One hundred kilometers from Seville, there is a small village, Marinaleda, that for the last thirty years has been at the center of a long struggle to create a communist utopia. In a story reminiscent of the Asterix books, Dan Hancox explores the reality behind the community where no one has a mortgage, sport is played in the Che Guevara stadium and there are monthly "Red Sundays" where everyone works together to clean up the neighbourhood. In particular he tells the story of the village mayor, Sanchez Gordillo, who in 2012 became a household name in Spain after leading raids on local supermarkets to feed the Andalucian unemployed.

One hundred kilometers from Seville lies the small village of Marinaleda, which for the last thirty-five years has been the center of a tireless struggle to create a living utopia. Today, Marinaleda is a place where the farms and the processing plants are collectively owned and provide work for everyone who wants it. As Spain's crisis becomes ever more desperate, Marinaleda also suffers from the international downturn. Can the village retain its utopian vision? Can the iconic mayor Sánchez Gordillo hold on to the dream against the depredations of the world beyond his village?

In retrospect, my life appears to me like a meandering river which started out as a small stream in the mountains of the volcanic Eifel. The stream eventually collected more waters, grew broader and broader, and branched out into a huge network that now encompasses the whole world. In this autobiography Maria Mies packs in seventy-seven years of life: from the small German village of her childhood, to the world of the Indian subcontinent. Sociologist and womens studies researcher, scholar, ecofeminist, and international activist against violence against women and exploitation through globalisation, Maria Mies is one of the worlds original thinkers. Her achievements include developing groundbreaking praxis and theory around the concept of "housewifisation", the violence of colonisation and profound writings about ecofeminism. She fights the Multilateral Agreement of Investment, she fights the General Agreement on Trade in Services, she fights against the patenting of life and tackles reproductive and genetic engineering as well as food security, but she never gives up hope that there is an alternative to present day injustice and exploitation; that "the good life" is possible. And Maria never forgets her origins: Despite all my travels around the world, I have never forgotten where I came from: from a peasant family in a small village. This not only helped me keep my feet on the ground, but also protected me from excessive romanticism and quixotic idealism. I know that the food doesnt come from the supermarket but from the soil.

Porter challenges the powerful ideology of "Globalism" that is widely subscribed to by the US national security community. Globalism entails visions of a perilous shrunken world in which security interests are interconnected almost without limit, exposing even powerful states to instant war. Globalism does not just describe the world, but prescribes expansive strategies to deal with it, portraying a fragile globe that the superpower must continually tame into order. Porter argues that this vision of the world has resulted in the US undertaking too many unnecessary military adventures and dangerous strategic overstretch. Distance and geography should be some of the factors that help the US separate the important from the unimportant in international relations. The US should also recognize that, despite the latest technologies, projecting power over great distances still incurs frictions and costs that set real limits on American power. Reviving an appreciation of distance and geography would lead to a more sensible and sustainable grand strategy.

President Barack Obama’s mother, S. Ann Dunham, was an economic anthropologist and rural development consultant who worked in several countries including Indonesia. Dunham received her doctorate in 1992. She died in 1995, at the age of 52, before having the opportunity to revise her dissertation for publication, as she had planned. Dunham’s dissertation adviser Alice G. Dewey and her fellow graduate student Nancy I. Cooper undertook the revisions at the request of Dunham’s daughter, Maya Soetoro-Ng. The result is Surviving against the Odds, a book based on Dunham’s research over a period of fourteen years among the rural metalworkers of Java, the island home to nearly half Indonesia’s population. Surviving against the Odds reflects Dunham’s commitment to helping small-scale village industries survive; her pragmatic, non-ideological approach to research and problem solving; and her impressive command of history, economic data, and development policy. Along with photographs of Dunham, the book includes many pictures taken by her in Indonesia. After Dunham married Lolo Soetoro in 1967, she and her six-year-old son, Barack Obama, moved from Hawai‘i to Soetoro’s home in Jakarta, where Maya Soetoro was born three years later. Barack returned to Hawai‘i to attend school in 1971. Dedicated to Dunham’s mother Madelyn, her adviser Alice, and “Barack and Maya, who seldom complained when their mother was in the field,” Surviving against the Odds centers on the metalworking industries in the Javanese village of Kajar. Focusing attention on the small rural industries overlooked by many scholars, Dunham argued that wet-rice cultivation was not the only viable economic activity in rural Southeast Asia. Surviving against the Odds includes a preface by the editors, Alice G. Dewey and Nancy I. Cooper, and a foreword by her daughter Maya Soetoro-Ng, each of which discusses Dunham and her career. In his afterword, the anthropologist and Indonesianist Robert W. Hefner explores the content of Surviving against the Odds, its relation to anthropology when it was researched and written, and its continuing relevance today.

