In this biography of Max Evans, learn why Charles Champlin, Entertainment Arts editor emeritus, Los Angeles Times said, "Max Evans is one of these guys you can take anywhere . . . and still be ashamed of him."

From among his numerous publications, award-winning author Max Evans has selected his personal favorites. The more than thirty pieces include short novels, essays, short stories, introductions to other works, and magazine articles spanning several genres and most of his writing career. Through them all runs a common thread: the understanding of and love Evans has for the West and its peoples, and his ability to convey that understanding with humor and compassion. Included works: Short novels Xavier's Folly One Eyed Sky The Wild One Old Bum My Pardner Essays "Sam Peckinpah: A Very Personal Remembrance" "King John" "Long John Dunn" "Dinner with Frank Waters" "Riding the Outside Circle in Hollywood" "Many Deaths, Many Lives" "Song of the West" Short Stories "The Ultimate Giver" "Blizzard" "Don't Kill My Dog" "The Far Cry" "The Wooden Cove" "The Third Grade Reunion" "Sky of Gold" "A Man Who Never Missed" "Big Shad's Bridge" "The Call" Introductions and Forewords "Patricino Barela" "Some Sweet Day" "The Hi Lo Country" "Final Harvest and other Convictions and Opinions" "Rounders 3" Magazine Articles "The Cowboy and the Professor" "A Horse to Brag About" "Showdown at Hollywood Park" "The Wild Bunch" "The World's Strangest Creature" "Super Bull"

Legendary western author Max Evans has spent his entire life working with cows and horses. These rangeland animals, and other creatures both domestic and wild, play pivotal roles in his stories. This magnificent collection, beautifully illustrated by cowboy artist Keith Walters, showcases twenty-six animal tales penned by Evans during his long and celebrated career. Both fiction and nonfiction, the stories in this collection get us inside the heads and hearts of numerous four-legged critters—dogs, horses, burros, goats, cattle, deer, coyotes, and more. “The Old One,” for example, shows us the world through the eyes of a prairie dog as she watches her latest litter of pups rolling and tumbling around the mound and thinks of all the things she will need to teach them. And in “The One-Eyed Sky,” an aging cow with a new calf and an old coyote with a litter to feed circle each other warily, trying to protect their young, until a rancher intervenes. Not one to shy away from difficult subjects, Evans also delves into the “animal nature” of human beings, as in “The Heart of the Matter,” where two Vietnam vets and friends kill a deer and then turn their rifles on each other. These captivating tales display Evans’s trademark mix of raucous humor and vivid, poetic descriptions of the high plains of West Texas and his beloved Hi-Lo Country in northeastern New Mexico. He reminds his readers of simpler times and more honorable people even as he evokes the merciless environment in which his characters, both animal and human, struggle to survive.

The underground world of con men, winos, prostitutes, laborers, and artists has been an abundant source of material for great writers from Dickens to Bukowski. The underground world of Taos, New Mexico, is no different. In the late 1950s this mountain town was higher, brighter, poorer, and farther removed than London, Paris, or Los Angeles, but it was every bit as rich for the explorations of a young writer. Max Evans, the beloved New Mexican writer of such enduring classics of Western fiction as The Rounders and The Hi-Lo Country, returns to form with The King of Taos. Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and—mostly—talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion.

At its heart, The Hi Lo Country is the story of the friendship between two men, their mutual love of a woman, and their allegiance to the harsh, dry, achingly beautiful New Mexico high-desert grassland. The story is told by Pete, a young ranch hand, whose best friend is Big Boy Matson. Together they drink, gamble, fight, work, and rodeo. They both fall hard for a married woman—the attractive, bored, and dangerous Mona. When it was first published in 1961, the novel was both a celebration and an elegy. It captured something jagged and authentic in the West, and it caught the attention of Hollywood—notably Sam Peckinpah, who spent twenty years trying to make a movie of this multilayered and plainspoken novel. It would take another twenty years for Martin Scorsese and Stephen Frears to finally do it. Now in a special 60th anniversary edition, The Hi Lo Country continues to tell a quintessential story of the people and the land found in the American West.

