"A lightning bolt of a literary debut." ---Adam Johnson, Pulitzer Prize winner "Enchanting and so neatly planed they feel made by time, these stories mark the debut of a writer to watch." ---John Freeman, Literary Hub Last One Out Shut Off the Lights is an evocative portrait of the last-chance towns of southwest Louisiana, where oil development, industrial pollution, dying wetlands, and the ever-present threat of devastating hurricanes have eroded their inhabitants' sense of home. These eleven piercing stories feature indelible characters struggling to find a foothold in a world that is forever washing out from under them, people who must reckon with their ambivalence about belonging to a place so continually in flux. In a collection whose resonant echoes abound, we meet a reluctant teenage mother who stows her baby in a closet to steal a night out; a spiteful retiree who sabotages his neighbor in the wake of a hurricane; a Pentecostal singer in a children's theater company who confronts the cultish leader of her troupe; a community of elderly Cajuns who conspire with a family of Sudanese immigrants to hide an escaped cow from the authorities; and a desperate young woman who tries to drag her brother to Mexico for surgery, determined to save his life and her own. As Lauren Groff did for the state of Florida in her recent collection Florida, Stephanie Soileau demonstrates that Louisiana is as much a state of mind as it is a place on the map. A love letter to the Cajun language, life rhythms, and customs that still make the region unique, Last One Out Shut Off the Lights is also a powerful reminder of the treacherous escape routes that bedevil anyone longing to leave home, and the traps that remain for those who desire to return.

Essays by Thomas Frank, Clay Shirky, David Simon, and others: “Anyone concerned about the state of journalism should read this book.” —Library Journal The sudden meltdown of the news media has sparked one of the liveliest debates in recent memory, with an outpouring of opinion and analysis crackling across journals, the blogosphere, and academic publications. Yet, until now, we have lacked a comprehensive and accessible introduction to this new and shifting terrain. In Will the Last Reporter Please Turn Out the Lights, celebrated media analysts Robert W. McChesney and Victor Pickard have assembled thirty-two illuminating pieces on the crisis in journalism, revised and updated for this volume. Featuring some of today’s most incisive and influential commentators, this comprehensive collection contextualizes the predicament faced by the news media industry through a concise history of modern journalism, a hard-hitting analysis of the structural and financial causes of news media’s sudden collapse, and deeply informed proposals for how the vital role of journalism might be rescued from impending disaster. Sure to become the essential guide to the journalism crisis, Will the Last Reporter Please Turn Out the Lights is both a primer on the news media today and a chronicle of a key historical moment in the transformation of the press.

This collection of thought-provoking essays challenges librarians to consider the future of the profession, particularly as it relates to the Web, the library as place, delivering services to the desktop, certification, and the future of professional associations.

Featuring stories from R.L. Stine and Madeleine Roux, this middle grade horror anthology, curated by New York Times bestselling author and master of macabre Jonathan Maberry, is a chilling tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark. Flesh-hungry ogres? Brains full of spiders? Haunted houses you can’t escape? This collection of 35 terrifying stories from the Horror Writers Association has it all, including ghastly illustrations from Iris Compiet that will absolutely chill readers to the bone. So turn off your lamps, click on your flashlights, and prepare—if you dare—to be utterly spooked! The complete list of writers: Linda D. Addison, Courtney Alameda, Jonathan Auxier, Gary A. Braunbeck, Z Brewer, Aric Cushing, John Dixon, Tananarive Due, Jamie Ford, Kami Garcia, Christopher Golden, Tonya Hurley, Catherine Jordan, Sherrilyn Kenyon, Alethea Kontis, N.R. Lambert, Laurent Linn, Amy Lukavics, Barry Lyga, D.J. MacHale, Josh Malerman, James A. Moore, Michael Northrop, Micol Ostow, Joanna Parypinksi, Brendan Reichs, Madeleine Roux, R.L. Stine, Margaret Stohl, Gaby Triana, Luis Alberto Urrea, Rosario Urrea, Kim Ventrella, Sheri White, T.J. Wooldridge, Brenna Yovanoff

“A twisty, captivating, edge-of-your-seat read.” —Megan Miranda, bestselling author of All the Missing Girls “Creepy and oh so clever!” —Alice Feeney, bestselling author of Sometimes I Lie A woman is forced to question her own identity in this riveting and emotionally charged thriller by the blockbuster bestselling author of The Good Girl, Mary Kubica Jessie Sloane is on the path to rebuilding her life after years of caring for her ailing mother. She rents a new apartment and applies for college. But when the college informs her that her social security number has raised a red flag, Jessie discovers a shocking detail that causes her to doubt everything she’s ever known. Finding herself suddenly at the center of a bizarre mystery, Jessie tumbles down a rabbit hole, which is only exacerbated by grief and a relentless lack of sleep. As days pass and the insomnia worsens, it plays with Jessie’s mind. Her judgment is blurred, her thoughts are hampered by fatigue. Jessie begins to see things until she can no longer tell the difference between what’s real and what she’s only imagined. Meanwhile, twenty years earlier and two hundred and fifty miles away, another woman’s split-second decision may hold the key to Jessie’s secret past. Has Jessie’s whole life been a lie or have her delusions gotten the best of her? Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie The Other Mrs. Local Woman Missing Just The Nicest Couple She's Not Sorry