When a diphtheria epidemic hits her 1840 village, thirteen-year-old Jessie discovers it is actually a 1996 tourist site under unseen observation by heartless scientists, and it's up to Jessie to escape the village and save the lives of the dying children.

The long-awaited follow-up to the critically acclaimed, Booker longlisted Gifted, a provocative novel about an experimental open prison in India and the havoc a team of journalists wreaks on the delicate moral code of the inmates. After a long journey from England, Ray Bhullar arrives early on a winter morning at the gates of a remote Indian village called Ashwer which will be her home for the next three months. The door of the hut she will share with Serena, her English co-worker, is a loose sheet of metal, the windows simple holes in the walls. Beyond the lockless door, village life goes on as usual. And yet, the village is anything but normal. Despite the domestic chores being carried out, cooking, fetching water and sewing and laundering linens, Ashwer is a village of murderers, an experimental open prison. And when Ray and her crew take up residence, to observe and to make a documentary, it seems that they are innocent visitors into a violent world, on a mission to hold the place up to viewers as the ultimate example of tolerance. But the longer Ray and her colleagues stay and their need for drama intensifies, the line between innocence and guilt begins to blur and an unexpected and terrifying new kind of cruelty emerges. A mesmerizing and heartfelt tale of manipulation and personal morality, Nikita Lalwani's new novel brilliantly exposes how truly frail our moral judgment can be.

1. Technology myths and histories -- 2. Digital stories from the developing world -- 3. Native Americans, networks, and technology -- 4. Multiple voices : performing technology and knowledge -- 5. Taking back our media.

2020 Palestine Book Awards Winner 2021 Aspen Words Literary Prize Finalist “Susan Abulhawa possesses the heart of a warrior; she looks into the darkest crevices of lives, conflicts, horrendous injustices, and dares to shine light that can illuminate hidden worlds for us.” —Alice Walker, Pulitzer Prize–winning author In this “beautiful...urgent” novel (The New York Times), Nahr, a young Palestinian woman, fights for a better life for her family as she travels as a refugee throughout the Middle East. As Nahr sits, locked away in solitary confinement, she spends her days reflecting on the dramatic events that landed her in prison in a country she barely knows. Born in Kuwait in the 70s to Palestinian refugees, she dreamed of falling in love with the perfect man, raising children, and possibly opening her own beauty salon. Instead, the man she thinks she loves jilts her after a brief marriage, her family teeters on the brink of poverty, she’s forced to prostitute herself, and the US invasion of Iraq makes her a refugee, as her parents had been. After trekking through another temporary home in Jordan, she lands in Palestine, where she finally makes a home, falls in love, and her destiny unfolds under Israeli occupation. Nahr’s subversive humor and moral ambiguity will resonate with fans of My Sister, The Serial Killer, and her dark, contemporary struggle places her as the perfect sister to Carmen Maria Machado’s Her Body and Other Parties. Written with Susan Abulhawa’s distinctive “richly detailed, beautiful, and resonant” (Publishers Weekly) prose, this powerful novel presents a searing, darkly funny, and wholly unique portrait of a Palestinian woman who refuses to be a victim.

The instant #1 New York Times bestseller. In time for the twentieth anniversary of 9/11, master storyteller Alan Gratz (Refugee) delivers a pulse-pounding and unforgettable take on history and hope, revenge and fear -- and the stunning links between the past and present. September 11, 2001, New York City: Brandon is visiting his dad at work, on the 107th floor of the World Trade Center. Out of nowhere, an airplane slams into the tower, creating a fiery nightmare of terror and confusion. And Brandon is in the middle of it all. Can he survive -- and escape? September 11, 2019, Afghanistan: Reshmina has grown up in the shadow of war, but she dreams of peace and progress. When a battle erupts in her village, Reshmina stumbles upon a wounded American soldier named Taz. Should she help Taz -- and put herself and her family in mortal danger? Two kids. One devastating day. Nothing will ever be the same.