This is the 50th anniversary edition of the western that made Max Evans famous.

First published in 1960, The Rounders, a best-selling western novel, inspired a movie and television series. This edition collects all three of the author's classic rounders tales, the title story, The Great Wedding, and The Orange County Cowboys, accompanied by bandw pencil drawings by cowboy artist Grem Lee. Stories are peppered with ridin', drinkin', lovin', and humor. No index. Annotation copyrighted by Book News, Inc., Portland, OR

The northeastern quadrant of New Mexico, with a slice of Colorado, Oklahoma, and West Texas, is the area Max Evans has dubbed the Hi Lo Country. He bought a ranch there when he was seventeen, he painted it as a young artist, and has used the land as the setting for most of his well-known writings. His novels The Rounders and The Hi Lo Country were made into Hollywood movies. Jan Haley is also from the heart of Hi Lo Country, where she has documented in her photography the vanishing homesteads and ranches in this region anchored by four mountains: Eagle Tail, Sierra Grande, Capulin, and Rabbit Ears. Her pictures of the spectacular landscapes of northeast New Mexico will enthrall not just fans of Max Evans but anyone who wants to see the True West that still exists within a day's drive of the big cities that are now the population centers of the country. The Max Evans text written specifically for this book is in his unmatched storytelling style and full of entertaining anecdotes. His writing is rich in heartfelt emotion and, coupled with Haley's photos, is a tribute to a neglected part of the world we can now treasure forever. "Jan Haley's photographs show a place where the people were so tough the Depression felt right at home, and it never left. The rusting 1950 purple Hudson still sits on blocks where the owner left it, imagining shiny renovation someday. . . . Winds so strong, it seemed the outhouse blew over, and is still horizontal. . . . And many an old ranchhouse . . . lean[s] abandoned in the wind."--Richard Benke, Associated Press reporter and author of The Ghost Ocean (UNM Press)

In his eighty-plus years, Max Evans has known, owned, ridden, and been thrown by quite a number of horses. In For the Love of a Horse, Evans shares his favorite horse stories for all to enjoy. As Max explains, "I wanted a wide range of adventures from another time, with different horses, of different breeds, and a sense of history of those special days." Max begins with his first horse, Cricket, which he received when he was four years old. At the age of ten, he helped with a horse-drive from far southeast New Mexico, through west Texas, and on to the final destination in Guymon, Oklahoma. Later, PDQ was a horse that seemed very gentle and laid-back, until someone rode him. And then there was Molly, who liked to fly through and around obstacles on coyote hunts. This book is for all those who enjoy reading horse stories as much as Max loves telling them. Saddle up! "The recognition is long overdue. (Max Evans is) sui generis. He understands the present West better than anyone else, what it's like to be there now living in two worlds of the pickup truck and the bronco."--Charles Champlin, former Denver bureau chief of Time and retired arts editor of The Los Angeles Times, quoted in The New York Times

A forgotten secret. A shocking discovery. A sacrifice of love that will bring Connor Evans to his knees. A story of hope and redemption from #1 New York Times bestselling author Karen Kingsbury. Airline pilot Connor Evans and his wife, Michele, seem to be the perfect couple living what looks like a perfect life. Then a plane goes down in the Pacific Ocean. One of the casualties is Kiahna Siefert, a flight attendant Connor knew well. Too well. Kiahna’s will is very clear: before her seven-year-old son, Max, can be turned over to the state, he must spend the summer with the father he’s never met, the father who doesn’t know he exists: Connor Evans. Now will the presence of one lonely child and the truth he represents destroy Connor’s family? Or is it possible for healing and hope to appear in the shape of a seven-year-old boy? “[Kingsbury’s] ability to accurately express life’s sorrows and grief through her characters’ inner dialogue rings true time and again.” —Publishers Weekly on Every Now & Then “Her emotionally charged novels often contain a strong romantic component and feature Christians at odds with their everyday world. This title is no exception. Recommend this one to readers who enjoy well-drawn characters and contemporary settings.” —Library Journal on The Baxters Take Four