A century ago, legendary photographer Edward Curtis set about to capture the traditional world of Native Americans before that world vanished. Now, Ben Greenberg has done the same for the natural areas of Virginia. Devoted to preserving and celebrating Virginia’s diverse but sometimes threatened natural richness, Greenberg has spent years creating a collection of more than one hundred stunning images that range from the Commonwealth’s most well-known to its rarely explored landscapes. By framing all of these photographs—whether of the Shenandoah Valley in full fall blaze or of Tidewater piers in the afterglow of sunset—as panoramas, Greenberg heightens the drama and immediacy of the moment, forging an enduring composite portrait that captures Virginia’s natural heritage and at the same time reminds us of its fragility. Natural Virginiadivides the state into three regions: the Tidewater, Piedmont, and the Western mountains and valleys. The images in each, whether of a great blue heron emerging from river mists or of an almost leafless autumnal tree on Skyline Drive, convey a sense of grandeur while simultaneously inviting the viewer in to the intimacy of the settings, as though one might be able to smell the musk of the salt flats or to feel the brush of the fall wind. The photographs highlight the wide-ranging diversity of the Commonwealth’s national and state parks, wildlife refuges and management areas, their rivers, lakes, mountains, and wild creatures. Deane Dozier’s introductory essays to each region offer further insight into the geography and geology of Virginia.

As you travel along the Blue Ridge Parkway or Skyline Drive visiting state and national parks or hike the Appalachian Trail, you will encounter an incredible variety of landscapes and one of the most diverse collections of flora and fauna found in temperate forests anywhere in the world. Full of rich detail, this beautifully illustrated, full-color guide to the region was written and designed for ease of use. Whether you're a first time visitor looking to enjoy and gain an understanding of the Parkway's spectacular views or a geology and nature enthusiast, this guide will be an invaluable companion.--

Virginia Woolf and the Natural World is a compilation of thirty-one essays presented at the twentieth annual international conference on Virginia Woolf. This volume explores Woolf's complex engagement with the natural world, an engagement that was as political as it was aesthetic. The diversity of topics within this collection-ecofeminism, the nature of time, the nature of the self, nature and sporting, botany, climate, and landscape, just to name a few-fosters a deeper understanding of the nature of nature in Woolf's works. Contributors include Bonnie Kime Scott, Carrie Rohman, Diana Swanson, Elisa Kay Sparks, Beth Rigel Daugherty, Jane Goldman, and Diane Gillespie, among many others from the international community of Woolf scholars.

To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly. Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.

The classic nature memoir of Cape Cod in the early twentieth century, “written with simplicity, sympathy, and beauty” (New York Herald Tribune). When Henry Beston returned home from World War I, he sought refuge and healing at a house on the outer beach of Cape Cod. He was so taken by the natural beauty of his surroundings that his two-week stay extended into a yearlong solitary adventure. He spent his time trying to capture in words the wonders of the magical landscape he found himself in thrall to. In The Outermost House, Beston chronicles his experiences observing the migrations of seabirds, the rhythms of the tide, the windblown dunes, and the scatter of stars in the changing summer sky. Beston argued: “The world today is sick to its thin blood for the lack of elemental things, for fire before the hands, for water, for air, for the dear earth itself underfoot.” Nearly a century after publication, Beston’s words are more true than ever.

Often thought of as the quintessential home or the Eden from which humanity has fallen, the natural world has long been a popular object of nostalgic narratives. In Reclaiming Nostalgia, Jennifer Ladino assesses the ideological effects of this phenomenon by tracing its dominant forms in American literature and culture since the closing of the frontier in 1890. While referencing nostalgia for pastoral communities and for untamed and often violent frontiers, she also highlights the ways in which nostalgia for nature has served as a mechanism for social change, a model for ethical relationships, and a motivating force for social and environmental justice.