Pioneers -- Northwest, women pioneers.

This true story of a Victorian-era young woman who follows her husband to a small town with the improbable name of Gilt Edge, Montana, will remind readers of Wallace Stegner's Angle of Repose, the classic novel of a woman's life in the Mountain West. As a young girl, Lillian Weston, the author's grandmother, aspired to be a concert pianist. However, as a young woman in turn-of-the-century New York, she became a newspaper columnist. Her marriage to Frank Hazen took her west in 1899, ending her career as a newspaperwoman. She turned her writing skills to journals, diaries, stories, and poems, which traced her family's life on a frontier that was no longer unspoiled. The Hazens endured brutal winters and dry summers and endeavored to raise cattle and chickens by trial and error. Lillian was an assiduous diarist who included details of her turbulent marriage challenged by Frank's bad business deals. The details of birth control and child rearing, gambling and prostitution, education and health care are all part of this story, offering glimpses into everyday life that often go unreported in the larger story of western expansion.

Combining reminiscence, travelogue, history, and interviews with Iranians from all walks of life, a journey through modern-day Iran reveals a nation shrouded by misunderstanding, cultural stereotypes, and hostility.

Uses selections from diaries, public records, letters, interviews, and fiction to describe the experiences of women in the West, including Indians, servants, waitresses, prostitutes, and farmers

Portraits of fourteen women who graduated from West Point and served in the Army, highlighting their character, accomplishments, leadership, ordeals and sacrifices.

More than 140 period photographs and excerpts from letters, diaries, books, and journals provide insight into daily life in the American West for women in the nineteenth century. Winner of the Pacific Northwest Booksellers Award. Reprint.

"During the summer of 1991 Victoria Jason embarked on a journey together with Don Starkell (author of the bestselling Paddle to the Amazon) and Fred Reffler to kayak the Northwest Passage, starting at Churchill, Manitoba and aiming to reach Tuktoyaktuk on the Beaufort Sea. When she set out in 1991, Victoria, already a grandmother of two, had only been kayaking for a year and was still recovering from the second of two strokes." "Her 7,500 kilometre journey lasted four years. In the first year, Fred Reffler dropped out due to an injury, and Victoria suffered serious internal bleeding from ulcers. The second year Victoria and Don reached Gjoa Haven together, hauling their kayaks by sled, but Victoria was forced to drop out there, suffering from edema (muscle breakdown) caused by excessive fatigue. Don Starkell continued alone, reaching the Tuktoyaktuk Peninsula, where he was rescued by authorities suffering from severe frostbite which resulted in the loss of all his fingers and parts of four toes." "Their first two summers together were also a time of tension and conflict between Victoria and Don." "Not content with failure, Victoria returned North the following two years and completed her triumphant journey alone from west to east, paddling from Fort Providence on the Mackenzie River to Paulatuk in 1993, and from Paulatuk to Gjoa Haven in 1994. Among the Inuit people she became known as the Kabloona (the Inuktituk word for stranger) in the Yellow Kayak."--Jacket

The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.

One of the "Best Books of 2020" by NPR's Book Concierge **Your Favorite Movies, Re-Watched** New York Times opinion writer and bestselling author Lindy West was once the in-house movie critic for Seattle's alternative newsweekly The Stranger, where she covered film with brutal honesty and giddy irreverence. In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?! From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook. Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.

Gail O'Sullivan Dwyer graduated from the United States Military Academy at West Point in 1981-- only the second Academy class to have women among its members.