From the award-winning author, “the kind of collection that lodges in your brain like a malignant grain of an evil dream” (Laird Barron, author of The Imago Sequence). Winner of the This Is Horror Award Finalist for the Shirley Jackson Award Finalist for the Bram Stoker Award This is not your cookie-cutter horror collection. Stephen Graham Jones has taken nightmarish visions from his fevered imagination and crafted them into pieces of literary genius. If the absolute fear doesn’t sweep you away, his lyrical and haunting prose will. As Joe R. Lansdale states in the introduction, “You need this book. If you like anything close to horror, and also like your stories to have elements other than just standing in the darkness with a bloody knife, you have the right book. Enjoy.” Does holding your breath for two minutes during the scariest part of a horror movie invite the terror in? Just ask the kids who go to the local theater in “Thirteen.” In “Doc’s Story,” even the most beloved family tales have teeth—that’s what happens when you’re born into a werewolf pack. And a father doesn’t have to think twice when he’s given one chance to make the ultimate sacrifice in “Snow Monsters.” In these fifteen stories, Jones coaxes our greatest fears from the shadowy corners of our minds, and we can’t turn away. “With razor-sharp prose . . . he pummels us in a full-court press of discomfort, paranoia, and a desire to keep the lights on.” —Pantheon Magazine “Jones is a true master of the horror short story. Inventive, quirky, unexpected and masterful.” —Jonathan Maberry, New York Times–bestselling author

What you need to know now about America's energy future "Hi, I'm the United States and I'm an oil-oholic." We have an energy problem. And everybody knows it, even if we can't all agree on what, specifically, the problem is. Rising costs, changing climate, peaking oil, foreign oil, public safety?if the fears are this complicated, then the solutions are bound to be even more confusing. Maggie Koerth-Baker?science editor at the award-winning blog BoingBoing.net?finally makes some sense out of the madness. Over the next 20 years, we'll be forced to cut 20 quadrillion BTU worth of fossil fuels from our energy budget, by wasting less and investing in alternatives. To make it work, we'll need to radically change the energy systems that have shaped our lives for 100 years. And the result will be neither business-as-usual, nor a hippie utopia. Koerth-Baker explains what we can do, what we can't do, and why "The Solution" is really a lot of solutions working together. This isn't about planting a tree, buying a Prius, and proving that you're a good person. Economics and social incentives got us a country full of gas-guzzling cars, long commutes, inefficient houses, and coal-fired power plants out in the middle of nowhere, and economics and incentives will be the things that build our new world. Ultimately, change is inevitable. Argues we're not going to solve the energy problem by convincing everyone to live like it's 1900 because that's not a good thing. Instead of reverting to the past, we have to build a future where we get energy from new places, use it in new ways, and do more with less. Clean coal? Natural gas? Nuclear? Electric cars? We'll need them all. When you look at the numbers, you'll find that we'll still be using fossil fuels, nuclear, and renewables for decades to come. Looks at new battery technology, smart grids, passive buildings, decentralized generation, clean coal, and carbon sequestration. These are buzzwords now, but they'll be a part of your world soon. For many people, they already are. Written by the cutting edge Science Editor for Boing Boing, one of the ten most popular blogs in America

What if the people closest to us are not what they seem? What happens when someone takes control of your life and your relationships? And what is hiding in the darkness? In Bernard Minier's Don't Turn Out the Lights, you won’t see who’s coming after you. “You did nothing.” Christine Steinmeyer thought the anonymous suicide note she found in her mailbox on Christmas Eve wasn’t meant for her. But the man calling in to her radio show seems convinced otherwise. “You let her die. . . .” That’s only the beginning. Bit by bit, her life is turned upside down. But who among her friends and family hates her enough to want to destroy her? And why? It’s as if someone has taken over her life, and everything holding it together starts to crumble. Soon all that is left is an unimaginable nightmare. Martin Servaz is on leave in a clinic for depressed cops, haunted by his childhood sweetheart Marianne’s kidnapping by his nemesis, the psychopath Julian Hirtmann. One day, he receives a key card to a hotel room in the mail—the room where an artist committed suicide a year earlier. Someone wants him to get back to work, which he’s more than ready to do, despite his mandatory sick leave. Servaz soon uncovers evidence of a truly terrifying crime. Could someone really be cruelly, consciously hounding women to death?

From the New York Times bestselling author of the Tradd Street series comes a stunning novel about a young single mother who discovers that the nature of friendship is never what it seems.... Recently divorced, Merilee Talbot Dunlap moves with her two children to the Atlanta suburb of Sweet Apple, Georgia. It’s not her first time starting over, but her efforts at a new beginning aren’t helped by an anonymous local blog that dishes about the scandalous events that caused her marriage to fail. Merilee finds some measure of peace in the cottage she is renting from town matriarch Sugar Prescott. Though stubborn and irascible, Sugar sees something of herself in Merilee—something that allows her to open up about her own colorful past. Sugar’s stories give Merilee a different perspective on the town and its wealthy school moms in their tennis whites and shiny SUVs, and even on her new friendship with Heather Blackford. Merilee is charmed by the glamorous young mother’s seemingly perfect life and finds herself drawn into Heather's world. In a town like Sweet Apple, where sins and secrets are as likely to be found behind the walls of gated mansions as in the dark woods surrounding Merilee’s house, appearance is everything. But just how dangerous that deception can be will shock all three women....