Richard Pyves tells the incredible story of his father, Ron Pyves, a teenage tail-gunner who fought over the skies of Europe during the last months of World War II and fought a personal battle on the homefront.

The year was 1950. Mary Ella Harris, works hard sharecropping alongside her husband, a man with a penchant for gambling, drinking, and associating with unsavory white people. When she is cornered in her home by Leon Turner, a white man who refuses to take no for an answer, Mary Ella narrowly avoids an attempted rape. After his arrest, Leon escapes jail and enacts a bloody revenge with two accomplices. With the eyes of the nation watching, the state itself is on trial. The jury's controversial decision ultimately serves as a catalyst for change.

The long-awaited return to the magical world of Ethshar begins on the Night of Madness when a mysterious object falls from the heavens, sending out a wave of magic in the form of a dream. All who have the dream awaken in panic, but some of them awaken to the power of Warlockry. The power-hungry Lord Faran sees opportunity in this chaos, and seeks to overthrow the government.

Sunni Taylor and her boyfriend, Detective Jackson, have big plans for a family farm at her home, Cider Ridge Inn. A barn plan has been chosen and the site’s been cleared. Their dreams are getting closer. But when the usual rift between Jackson and his long dead ancestor, Edward Beckett, grows wider and more thorny, Sunni finds herself in an impossible situation—how can the three of them ever be happy under the same roof? With her own troubles abounding, Sunni finds herself distracted by the town’s latest tragedy. A wealthy and well-known (but not well-liked) land developer is shot during Firefly Junction’s annual end-of-summer movie night. Sunni sets aside her personal problems and resolves to find the killer. But solving a murder is never easy when the victim has a long list of enemies. Book 17 of the Firefly Junction Cozy Mystery series

The Night of Madness begins when a mysterious object falls from the heavens, creating a wave of magic in all directions. The wave brings not only a dream but an infusion of warlockry to the land, and soon all hell breaks loose. Looting, rioting, petty personal revenge, and uncontrollable madness run rampant, and all of Ethshars magicians seem helpless before it.

“The best book yet written about this neglected and fascinating American painter” who anticipated abstract expressionism by more than fifty years (Gail Levin, The New York Times Book Review). At the dawn of the 20th century, Ralph Blakelock’s brooding, hallucinogenic paintings were a striking departure from the prevailing American tradition—and as sought after as the works of Winslow Homer and John Singer Sargent. In 1916, the record-breaking sale of Blakelock’s Brook by Moonlight made him famous. Yet at the time of his triumph, the troubled painter had spent fifteen years in a psychiatric hospital while his family lived in poverty. Released from the asylum, Blakelock fell into the dubious care of an eccentric adventuress, Beatrice Van Rensselaer Adams, who kept him a virtual prisoner while siphoning off the profits of his success, until his mysterious death. In this acclaimed biography, Glyn Vincent offers the first complete chronicle of Blakelock’s life. Vividly portraying New York in the nineteenth and early twentieth centuries, the narrative begins with his childhood in Greenwich Village and the years he spent peddling his canvases door-to-door and playing piano in vaudeville theaters. Vincent also delves into Blakelock’s journeys among the Sioux and Uinta Native Americans; his mental illness; and the way his exploration of mysticism informed his radical shift away from the Hudson River School of art.

An anthology of thrillers and chillers from 19th Century France. In Theophile Gautier's The Dead in Love, a man develops an obsessive passion for a woman who has returned from the grave, while Honore de Balzac's The Red Inn is on a crime which is committed by one person in thought and another in deed.

The bustle of the crowd is waning and the zoo is quieting for the night. The polar bear picks up the ball and dribbles onto the court; the nightly game begins. A frog jumps up to play one-on-one and then a penguin waddles in to join the team. Count along as the game grows with the addition of each new animal and the field of players builds to ten. Three zebras serve as referees and keep the clock, because this game must be over before the zookeeper makes her rounds.

In That Way Madness Lies, fifteen acclaimed writers put their modern spin on William Shakespeare’s celebrated classics! “From comedy to tragedy to sonnet, from texts to storms to prom, this collection is a knockout.” —BuzzFeed.com West Side Story. 10 Things I Hate About You. Kiss Me, Kate. Contemporary audiences have always craved reimaginings of Shakespeare’s most beloved works. Now, some of today’s best writers for teens take on the Bard in these 15 whip-smart and original retellings! Contributors include Dahlia Adler (reimagining The Merchant of Venice), Kayla Ancrum (The Taming of the Shrew), Lily Anderson (As You Like It), Melissa Bashardoust (A Winter’s Tale), Patrice Caldwell (Hamlet), A. R. Capetta and Cori McCarthy (Much Ado About Nothing), Brittany Cavallaro (Sonnet 147), Joy McCullough (King Lear), Anna-Marie McLemore (Midsummer Night’s Dream), Samantha Mabry (Macbeth), Tochi Onyebuchi (Coriolanus), Mark Oshiro (Twelfth Night), Lindsay Smith (Julius Caesar), Kiersten White (Romeo and Juliet), and Emily Wibberley and Austin Siegemund-Broka (The Tempest).

Brain on Fire meets High Achiever in this “page-turner memoir chronicling a woman’s accidental descent into prescription benzodiazepine dependence—and the life-threatening impacts of long-term use—that chills to the bone” (Nylon). As Melissa Bond raises her infant daughter and a special-needs one-year-old son, she suffers from unbearable insomnia, sleeping an hour or less each night. She loses her job as a journalist (a casualty of the 2008 recession), and her relationship with her husband grows distant. Her doctor casually prescribes benzodiazepines—a family of drugs that includes Xanax, Valium, Klonopin, Ativan—and increases her dosage regularly. Following her doctor’s orders, Melissa takes the pills night after night until her body begins to shut down. Only when she collapses while holding her daughter does Melissa learn that her doctor—like so many others—has over-prescribed the medication and quitting cold turkey could lead to psychosis or fatal seizures. Benzodiazepine addiction is not well studied, and few experts know how to help Melissa as she begins the months-long process of tapering off the pills without suffering debilitating, potentially deadly consequences. Each page thrums with the heartbeat of Melissa’s struggle—how many hours has she slept? How many weeks old are her babies? How many milligrams has she taken? Her propulsive writing crescendos to a fever pitch as she fights for her health and her ability to care for her children. “Propulsive, poetic” (Shelf Awareness), and immersive, this “vivid chronicle of suffering” (Kirkus Reviews) and redemption shines a light on the prescription benzodiazepine epidemic as it reaches a crisis point in this country.