Long recognized as a classic of American nature writing. This chronicle of a solitary year spent on a Cape Cod beach was written in longhand at the kitchen table, in a little room overlooking the North Atlantic and the dunes. In 1964, the Cape Cod house was officially proclaimed a National Literary Landmark. In 1978, a massive winter storm swept it off its foundation and out to sea.

In 1926 on Cape Cod, writer/naturalist Henry Beston, living in a little house named the Fo'c'sle, observes native and migratory birds and other wonders of nature as the seasons change. Excerpts from Beston's nature book "The Outermost House" are interspersed throughout the story.

A collection of writing by naturalist, Henry Beston.

In the tradition of his well-loved The Outermost House, Henry Beston's Northern Farm captures "the elusive magic of a year on a Kennebee farm...in truly beautiful prose" (Kirkus Reviews). Among the blue-white shadows and graceful curves of freshly fallen snow, the first rains of spring, and the quiet green of an early summer morning, Beston brings the reader into an inescapable alliance with the natural world. He translates the philosophy of the Maine farmer into terms as applicable in Manhattan as on the Kennebee. One of the great classics of American nature writing, Northern Farm is inspiring reading and ranks as one of Beston's most memorable and lyrical works. HENRY BESTON (1888-1968) was the author of many books, including The Outermost House, White Pine and Blue Water, and The St. Lawrence.

These reflections on herbs, gardens, and nature by naturalist/writer Beston (best known for The Outermost house, a record of a year spent on Cape Cod's beach) were first published in 1935 and are here lovingly reprinted letterpress with woodcuts by John Howard Benson and an introduction by Horticulture magazine editor Roger Swain. Annotation copyrighted by Book News, Inc., Portland, OR

A masterful portrait of an essential and unexamined American writer.

The Outermost Dream brings together essays and reviews by William Maxwell, one of America's foremost writers and editors. Maxwell chose deliberately to focus on biography, memoir, diaries, and correspondence when reviewing books: "what people said and did and wore and ate and hoped for and were afraid of, and in detail after often unimaginable detail they refresh our idea of existence and hold oblivion at arm's length." In reading his reviews, we are struck by Maxwell's skill in choosing the one particular, the haunting moment, that further illuminates our understanding of the power of an individual life. His discernment is equally telling whether writing about literary luminaries such as Virginia Woolf, Lord Byron, E.B. White, Isak Dinesen, or delving into the diaries of an unknown Victorian curate with vivid dreams of murder and mayhem.