This volume continues the tradition of New Seals and Inscriptions, Hebrew, Idumean and Cuneiform (Sheffield Phoenix, 2007) by featuring analyses by eminent scholars of some of the archaeological treasures from Dr. Shlomo Moussaieff’s outstanding collection. These contributions signal fresh approaches to the study of ancient artifacts and underscore the role of archaeological evidence in reconstructing the legacy of antiquity, especially that of the biblical period. The contributors are Kathleen Abraham, Chaim Cohen, Robert Deutsch, Claire Gottlieb, Martin Heide, Richard S. Hess, W. G. Lambert†, André Lemaire, Meir Lubetski, Matthew Morgenstern, Alan Millard, Lawrence J. Mykytiuk, and Peter van der Veen.

“Collective memory” has attracted the attention and discussion of scholars internationally across academic disciplines over the past 40−50 years in particular. It and "collective identity" have become important issues within Hebrew Bible/Old Testament studies; the role collective memory plays in shaping collective identity links the two organically. Research to date on memory within biblical studies broadly falls under four approaches: 1) lexical studies; 2) discussions of biblical historiography in which memory is considered a contributing element; 3) topical explorations for which memory is an organizing concept; and 4) memory and transmission studies. The sixteen contributors to this volume provide detailed investigations of the contours of collective memory and collective identity that have crystallized in Martin Noth's "Deuteronomistic History" (Deut-2 Kgs). Together, they yield diverse profiles of collective memory and collective identity that draw comparatively on biblical, ancient Near eastern, and classical Greek material, employing one of more of the four common approaches. This is the first volume devoted to applying memory studies to the "Deuteronomistic History."

Coins have long been a vital part of the discipline of classical studies of the ancient world. However, many scholars have commented that coins have not been adequately integrated into the study of the New Testament. This book provides an interdisciplinary gateway to the study of numismatics for those who are engaged in biblical studies. Wenkel argues that coins from the 1st century were cultural texts with communicative power. He establishes a simple yet comprehensive hermeneutic that defines coins as cultural texts and explains how they might be interpreted today. Once coins are understood to be cultural texts, Wenkel proceeds to explain how these texts can be approached from three angles. First, the world in front of the coin is defined as the audience who initially read and responded to coins as cultural texts. The entire Roman Empire used coins for payment. Second, the world of the coin refers to the coin itself – the combination of inscriptions and images. This combination of inscription and image was used ubiquitously as a tool of propaganda. Third, the world behind the coin refers to the world of power and production behind the coins. This third angle explores the concept of authorship of coins as cultural texts.

Images from the ancient Near East are an important though generally underutilized source of data for interpreting the Hebrew Bible and the cultural context from which it emerged. The essays in this volume highlight the ways that ancient Near Eastern iconography can inform exegesis. This aim is accomplished through case studies in iconographic exegesis that exhibit sound methodologies for relating images and texts. Since the 1970s, biblical scholars have been turning increasingly to iconography as a source for understanding the religion, history and literature of the ancient Near East. The essays in this volume tackle two thorny issues: 1) how images reflect the cultures that produce them and 2) the nature of the relationship between images and texts, both within discrete cultures and among different cultures. Until now, there have been relatively few methodologically self-conscious treatments of ancient iconography and its relationship to the biblical text. So this volume addresses a clear need for demonstrating transparent and consistent methods for iconographic work among biblical scholars.

This book is a brief, popular (but informed and up-to-date) introduction to the relationship between the Bible and archaeology. Material culture (i.e., artifacts) and the biblical text illuminate each other in various ways, but many of us find it difficult to reach a nuanced understanding of how this process works and how archaeological discoveries should be interpreted. This book provides an irenic and balanced perspective on these issues, showing how texts and artifacts are in a fascinating “dialogue” with one another that sheds light on the meaning and importance of both. What emerges is a rich and complex picture that enlivens our understanding of the Bible’s message, increases our appreciation for the historical and cultural contexts in which it was written, and helps us be realistic about the limits of our knowledge.

This volume presents first editions of a variety of cuneiform tablets from the Old Babylonian period belonging to the collection of the late Shlomo Moussaieff. It makes available for the first time three texts representing varying levels of Mesopotamian scribal education. The first is what the authors argue is the most complete copy of the first fifty lines of the standard version of the Sumerian epic Gilgameš and the Bull of Heaven. The second is a hitherto unpublished bilingual (Sumerian-Akkadian) lexical list of unknown provenance, similar to the Proto-Aa syllabary. Each of the 314 entries preserved on this tablet provides a pronunciation gloss, a Sumerian logogram, and an Akkadian translation. A unique feature of this list is that the signs are arranged on the basis of graphic concatenation: each sign contains one of the graphic components of the preceding sign. It also yields a great number of hitherto unknown, synonymous Akkadian translations to the Sumerian logograms. The final chapter contains an edition of two groups of lenticular school tablets, containing thirty-three elementary-level scribal exercises. With this volume, Jacob Klein and Yitschak Sefati preserve and disseminate important artifacts that advance the study of Sumerian literature, Mesopotamian lexicography, and ancient Near Eastern scribal education.

This volume is a concentrated examination of the varied roles of scribes and scribal practices in ancient Israel and Judah, shedding light on the social world of the Hebrew Bible. Divided into discussion of three key aspects, the book begins by assessing praxis and materiality, looking at the tools and materials used by scribes, where they came from and how they worked in specific contexts. The contributors then move to observe the power and status of scribal cultures, and how scribes functioned within their broader social world. Finally, the volume offers perspectives that examine ideological issues at play in both antiquity and the modern context(s) of biblical scholarship. Taken together, these essays demonstrate that no text is produced in a void, and no writer functions without a network of resources.

With each passing year, archaeologists and historical scholars uncover more evidence that the people, places, and events presented in the Bible are verifiable historical facts. This engaging, full-color resource presents 101 undisputed examples of those people, places, and events to help ground your reading of the Scriptures in the historic record. The proofs include - Scripture references - full-color photos - a brief discussion of the evidence - a list of other places in the Bible the person, place, or event is mentioned - and a list of sources to consult for further information and verification This fascinating volume is not only a strong apologetic for the historicity of the Bible but is also the perfect resource for the layperson who wants to enhance their personal Bible study and for those teaching Sunday school or leading a group study.

At the first meeting of his class in Northwest Semitic Epigraphy at Harvard, Frank Cross would inform students that one of the things each of them needed was an “eye for form.” By this, he meant the ability to recognize typological or evolutionary change in letters and scripts. Frank, like his teacher William Foxwell Albright, was a master of typological method. In fact, typology was the dominant feature of his epigraphic work, from the origins of the alphabet to the development of the scripts of the Dead Sea Scrolls. Indeed, he has written about the importance of typology itself. Because Frank Cross has so dominated the study of the ancient Near East in the last 60 years, Aufrecht once asked him what he considered his primary field of study to be. Without hesitation, he said, “Epigraphy.” It seems, therefore, that the field that he loved and to which he contributed so much is an appropriate subject for this Festschrift in his honor, which is being presented by his colleagues, friends, and former students. Included are an appreciation by Peter Machinist and a contribution by the late Pierre Bordreuil.

The Phoenicians created the Mediterranean world as we know it--yet they remain a poorly understood group. In this Handbook, the first of its kind in English, readers will find expert essays covering the history, culture, and areas of settlement throughout the Phoenician and Punic world.