talk radio commentators like Rush Limbaugh sucked her father into a suspicion-laden worldview dominated by conspiracy theories, fake news, and rants about the "coastal elite" and "libtards" trying to destroy America. Over the course of a few years, Jen's dad went from a nonpolitical, open-minded Democrat to a radical, angry, and intolerant right-wing devotee who became a stranger to those closest to him. As politics began to take precedence over everything else in her father's life, Jen was mystified. What happened to her dad? Was there anything she could do to help? And, most importantly, would he ever be his lovable self again? Jen began the search for answers, and found them... as well stories from countless other families like her own. Based on the award-winning documentary, The Brainwashing of My Dad uncovers the alarming right-wing strategy to wield the media as a weapon against our very democracy. Jen's story shows us how Fox News and other ultra-conservative media outlets are reshaping the way millions of Americans view the world, and encourages us to fight back.

This volume presents for the first time a study of the interface between exile and travel within the context of exile from Nazi Germany. The nineteen essays share the overarching aim to compare the tropes of travel and exile as generators of a critical discourse and as central categories within German exile, in particular literature, music and film. The essays are guided by powerful questions: How does travel compare to exile, and how much overlap is there between these two categories? How do exiles travel, as practitioners of displacement? Or rather, to what extent does the concept of travel apply to the exilic predicament? Do the terms “exile” and “travel” still have validity in our postmodern era of cosmopolitanism, ever increasing mobility, the embrace of otherness, and tourism? How does exile literature in which travel is thematized compare to the tradition(s) of travel writing? And how are the critical moments of leavetaking, re-membering home, and return imagined and narrated? The essays feature numerous German and Austrian authors, musicians, and filmmakers and lend fresh insights into German Exile and the field of Exile Studies at large.

Zubin Mehta: A Musical Journey traces the nearly six-decade long, rich and uniquely varied career of the maestro. The only musician ever to simultaneously direct two major orchestras in North America, Mehta has worked with the most distinguished artistes of the last century. His extraordinary journey from Mumbai to some of the most prestigious podiums of the music world is a saga of genius and dedication. This meticulously researched authorized biography explores his life, musical legacy and association with the Israel Philharmonic Orchestra. Engagingly written, it offers an insightful window into the life of one of the twentieth century’s greatest conductors.

My father wrote this unpublished manuscript in 1975 and stated then that "this was the first linguistically oriented book on the Yiddish language as a whole, as opposed to monographs on specific aspects of Yiddish linguistics, to be written in English." As for the title (usually spelt mamaloshen) he said 'the restriction of the Yiddish recorded in this book to the "Yiddish my mother taught me" strengthens some of the contentions advanced in it'. Thus, in stressing the importance of the Hebrew elements in Yiddish, the author only uses the Hebrew words and phrases he recalled actually hearing from his mother. The book seeks to analyse the various strands: German, Hebrew-Aramaic, Polish-Russian, that have gone into the making of Yiddish. It tries to bring out the strength of the Hebrew element and to show that the German element is not bad or corrupt German, but normal Middle High German.Whatever can be said about the Yiddish recorded in these pages, the reader can rest assured that it is not factitious. The writer would claim it to be normal, authentic (not Standard) Yiddish. "Standard" Yiddish was laid down by Yivo, the Yiddish Scientific Institute of New York, too late, alas; after the Holocaust. The slaughter of millions of virtually unilingual Yiddish speakers, together with the loss by natural causes of millions of Jews in the USA and the USSR who spoke Yiddish as their mother tongue, meant that those who could have been expected to adopt a "Standard" Yiddish were a fraction of those who had spoken it for generations previously without benefit of "standards".