Drawing on the work of psychologist Helene Deutsch and the writer Germaine de Stael. Kristeva turns her attention in the second half of New Maladies of the Soul to women's experience and contributions within the broader context of contemporary history. Delving into art, literature, autobiography, and theories of language, she continues with an exploration of cultural products ranging from the Bible to the work of Leonardo da Vinci.

As a linguist, Julia Kristeva has pioneered a revolutionary theory of the sign in its relation to social and political emancipation; as a practicing psychoanalyst, she has produced work on the nature of the human subject and sexuality, and on the "new maladies" of today's neurotic. The Portable Kristeva is the only fully comprehensive compilation of Kristeva's key writings. The second edition includes added material from Kristeva's most important works of the past five years, including The Sense and Non-Sense of Revolt, Intimate Revolt, and Hannah Arendt. Editor Kelly Oliver has also added new material to the introduction, summarizing Kristeva's latest intellectual endeavors and updating the bibliography.

Through a dual engagement with the unconscious in psychoanalysis and Islamic theological-medical reasoning, Stefania Pandolfo’s unsettling and innovative book reflects on the maladies of the soul at a time of tremendous global upheaval. Drawing on in-depth historical research and testimonies of contemporary patients and therapists in Morocco, Knot of the Soul offers both an ethnographic journey through madness and contemporary formations of despair and a philosophical and theological exploration of the vicissitudes of the soul. Knot of the Soul moves from the experience of psychosis in psychiatric hospitals, to the visionary torments of the soul in poor urban neighborhoods, to the melancholy and religious imaginary of undocumented migration, culminating in the liturgical stage of the Qur’anic cure. Demonstrating how contemporary Islamic cures for madness address some of the core preoccupations of the psychoanalytic approach, she reveals how a religious and ethical relation to the “ordeal” of madness might actually allow for spiritual transformation. This sophisticated and evocative work illuminates new dimensions of psychoanalysis and the ethical imagination while also sensitively examining the collective psychic strife that so many communities endure today.

Renowned philosopher and cultural theorist Kristeva (Powers of Horror: An Essay on Abjection) offers an extended consideration of artistic figurations of the severed head, the organizing theme to an exhibition she coordinated at the Louvre in 1998. Though she follows a single historical trajectory, moving from Paleolithic skull cults to antique Greek sculpture to the Surrealist drawings, Kristeva eschews the disciplinary constraints of art history, instead employing psychoanalysis to explore the intertwined problems of representation and mortality posed by the severed head. For Kristeva, the capacity to figure the life of the mind first requires a confrontation with this horrific object that stands at the boundary between life and death, registering not only the loss of corporeal form but also subjective interiority. Though this book does not engage with recent images of decapitation, it is not without contemporary political-cultural import; for Kristeva, these cruel artistic figurations offer us the capacity to contemplate the sacred within a technology-driven contemporary visual culture. Verdict While a challenging text, this beautifully written and richly layered meditation on mortality and representation will undoubtedly appeal to those readers interested in semiotic and psychoanalytically informed readings of art.-Jonathan Patkowski, CUNY Graduate Ctr.(c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

“A sprawling analysis of religion in major psychological and philosophical literature, fiction and in private life . . . compelling and remarkable.”—Publishers Weekly “Unlike Freud, I do not claim that religion is just an illusion and a source of neurosis. The time has come to recognize, without being afraid of ‘frightening’ either the faithful or the agnostics, that the history of Christianity prepared the world for humanism.” So writes Julia Kristeva in this provocative work, which skillfully upends our entrenched ideas about religion, belief, and the thought and work of a renowned psychoanalyst and critic. With dialogue and essay, Kristeva analyzes our “incredible need to believe”—the inexorable push toward faith that, for Kristeva, lies at the heart of the psyche and the history of society. Examining the lives, theories, and convictions of Saint Teresa of Avila, Sigmund Freud, Donald Winnicott, Hannah Arendt, and other individuals, she investigates the intersection between the desire for God and the shadowy zone in which belief resides. Kristeva suggests that human beings are formed by their need to believe, beginning with our first attempts at speech and following through to our adolescent search for identity and meaning. Kristeva then applies her insight to contemporary religious clashes and the plight of immigrant populations. Even if we no longer have faith in God, Kristeva argues, we must believe in human destiny and creative possibility. Reclaiming Christianity’s openness to self-questioning and the search for knowledge, Kristeva urges a “new kind of politics,” one that restores the integrity of the human community. “A helpful commentary and introduction to Kristeva’s major work over the last two decades.”—Choice

