This rollicking collection—personally selected by the author (in collaboration with his editor Tom Marksbury)—gathers the best of Ed McClanahan's work, making it a must–have for both long–time fans and newcomers alike. Comprised of fourteen works, I Just Hitched in from the Coast is an admixture of fiction and non–fiction, memoir and imagination. It includes such classics as "Fondelle, or: The Whore with a Heart of Gold," and the wry essay "The Day the Lampshades Breathed," chronicling McClanahan's time in the 1960s. In "The Essentials of Western Civilization," McClanahan imagines the affairs of Assistant Professor Harrison B. Eastep, MA, of Arbuckle State in Oregon, and of the gradual erosion of his dedication to academia. Weaving together Vietnam, rock and roll, a lackluster counterculture past, and the Great Plague of London, this is storytelling at its best by a master of the craft. The foremost stylist of the Yippie generation, McClanahan writes with bemused affection. He parlays his Southern sensibilities and California experiences with a mastery of language, to tantalize his readers with musings that are absurd, whimsical, outrageous, and, in the words of one reviewer, "wickedly sharp."

Sex, Drugs, and Rock ‘n Roll: The American Counterculture of the 1960s offers a unique examination of the cultural flowering that enveloped the United States during that early postwar decade. Robert C. Cottrell provides an enthralling view of the counterculture, beginning with an examination of American bohemia, the Lyrical Left of the pre-WWII era, and the hipsters. He delves into the Beats, before analyzing the counterculture that emerged on both the East and West coasts, but soon cropped up in the American heartland as well. Cottrell delivers something of a collective biography, through an exploration of the antics of seminal countercultural figures Allen Ginsberg, Jack Kerouac, Timothy Leary, and Ken Kesey. Cottrell also presents fascinating chapters covering “the magic elixir of sex,” rock ‘n roll, the underground press, Haight-Ashbury, the literature that garnered the attention of many in the counterculture, Monterey Pop, the Summer of Love, the Death of Hippie, the March on the Pentagon, communes, Yippies, Weatherman, Woodstock, the Manson family, the women’s movement, and the decade’s legacies.

Former Merry Prankster Ed McClanahan assembles an irreverent and humorous collection of ''coming-of-age to coming-of-old-age'' stories. Enchanting readers with his signature prose, McClanahan details his eventful life in this mesmerizing fictionalized memoir.

McClanahan crafts his coming–of–age tales with comic wit and refreshing honesty, inviting readers to relive the memories that shaped his character and career—from hilarious childhood antics in small–town Kentucky to eye–opening adventures on the West Coast A good story has a mind of its own; it seeks its truth the way water seeks its own level. But where is the line between memory and imagination, between nonfiction and the telling of a good story? In the mostly true stories that make up Not Even Immortality Lasts Forever, Ed McClanahan intrepidly tests the limits of that distinction. This gathering of fiction–infused autobiographical stories opens in the postwar 1940s with the sudden, brief appearance of an itinerant street performer in McClanahan’s sleepy rural Kentucky hometown, an elderly bicyclist whose artistry seems, to the fourteen–year–old narrator, almost divinely inspired. Subsequent stories trace McClanahan’s uneasy but ultimately tender relationship with his no–nonsense ""bidnessman"" father and, simultaneously, his growing awareness of his own calling as a writer. McClanahan writes his way into the fabled Stanford University Creative Writing Program and forms lasting friendships with Ken Kesey and his then–notorious cohort, the Merry Pranksters. After returning to Kentucky in the 1970s, McClanahan published his long–awaited novel, The Natural Man, in 1983, the first of seven well–received books. In 2019, he was inducted into the Kentucky Writers Hall of Fame. “This may be Ed McClanahan’s best book yet. Never again can I say that I don’t laugh out loud—or walk around reciting to the closest human—while reading a book. This memoir belongs on the same shelf as Nordan’s Boy with Loaded Gun and the works of David Sedaris. What a great, comical joyride by a large–hearted man.” —GEORGE SINGLETON

NATIONAL BESTSELLER • PULITZER PRIZE WINNER • The bestselling author of Nobody's Fool and Straight Man delves deep into the blue-collar heart of America in a work that overflows with hilarity, heartache, and grace. “Rich, humorous ... Mr. Russo’s most seductive book thus far.” —The New York Times Welcome to Empire Falls, a blue-collar town full of abandoned mills whose citizens surround themselves with the comforts and feuds provided by lifelong friends and neighbors and who find humor and hope in the most unlikely places, in this Pulitzer Prize-winning novel by Richard Russo. Miles Roby has been slinging burgers at the Empire Grill for 20 years, a job that cost him his college education and much of his self-respect. What keeps him there? It could be his bright, sensitive daughter Tick, who needs all his help surviving the local high school. Or maybe it’s Janine, Miles’ soon-to-be ex-wife, who’s taken up with a noxiously vain health-club proprietor. Or perhaps it’s the imperious Francine Whiting, who owns everything in town–and seems to believe that “everything” includes Miles himself. Look for Richard Russo's new book, Somebody's Fool, coming soon.

Along the coastal waterways of Georgia's tidal marshes, there lives a monster that makes the Altamaha River its home. Over 20 feet in length, with a snakelike head atop its long neck, the Altamaha-ha has been sighted dozens of times by those who live along its namesake. A pregnant female struggles to return upriver and give birth. She is bound by those who captured her before, and pursued by others who already killed her mate for where she can lead them. A place marked as the abode of dragons by the Tama Indians, it is also the location of a treasure buried in the final days of the Confederacy. Drawn to the river and caught up in events centuries in the making, Ian becomes the unwitting pawn in a quest for world domination. He soon learns of his link to the Altamaha-ha, and that he must save it, if he is to save himself. Aided only by a few colorful locals, McQuade must defeat the enemies of the Foundation, before its technology is turned into a doomsday device.

This rollicking collection—personally selected by the author (in collaboration with his editor Tom Marksbury)—gathers the best of Ed McClanahan's work, making it a must–have for both long–time fans and newcomers alike. Comprised of fourteen works, I Just Hitched in from the Coast is an admixture of fiction and non–fiction, memoir and imagination. It includes such classics as "Fondelle, or: The Whore with a Heart of Gold," and the wry essay "The Day the Lampshades Breathed," chronicling McClanahan's time in the 1960s. In "The Essentials of Western Civilization," McClanahan imagines the affairs of Assistant Professor Harrison B. Eastep, MA, of Arbuckle State in Oregon, and of the gradual erosion of his dedication to academia. Weaving together Vietnam, rock and roll, a lackluster counterculture past, and the Great Plague of London, this is storytelling at its best by a master of the craft. The foremost stylist of the Yippie generation, McClanahan writes with bemused affection. He parlays his Southern sensibilities and California experiences with a mastery of language, to tantalize his readers with musings that are absurd, whimsical, outrageous, and, in the words of one reviewer, "wickedly sharp."

Born of the fallout from mythic wars fought among the Olympian gods and their mortal worshippers, Diana, warrior princess of the Amazon island-nation of Themyscira, collides with the modern world as the horrors of the ancient past resurface to wreak havoc with male-dominated 21st century. Together with roguish U.S. air force pilot Steve Trevor, Wonder Woman acts as both ambassador of her people and selfless protector of the innocent.