A bountiful group of poems--direct, honest, and revelatory--that reflect on language, nature, old age, young love, Judaism, and our current politics, from one of our most read and admired poets "Words are my business," Marge Piercy begins her twentieth collection of poetry, a glance back at a lifetime of learning, loving, grieving, and fighting for the disenfranchised, and a look forward at what the future holds for herself, her family and friends, and her embattled country. In the opening section, Piercy tells of her childhood in Detroit, with its vacant lots and scrappy children, the bike that gave her wings, her ambition at fourteen to "gobble" down all knowledge, and a too-early marriage ("I put on my first marriage / like a girdle my skinny body / didn't need"). We then leap into the present, her "twilight zone," where she is "learning to be quiet," learning to give praise despite it all. There are funny poems about medicine ads with their dire warnings, and some possible plusses about being dead: "I'll never do another load of laundry . . ." There is "comfort in old bodies / coming together," in a partner's warmth--"You're always warm: warm hands / smooth back sleek as a Burmese cat./ Sunny weather outside and in." Piercy has long been known for her political poems, and here we have her thoughts on illegal immigrants, dying languages, fraught landscapes, abortion, President-speak. She examines her nonbeliever's need for religious holidays and spiritual depth, and the natural world is appreciated throughout. On the Way Out, Turn Off the Light is yet more proof of Piercy's love and mastery of language--it is moving, stimulating, funny, and full of the stuff of life.

A bountiful group of poems--direct, honest, and revelatory--that reflect on language, nature, old age, young love, Judaism, and our current politics, from one of our most read and admired poets "Words are my business," Marge Piercy begins her twentieth collection of poetry, a glance back at a lifetime of learning, loving, grieving, and fighting for the disenfranchised, and a look forward at what the future holds for herself, her family and friends, and her embattled country. In the opening section, Piercy tells of her childhood in Detroit, with its vacant lots and scrappy children, the bike that gave her wings, her ambition at fourteen to "gobble" down all knowledge, and a too-early marriage ("I put on my first marriage / like a girdle my skinny body / didn't need"). We then leap into the present, her "twilight zone," where she is "learning to be quiet," learning to give praise despite it all. There are funny poems about medicine ads with their dire warnings, and some possible plusses about being dead: "I'll never do another load of laundry . . ." There is "comfort in old bodies / coming together," in a partner's warmth--"You're always warm: warm hands / smooth back sleek as a Burmese cat./ Sunny weather outside and in." Piercy has long been known for her political poems, and here we have her thoughts on illegal immigrants, dying languages, fraught landscapes, abortion, President-speak. She examines her nonbeliever's need for religious holidays and spiritual depth, and the natural world is appreciated throughout. On the Way Out, Turn Off the Light is yet more proof of Piercy's love and mastery of language--it is moving, stimulating, funny, and full of the stuff of life.

"Walt Whitman, though not a Jewish poet, has served as a crucial figure within the tradition of Jewish American poetry, starting in the mid-nineteenth century, until today. However, the genealogy of Jewish American poets responding to Whitman is wider and more nuanced than often recognized. Due to Allen Ginsberg's overt adoption of Whitman, it is often believed that Ginsberg is the only Jewish American poet to have engaged with Whitman's poetic style and democratic ethos. This book reveals how the lineage of poets responding to Whitman extends far beyond Ginsberg, and that Ginsberg himself receives Whitman through earlier Jewish American poets, like Charles Reznikoff. This project presents such a genealogy of poets in dialogue with Whitman (and each other), from Emma Lazarus and Adah Isaacs Menken, through twentieth-century poets, such as Charles Reznikoff, Karl Shapiro, Kenneth Koch, Muriel Rukeyser, Adrienne Rich, Marge Piercy, and Alicia Suskin Ostriker, Gerald Stern, and beyond. By researching Whitman's role in this tradition systematically, in the work of individual poets, and in the framework of Jewish American poetry more broadly, this book seeks to fill a gap in the understanding of these dynamics, and to invite other scholars to examine the Whitman-Jewish connection. A major finding in this book is that Whitman has been adopted by Jewish American poets as a liberal symbol against elements in High Modernist literary culture, which the poets perceived to be exclusionary and anti-Semitic. Thus, there is a negotiation of the vexed territory of being Jewish in America through an alignment with Whitman. As such, the turn to Whitman serves as a mode of exploring Jewish and American identity, whereby Walt Whitman the poet is imagined to be Jewish and American"--

