Sunni Taylor and her boyfriend, Detective Jackson, have big plans for a family farm at her home, Cider Ridge Inn. A barn plan has been chosen and the site’s been cleared. Their dreams are getting closer. But when the usual rift between Jackson and his long dead ancestor, Edward Beckett, grows wider and more thorny, Sunni finds herself in an impossible situation—how can the three of them ever be happy under the same roof? With her own troubles abounding, Sunni finds herself distracted by the town’s latest tragedy. A wealthy and well-known (but not well-liked) land developer is shot during Firefly Junction’s annual end-of-summer movie night. Sunni sets aside her personal problems and resolves to find the killer. But solving a murder is never easy when the victim has a long list of enemies. Book 17 of the Firefly Junction Cozy Mystery series

The ultimate guide for bong-hitting movie buffs, with over 420 entries—plus contributions from Snoop Dogg, Cheech & Chong, Margaret Cho, and more. From the authors of Pot Culture, Reefer Movie Madness is the most extensive guide ever to movies for and about stoners, going well beyond Harold and Kumar and Pineapple Express. In addition to entries on more than 420 films, there are contributions and Q&As from actors, movie directors, musicians, and celebrities, including Jason Mraz, comedian Andy Milonakis, Snoop Dogg, Doug Benson, and Cheech & Chong. Reefer Movie Madness covers it all, from pot-fueled comedies and druggy dramas to sci-fi flicks and 1960s artifacts to documentaries, musicals, and blockbusters—including lots of photos, sidebars, and lists.

"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"--

The year was 1950. Mary Ella Harris, works hard sharecropping alongside her husband, a man with a penchant for gambling, drinking, and associating with unsavory white people. When she is cornered in her home by Leon Turner, a white man who refuses to take no for an answer, Mary Ella narrowly avoids an attempted rape. After his arrest, Leon escapes jail and enacts a bloody revenge with two accomplices. With the eyes of the nation watching, the state itself is on trial. The jury's controversial decision ultimately serves as a catalyst for change.

Help Nancy and her friends find a prop that’s gone missing from a superhero movie set in the fifth book in an interactive Nancy Drew chapter book mystery series. Grab a piece of paper and get ready to jot down your own ideas and solutions to the case! School is out for summer and the timing is great because a movie is filming in River Heights, and Nancy, Bess, and George—along with a bunch of their classmates—get to be extras in a scene shot at the playground! The movie features Glam Girl, a fashion-forward superhero who gets her powers through her clothes. When the girls arrive on set, they catch a glimpse of the super shoes that give Glam Girl the ability to run, jump, and kick with super-speed. An assistant explains to them that there is only one pair in existence and that they were custom-made for the actress Shasta’s feet. Everyone goes wild as Glam Girl runs into the playground, blue shoes glimmering. But when Shasta’s on a between-scenes break, the shoes go missing! The director says that if the shoes aren’t found, they’ll be leaving River Heights and their scene won’t make it into the movie! Good thing Nancy happens to have her most important prop right in her pocket—her clue book. Who took the blue super shoes? Was it Paloma Garva, who needs a pair of blue shoes for her Junior Fashion Show? Was it Rosie the stunt-woman, who seems to envy Shasta’s spotlight? Or was it the Popcorn Peeps, their classmates’ film club, who need movie relics for their new museum?

