In The Ethics of Opting Out, Mari Ruti provides an accessible yet theoretically rigorous account of the ideological divisions that have animated queer theory during the last decade, paying particular attention to the field's rejection of dominant neoliberal narratives of success, cheerfulness, and self-actualization. More specifically, she focuses on queer negativity in the work of Lee Edelman, Jack Halberstam, and Lynne Huffer, and on the rhetoric of bad feelings found in the work of Sara Ahmed, Lauren Berlant, David Eng, Heather Love, and José Muñoz. Ruti highlights the ways in which queer theory's desire to opt out of normative society rewrites ethical theory and practice in genuinely innovative ways at the same time as she resists turning antinormativity into a new norm. This wide-ranging and thoughtful book maps the parameters of contemporary queer theory in order to rethink the foundational assumptions of the field.

Opting Out explores the theme of deviance as a form of protest in famous cult novels that have left an indelible mark on contemporary American culture – from Jack Kerouac's On the Road to Chuck Palahniuk’s Fight Club. Adopting a generational lens, it centers on the deviant heroes and literary spokesmen of two major cohorts: the Baby Boomers and Generation X. Here for the first time the cult texts that defined these generations are submitted to a critical analysis that allows them to enter into a dialogue – or rather a heated debate – with each other. This opens new perspectives on the generation gap in America since 1945, offering a dynamic look at the role of youth as agents of social change and cultural innovation. The volume is of interest to students and researchers in contemporary American literature and culture, as well as to fans of cult fiction in general. The interdisciplinary approach to the themes of generational conflict and deviant behaviour also makes a significant contribution to the fields of sociology, contemporary history and cultural studies.

The foundational text of libertarian thought, named one of the 100 Most Influential Books since World War II (Times Literary Supplement) First published in response to John Rawls' A Theory of Justice, Robert Nozick's Anarchy, State, and Utopia has since become one of the defining texts in classic libertarian thought. Challenging and ultimately rejecting liberal, socialist, and conservative agendas, Nozick boldly asserts that the rights of individuals are violated as a state's responsibilities increase—and the only way to avoid these violations rests in the creation of a minimalist state limited to protection against force, fraud, theft, and the enforcement of contracts. Winner of the 1975 National Book Award, Anarchy, State and Utopia remains one of the most philosophically rich defenses of economic liberalism to date. With a new foreword by Thomas Nagel, this revised edition introduces Nozick and his work to a new generation of readers.

Imagine a capitalist paradise. An island utopia governed solely by the rules of the market and inspired by the fictions of Ayn Rand and Robinson Crusoe. Sound far-fetched? It may not be. The past half century is littered with the remains of such experiments in what Raymond Craib calls “libertarian exit.” Often dismissed as little more than the dreams of crazy, rich Caucasians, exit strategies have been tried out from the southwest Pacific to the Caribbean, from the North Sea to the high seas, often with dire consequences for local inhabitants. Based on research in archives in the US, the UK, and Vanuatu, as well as in FBI files acquired through the Freedom of Information Act, Craib explores in careful detail the ideology and practice of libertarian exit and its place in the histories of contemporary cap­italism, decolonization, empire, and oceans and islands. Adventure Capitalism is a global history that intersects with an array of figures: Fidel Castro and the Koch brothers, American segregationists and Melanesian socialists, Honolulu-based real estate speculators and British Special Branch spies, soldiers of fortune and English lords, Orange County engineers and Tongan navigators, CIA operatives and CBS news executives, and a new breed of techno-utopians and an old guard of Honduran coup leaders. This is not only a history of our time but, given the new iterations of privatized exit—seasteads, free private cities, and space colonization—it is also a history of our future.

One hundred kilometers from Seville, there is a small village, Marinaleda, that for the last thirty years has been at the center of a long struggle to create a communist utopia. In a story reminiscent of the Asterix books, Dan Hancox explores the reality behind the community where no one has a mortgage, sport is played in the Che Guevara stadium and there are monthly "Red Sundays" where everyone works together to clean up the neighbourhood. In particular he tells the story of the village mayor, Sanchez Gordillo, who in 2012 became a household name in Spain after leading raids on local supermarkets to feed the Andalucian unemployed.

After the breakdown of socialist and communist systems in the East, it had become fashionable to declare the so-called "end of utopia" ("end of history," "end of narratives"). The authors of this volume do not share this view but think that it is time to rehabilitate utopian thought. The political concept of Utopia that has given its name to these transcendental projections onto the world has been too narrow to describe and analyze the moving forces of the mind perceiving human existence beyond reality. By broadening the perspectives of utopian studies, these essays enable the reader to reconstruct scholarly paradigms and strategies of utopian, complex and holistic thinking in modern cosmology, philosophy, sociology, in literary, historical and political sciences, and to compare traditions and ways of Western utopian thought to the practice in the East.

Memories of Empire is a trilogy which explores the complex, subterranean political currents which emerged in English society during the years of postwar decolonization. Bill Schwarz shows that, through the medium of memory, the empire was to continue to possess strange afterlives long after imperial rule itself had vanished. The White Man's World, the first volume in the trilogy, explores ideas of the white man as they evolved during the time of the British Empire, from the mid-nineteenth century to the mid-twentieth century, looking particularly at the transactions between the colonies and the home society of England. The story works back from the popular response to Enoch Powell's 'Rivers of Blood' speech in 1968, in which identifications with racial whiteness came to be highly charged. Driving this new racial politics, Bill Schwarz proposes, were unappeased memories of Britain's imperial past. The White Man's World surveys the founding of the so-called white colonies, looking in particular at Australia, South Africa, and Rhodesia, and argues that it was in this experience that contemporary meanings of racial whiteness first cohered. These colonial nations - 'white men's countries', as they were popularly known - embodied the conviction that the future of humankind lay in the hands of white men. The systems of thought which underwrote the ideas of the white man, and of the white man's country, worked as a form of ethnic populism, which gave life to the concept of Greater Britain. But if during the Victorian and Edwardian period the empire was largely narrated in heroic terms, in the masculine mode, by the time of decolonization in the 1960s racial whiteness had come to signify defeat and desperation, not only in the colonies but in the metropole too. Identifications with racial whiteness did not disappear in England in the moment of decolonization: they came alive again, fuelled by memories of what whiteness had once represented, recalling the empire as a lost racial utopia.

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Enoch Powell's explosive rhetoric against black immigration and anti-discrimination law transformed the terrain of British race politics and cast a long shadow over British society. Using extensive archival research, Camilla Schofield offers a radical reappraisal of Powell's political career and insists that his historical significance is inseparable from the political generation he sought to represent. Enoch Powell and the Making of Postcolonial Britain follows Powell's trajectory from an officer in the British Raj to the centre of British politics and, finally, to his turn to Ulster Unionism. She argues that Powell and the mass movement against 'New Commonwealth' immigration that he inspired shed light on Britain's war generation, popular understandings of the welfare state and the significance of memories of war and empire in the making of postcolonial Britain. Through Powell, Schofield illuminates the complex relationship between British social democracy, racism and the politics of imperial decline in Britain.