"A lightning bolt of a literary debut." ---Adam Johnson, Pulitzer Prize winner "Enchanting and so neatly planed they feel made by time, these stories mark the debut of a writer to watch." ---John Freeman, Literary Hub Last One Out Shut Off the Lights is an evocative portrait of the last-chance towns of southwest Louisiana, where oil development, industrial pollution, dying wetlands, and the ever-present threat of devastating hurricanes have eroded their inhabitants' sense of home. These eleven piercing stories feature indelible characters struggling to find a foothold in a world that is forever washing out from under them, people who must reckon with their ambivalence about belonging to a place so continually in flux. In a collection whose resonant echoes abound, we meet a reluctant teenage mother who stows her baby in a closet to steal a night out; a spiteful retiree who sabotages his neighbor in the wake of a hurricane; a Pentecostal singer in a children's theater company who confronts the cultish leader of her troupe; a community of elderly Cajuns who conspire with a family of Sudanese immigrants to hide an escaped cow from the authorities; and a desperate young woman who tries to drag her brother to Mexico for surgery, determined to save his life and her own. As Lauren Groff did for the state of Florida in her recent collection Florida, Stephanie Soileau demonstrates that Louisiana is as much a state of mind as it is a place on the map. A love letter to the Cajun language, life rhythms, and customs that still make the region unique, Last One Out Shut Off the Lights is also a powerful reminder of the treacherous escape routes that bedevil anyone longing to leave home, and the traps that remain for those who desire to return.

It was not Robert Oppenheimer who built the bomb--it was engineers, chemists and young physicists in their twenties, many not yet having earned a degree. The first atomic bomb was originally conceived as a backup device, a weapon not then currently achievable. The remote Trinity Site--the birthplace of the bomb--was used as a test range for U.S. bombers before the first nuclear device was secretly detonated. After the blast, locals speculated that the flash and rumble were caused by colliding B-29s, while Manhattan Project officials nervously measured high levels of offsite radiation. Drawing on original documents, many recently declassified, the author sheds new light on a pivotal moment in history--now approaching its 75th anniversary--told from the point of view of the men who inaugurated the Atomic Age in the New Mexico desert.

This award winning true ghost story book is a unique collection of interview sessions between myself and the individuals who have actually experienced, first hand paranormal experiences throughout the entire state of New Mexico. The author creatively conveys fully the person's state of mind, their beliefs and ultimately their ghost encounters.

Former Special Reconnaissance Regiment Sergeant Nick Kane always stands by his friends. So when an old comrade is leaned on by gangsters, Nick's only too happy to help. But Nick quickly finds himself cast headlong into a spiral of violence that will take him all the way to Mexico, searching for justice on the mean streets of Juarez - the most violent city on Earth. His mission: Kidnap the head of the vicious La Frontera drugs cartel and get him back to the UK to face trial for murder. All that's standing in his way is the cartel's four thousand trained soldiers, a corrupt army and police force and a former South African special forces colonel who has been paid to track him down. It will take all Nick's skill and courage to bring his man in. Moving Target is the gripping new thriller from Ross Kemp.

A young mother is left alone to tend a lighthouse in nineteenth-century Key West, until an unexpected beacon of hope arrives, in this “compelling” novel (Daphne Kalotay, author of Russian Winter). On the rugged, remote Florida island known as Wreckers’ Cay, Emily Lowry’s husband handles the demanding job of tending the lighthouse while Emily cares for their children—and waits for the birth of her youngest. But when he vanishes, and months pass with no word, Emily has no choice but to take over his responsibilities. Then Andrew, a runaway slave, washes up on the beach. He is instantly likable, but Emily is wary. Soon, though, he’s won her family over, and becomes someone they can depend on as they work together to survive, far from the rules and judgments of society. But when Emily’s life is shattered once again, her love, strength, and determination will be sorely tested . . . “In her richly nuanced novel, Brady has created a heroine readers are unlikely to ever forget . . . Absolutely fantastic and unputdownable.” —Michelle Moran, national bestselling author of Nefertiti “Forbidden love, passion, greed, revenge, and murder . . . [Brady] knows how to stop your heart on one page and pull your heartstrings on the next.” —John Viele, author of The Wreckers

Who can she trust? Alyssa Wells has uncovered evidence that her police officer husband was murdered by his partner—a dangerous claim in a small town. After two tours in Iraq, protecting Alyssa and her children shouldn't be a problem for private investigator Cole Justice. Alyssa feels drawn to him, but how can she trust anyone after everything she's been through? Cole's sure his heart is closed off to love, but Alyssa and her children seem to have found a way in. As the killer draws closer, Alyssa realizes she's trusting Cole with more than her safety.

We have been lied to for many years. It is a myth. There are no roo's. A couple of friends take on a journey through New Zealand and Australia to search for the mythical kangaroos. There is laughter and tears, freezing rain and sweltering heat, road kill and road trains. You will meet crazy Russians, warlords in hiding and some croc hunters. Read carefully as somewhere between Wellington and Cairns the meaning of life is revealed.