This volume contains books 16-18 of London Lovett's Firefly Junction Cozy Mystery series. Join Sunni Taylor, Brady 'Jax' Jackson and the Cider Ridge ghost for three cozy mysteries with fun paranormal twists. -Chocolate Festival Felony (Book 16) Mounds of chocolate and plenty of sampling are all but guaranteed when covering the Firefly Chocolate Festival. Sunni Taylor is happy to oblige. The main event of the whole cocoa-y affair is a chocolate sculpting contest. Soon after opening, the festival is marred by accusations of cheating and sabotage, intrigues that take a back seat to something much more disruptive—murder. Sunni has to put down the chocolate salted caramels and chocolate covered toffee and find out who killed the chocolatier. Oh, and here’s an interesting tidbit, dear reader. She won’t be working with her usual favorite detective on this case. -Movie Night Madness (Book 17) Sunni Taylor and her boyfriend, Detective Jackson, have big plans for a family farm at her home, Cider Ridge Inn. A barn plan has been chosen and the site’s been cleared. Their dreams are getting closer. But when the usual rift between Jackson and his long dead ancestor, Edward Beckett, grows wider and more thorny, Sunni finds herself in an impossible situation—how can the three of them ever be happy under the same roof? With her own troubles abounding, Sunni finds herself distracted by the town’s latest tragedy. A wealthy and well-known (but not well-liked) land developer is shot during Firefly Junction’s annual end-of-summer movie night. Sunni sets aside her personal problems and resolves to find the killer. But solving a murder is never easy when the victim has a long list of enemies. -Figgy Pudding Disaster (Book 18) Take a trip back two hundred years to Firefly Junction 1815, when Edward Beckett was young and alive and desperately in love with Kathy “Kat” Garfield… It’s mid-December in Firefly Junction, and there’s a lot of buzz around the local figgy pudding contest. When the winner winds up face down in her winning pudding, the local constable arrests her husband. But Kat is convinced he has the wrong person. Edward, looking for any excuse to be with Kat, volunteers his services to help her find the real killer. They soon discover that their quaint little town has numerous secrets, and they all seem to connect to the victim. And while Edward is enjoying his long, investigative days at Kat’s side, he also knows it won’t be long before she leaves him for good, and his heart will be forever broken. More in the series: Apple Cider Assault (Book 19)

Entertainment Weekly's controversial critic of more than two decades looks back at a life told through the films he loved and loathed. Owen Gleiberman has spent his life watching movies-first at the drive-in, where his parents took him to see wildly inappropriate adult fare like Rosemary's Baby when he was a wide-eyed 9 year old, then as a possessed cinemaniac who became a film critic right out of college. In Movie Freak, his enthrallingly candid, funny, and eye-opening memoir, Gleiberman captures what it's like to live life through the movies, existing in thrall to a virtual reality that becomes, over time, more real than reality itself. Gleiberman paints a bittersweet portrait of his complicated and ultimately doomed friendship with Pauline Kael, the legendary New Yorker film critic who was his mentor and muse. He also offers an unprecedented inside look at what the experience of being a critic is really all about, detailing his stint at The Boston Phoenix and then, starting in 1990, at EW, where he becomes a voice of obsession battling-to a fault-to cling to his independence. Gleiberman explores the movies that shaped him, from the films that first made him want to be a critic (Nashville and Carrie), to what he hails as the sublime dark trilogy of the 1980s (Blue Velvet, Sid and Nancy, and Manhunter), to the scruffy humanity of Dazed and Confused, to the brilliant madness of Natural Born Killers, to the transcendence of Breaking the Waves, to the pop rapture of Moulin Rouge! He explores his partnership with Lisa Schwarzbaum and his friendships and encounters with such figures as Oliver Stone, Russell Crowe, Richard Linklater, and Ben Affleck. He also writes with confessional intimacy about his romantic relationships and how they echoed the behavior of his bullying, philandering father. And he talks about what film criticism is becoming in the digital age: a cacophony of voices threatened by an insidious new kind of groupthink. Ultimately, Movie Freak is about the primal pleasure of film and the enigmatic dynamic between critic and screen. For Gleiberman, the moving image has a talismanic power, but it also represents a kind of sweet sickness, a magnificent obsession that both consumes and propels him.

As Walker filmed a documentary offering an inside peek at filmmaking, he followed four ambitious and unknown filmmakers in their quest for fame and glory at the Cannes film festival. His hilarious, uncensored diary of that process takes readers on a wild romp through the glamor and the excesses of the movie business.

On a damp October night, the body of young, beautiful Ashley Cordova is found in an abandoned warehouse in lower Manhattan. By all appearances her death is a suicide--but investigative journalist Scott McGrath suspects otherwise. Though much has been written about the dark and unsettling films of Ashley's father, Stanislas Cordova, very little is known about the man himself. As McGrath pieces together the mystery of Ashley's death, he is drawn deeper and deeper into the dark underbelly of New York City and the twisted world of Stanislas Cordova, and he begins to wonder--is he the next victim? In this novel, the dazzlingly inventive writer Marisha Pessl offers a breathtaking mystery that will hold you in suspense until the last page is turned.