McClanahan crafts his coming–of–age tales with comic wit and refreshing honesty, inviting readers to relive the memories that shaped his character and career—from hilarious childhood antics in small–town Kentucky to eye–opening adventures on the West Coast A good story has a mind of its own; it seeks its truth the way water seeks its own level. But where is the line between memory and imagination, between nonfiction and the telling of a good story? In the mostly true stories that make up Not Even Immortality Lasts Forever, Ed McClanahan intrepidly tests the limits of that distinction. This gathering of fiction–infused autobiographical stories opens in the postwar 1940s with the sudden, brief appearance of an itinerant street performer in McClanahan’s sleepy rural Kentucky hometown, an elderly bicyclist whose artistry seems, to the fourteen–year–old narrator, almost divinely inspired. Subsequent stories trace McClanahan’s uneasy but ultimately tender relationship with his no–nonsense ""bidnessman"" father and, simultaneously, his growing awareness of his own calling as a writer. McClanahan writes his way into the fabled Stanford University Creative Writing Program and forms lasting friendships with Ken Kesey and his then–notorious cohort, the Merry Pranksters. After returning to Kentucky in the 1970s, McClanahan published his long–awaited novel, The Natural Man, in 1983, the first of seven well–received books. In 2019, he was inducted into the Kentucky Writers Hall of Fame. “This may be Ed McClanahan’s best book yet. Never again can I say that I don’t laugh out loud—or walk around reciting to the closest human—while reading a book. This memoir belongs on the same shelf as Nordan’s Boy with Loaded Gun and the works of David Sedaris. What a great, comical joyride by a large–hearted man.” —GEORGE SINGLETON

An exploration of one of the most universal human obsessions charts the rise of longevity science from its alchemical beginnings to modern-day genetic interventions and enters the world of those whose lives are shaped by a belief in immortality.

If you could live forever, would you want to? Both a fascinating look at the history of our strive for immortality and an investigation into whether living forever is really all it’s cracked up to be. A fascinating work of popular philosophy and history that both enlightens and entertains, Stephen Cave investigates whether it just might be possible to live forever and whether we should want to. He also makes a powerful argument that it’s our very preoccupation with defying mortality that drives civilization. Central to this book is the metaphor of a mountaintop where one can find the Immortals. Since the dawn of humanity, everyone – whether they know it or not—has been trying to climb that mountain. But there are only four paths up its treacherous slope, and there have only ever been four paths. Throughout history, people have wagered everything on their choice of the correct path, and fought wars against those who’ve chosen differently. In drawing back the curtain on what compels humans to “keep on keeping on,” Cave engages the reader in a number of mind-bending thought experiments. He teases out the implications of each immortality gambit, asking, for example, how long a person would live if they did manage to acquire a perfectly disease-free body. Or what would happen if a super-being tried to round up the atomic constituents of all who’ve died in order to resurrect them. Or what our loved ones would really be doing in heaven if it does exist. We’re confronted with a series of brain-rattling questions: What would happen if tomorrow humanity discovered that there is no life but this one? Would people continue to please their boss, vie for the title of Year’s Best Salesman? Would three-hundred-year projects still get started? If the four paths up the Mount of the Immortals lead nowhere—if there is no getting up to the summit—is there still reason to live? And can civilization survive? Immortality is a deeply satisfying book, as optimistic about the human condition as it is insightful about the true arc of history.

Ed McClanahan's hilarious classic introduces us to writers and revolutionaries, hippies and honkies, gurus and go-go girls, barkeeps and barflies, as well as Carlos Toadvine, aka Little Enis, the All-American Left-Handed Upside-down Guitar Player, among the characters he has encountered in thirty peripatetic years of wandering the fringes of the academic and literary worlds from his native Kentucky to the West Coast (where his compatriots included Ken Kesey and Tom Wolfe) and back again.

Provides an accessible account of the variety and subtlety of Greek and Roman philosophy of death, from Homer to Marcus Aurelius.

This rollicking collection—personally selected by the author (in collaboration with his editor Tom Marksbury)—gathers the best of Ed McClanahan's work, making it a must–have for both long–time fans and newcomers alike. Comprised of fourteen works, I Just Hitched in from the Coast is an admixture of fiction and non–fiction, memoir and imagination. It includes such classics as "Fondelle, or: The Whore with a Heart of Gold," and the wry essay "The Day the Lampshades Breathed," chronicling McClanahan's time in the 1960s. In "The Essentials of Western Civilization," McClanahan imagines the affairs of Assistant Professor Harrison B. Eastep, MA, of Arbuckle State in Oregon, and of the gradual erosion of his dedication to academia. Weaving together Vietnam, rock and roll, a lackluster counterculture past, and the Great Plague of London, this is storytelling at its best by a master of the craft. The foremost stylist of the Yippie generation, McClanahan writes with bemused affection. He parlays his Southern sensibilities and California experiences with a mastery of language, to tantalize his readers with musings that are absurd, whimsical, outrageous, and, in the words of one reviewer, "wickedly sharp."

A wildly entertaining novel about a young man who discovers that he is part of a secret society of immortal were-creatures bent on hunting one another into extinction. Illustrations.

The exacting art of wood engraving is defined by presence and absence, shadow and light, black and white. An arduous yet rewarding art form, it requires an artistic eye and a dedication to technique in order to imbue each image with its own visual narrative. Wood engraver Wesley W. Bates, the artist behind the acclaimed book The Point of the Graver, demonstrates the power and precision of the form in his new collection Out of the Dark. Bates brings to bear decades of experience, deftly wielding his graver to coax vibrant and lifelike images from solid blocks of endgrain wood. In so doing, he frees each likeness not only from the blocks that hold them captive but also from the reaches of his prodigious imagination. With a wide variety of engravings in Bates’s unmistakable style, and accompanying texts to bring the reader into the artist’s studio, Out of the Dark is a treat for all who appreciate the traditional form.

The name’s John Taylor. I’m a PI, though what I really do is find things that are lost. I work the Nightside, the city within the city of London, where the sun never rises and where the human and inhuman go to get their kicks, provided they’re willing to pay the price in whatever currency the seller demands. In the wake of the war that almost brought the Nightside to total ruin, there’s a power vacuum begging to be filled—and some think I should take charge. I don’t agree. Neither does the immortal known as the Griffin. Wealthy beyond reason, he has his own ideas about who should be running things. Still, when his granddaughter—and designated heir—is kidnapped, he calls on me to find her. But someone—or some Thing—is blocking my special gift. So this time, I’m going to have to do my job the hard way. And quickly, or the Griffin will have to choose a new heir…

Most evangelical Christians believe that those people who are not saved before they die will be punished in hell forever. But is this what the Bible truly teaches? Do Christians need to rethink their understanding of hell? In the late twentieth century, a growing number of evangelical theologians, biblical scholars, and philosophers began to reject the traditional doctrine of eternal conscious torment in hell in favor of a minority theological perspective called conditional immortality. This view contends that the unsaved are resurrected to face divine judgment, just as Christians have always believed, but due to the fact that immortality is only given to those who are in Christ, the unsaved do not exist forever in hell. Instead, they face the punishment of the "second death"--an end to their conscious existence. This volume brings together excerpts from a variety of well-respected evangelical thinkers, including John Stott, John Wenham, and E. Earl Ellis, as they articulate the biblical, theological, and philosophical arguments for conditionalism. These readings will give thoughtful Christians strong evidence that there are indeed compelling reasons for rethinking hell.