Through a dual engagement with the unconscious in psychoanalysis and Islamic theological-medical reasoning, Stefania Pandolfo’s unsettling and innovative book reflects on the maladies of the soul at a time of tremendous global upheaval. Drawing on in-depth historical research and testimonies of contemporary patients and therapists in Morocco, Knot of the Soul offers both an ethnographic journey through madness and contemporary formations of despair and a philosophical and theological exploration of the vicissitudes of the soul. Knot of the Soul moves from the experience of psychosis in psychiatric hospitals, to the visionary torments of the soul in poor urban neighborhoods, to the melancholy and religious imaginary of undocumented migration, culminating in the liturgical stage of the Qur’anic cure. Demonstrating how contemporary Islamic cures for madness address some of the core preoccupations of the psychoanalytic approach, she reveals how a religious and ethical relation to the “ordeal” of madness might actually allow for spiritual transformation. This sophisticated and evocative work illuminates new dimensions of psychoanalysis and the ethical imagination while also sensitively examining the collective psychic strife that so many communities endure today.

Grounded in Christian love mysticism, Love’s Oneing gives voice to the luminous consciousness that awakens from within our oneness in God in contemplation. With great sensitivity, the book offers nuanced insight into the marriage of kenosis and desire in contemplation, through the rich tapestry of writings from nine mystics: Julian of Norwich, the Cloud of Unknowing author, Meister Eckhart, Mechthild of Magdeburg, Clare of Assisi, John of the Cross, Teilhard de Chardin, Beatrice Bruteau and Ilia Delio. With the delicate eye of a spiritual director immersed in mystical literature, Kerrie Hide situates these mystical teachings within contemplative prayer, whilst offering a scholarly exploration of contemplative practice to embody the insights. Deeply grounded in traditional and contemporary mystical classics, Hide celebrates how the Christian mystical tradition lays a foundation for the evolutionary growth of communion consciousness and the insights of quantum science, highlighting key moments in contemplation that when surrendered into, open into divine love. Born of intellectual reflection, lived experience and contemplative wisdom, Love’s Oneing makes a unique contribution to the existing literature on contemplation at a time when the recovery of the mystical dimension of life is crucial for the future of our planet in this climate crisis moment.

Analytical and interpretive study of the Rāmacaritamānasa of Tulasīdāsa, 1532-1623, Awadhi saintpoet.

In the early modern period, poetic form underpinned and influenced scientific progress. The language and imagery of seventeenth-century writers and natural philosophers reveal how the age-old struggle between body and soul led to the brain’s emergence as a curiosity in its own right. Investigating the intersection of the humanities and sciences in the works of authors ranging from William Shakespeare and John Donne to William Harvey, Margaret Cavendish, and Johann Remmelin, Lianne Habinek tells how early modernity came to view the brain not simply as grey matter but as a wealth of other wondrous possibilities – a book in which to read the soul’s writing, a black box to be violently unlocked, a womb to nourish intellectual conception, a creative engine, a subtle knot that traps the soul and thereby makes us human. For seventeenth-century thinkers, she argues, these comparisons were not simply casual metaphors but integral to early ideas about brain function. Demonstrating how the disparate fields of neuroscientific history and literary studies converged, The Subtle Knot tells the story of how the mind came to be identified with the brain.

A clever con artist, a legendary vigilante, and a dashing crime lord must fight to free their city from the clutches of a dark and ancient magic in the second novel of M. A. Carrick's “utterly captivating” Rook & Rose trilogy. (S. A. Chakraborty, author of The City of Brass) TRUST IS THE THREAD THAT BINDS. AND THE ROPE THAT HANGS. In Nadežra, peace is as tenuous as a single thread. The ruthless House Indestor has been destroyed, but darkness still weaves through the city’s filthy alleys and jewel-bright gardens, seen by those who know where to look. Derossi Vargo has always known. He has sacrificed more than anyone imagines to carve himself a position of power and influence among the nobility, hiding a will of steel behind a velvet smile. He'll be damned if he lets anyone threaten what he's built. Grey Serrado knows all too well. Bent under the yoke of too many burdens, he fights to protect the city’s most vulnerable. Sooner or later, that fight will demand more than he can give. And Ren, daughter of no clan, knows best of all. Caught in a knot of lies, torn between her heritage and her aristocratic masquerade, she relies on her gift for reading pattern to survive. And it shows her the web of darkness that traps her city. But all three have yet to discover just how far that web stretches. And in the end, it will take more than wits and knives to cut themselves free. Praise for the Rook & Rose trilogy: “Lush, engrossing and full of mystery and dark magic . . . Jump in and get swept away.” —BookPage “Will catch hold of your dreams and keep you from sleeping.” —Mary Robinette Kowal, author of The Calculating Stars “I was unable to put it down.” —Andrea Stewart, author of The Bone Shard Daughter “Exactly the fantasy adventure novel you're craving.” —Tasha Suri, author of The Jasmine Throne “A fantastically twisty read.” —Fran Wilde, author of the Bone Universe trilogy "Immersive…a feast to savor slowly." —BuzzFeed "For those who like their revenge plots served with the intrigue of The Goblin Emperor, the colonial conflict of The City of Brass, the panache of Swordspoint, and the richly detailed settings of Guy Gavriel Kay."—Booklist (starred review)

Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as “the father of modernist primitivism.” In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.