Freud and psychoanalysis taught us that rebellion is what guarantees our independence and our creative abilities. But in the contemporary "entertainment" culture, is rebellion still a viable option? Is it still possible to build and embrace a counterculture? For whom—and against what? Julia Kristeva illustrates the advances and impasses of rebel culture through the experiences of three twentieth-century writers: the existentialist Jean-Paul Sartre, the surrealist Louis Aragon, and the theorist Roland Barthes. These figures, according to Kristeva, took part in a revolution against accepted notions of identity—of one’s relation to others. She places their accomplishments in the context of other revolutionary movements in art, literature, and politics, also offering an illuminating discussion of Freud’s groundbreaking work on rebellion.

Annotation Julia Kristeva explores the phenomenon of hate (and our attempts to subvert, sublimate and otherwise process the emotion) through key texts and contexts. Her inquiry spans the themes, topics and figures that have been central to her writing over the past three decades.

Life without myth, the vital force of archetypal experiences, is life filled with maladies, neuroses, addictions, and disease. Alchemy of the Soul retells the myth of Eros and Psyche to help readers reconnect mind and relatedness to find wholeness and deep meaning. Author Martin Lowenthal describes how the story of Eros and Psyche illustrates the alchemical process of marrying soul and matter so that life can be lived with more joy, meaning, and a tangible sense of divine love. The book is divided into three parts: • Part 1 is a beautiful retelling of the myth of Eros and Psyche. • Part 2 examines the power of myth and alchemy and shows how spiritual alchemy can restore and transform the soul. • Part 3 is an initiation into the alchemical mysteries using myth as mentor. Lowenthal writes, "The story assails the defenses of our mind and our reactive habits and seeks to wrest a victory for life and growth from the inertia of daily habits and confusion. It initiates us into a world far more vibrant, rich, and nourishing than the one we knew in childhood and naively, yet regressively, settle for. In this sense, story reveals what happens as we attempt to spread our emotional wings in the developmentally confining domain of our childhood home and community and what it takes to make something significant of ourselves in ways that feed the future. As guests of the story, we discover the larger sacred garden in which we emerge as a unique and beautiful flower in a bed of exquisite blossoms, each one unique and essential." Alchemy of the Soul takes alchemy from the realm of the esoteric and places it in practical terms of story—terms that anyone can understand, value, and use as a guide to life.

Includes twenty-two interviews--many appearing here for the first time in English and one conducted expressly for this volume. These provocative discussions with key figures in contemporary arts and letters touch upon topics as diverse as the American literary academy, Proust, neuroscience, and the American Left. The interviews elucidate such difficult ideas as abjection, intertextuality, the semiotic and the symbolic, and the effect of aesthetic revolution on social change.

The idea that one can soak up someone else's depression or anxiety or sense the tension in a room is familiar. Indeed, phrases that capture this notion abound in the popular vernacular: "negative energy," "dumping," "you could cut the tension with a knife." The Transmission of Affect deals with the belief that the emotions and energies of one person or group can be absorbed by or can enter directly into another.The ability to borrow or share states of mind, once historically and culturally assumed, is now pathologized, as Teresa Brennan shows in relation to affective transfer in psychiatric clinics and the prevalence of psychogenic illness in contemporary life. To neglect the mechanism by which affect is transmitted, the author claims, has serious consequences for science and medical research.Brennan's theory of affect is based on constant communication between individuals and their physical and social environments. Her important book details the relationships among affect, energy, and "new maladies of the soul," including attention deficit disorder, chronic fatigue syndrome, codependency, and fibromyalgia.