Featuring over two hundred illustrations of Northwest Coast Native American art, examines the chronology shown by changes in design forms and traces style developments from the prehistoric era to the present day.

The expertise of Native glass artists, in combination with the stories of their cultures, has produced a remarkable new artistic genre. This flowering of glass art in Indian Country is the result of the coming together of two movements that began in the 1960s--the contemporary Native arts movement, championed by Lloyd Kiva New, and the studio glass art movement, founded by American glass artists such as Dale Chihuly, who started several early teaching programs. Taken together, these two movements created a new dimension of cultural and artistic expression. The glass art created by American Indian artists is not only a personal expression but also imbued with cultural heritage. Whether reinterpreting traditional iconography or expressing current issues, Native glass artists have created a rich body of work. These artists have melded the aesthetics and properties inherent in glass art with their respective cultural knowledge. The result is the stunning collection of artwork presented here. A number of American Indian artists were attracted to glass early in the movement, including Larry "Ulaaq" Ahvakana and Tony Jojola. Among the second generation of Native glass blowers are Preston Singletary, Daniel Joseph Friday, Robert "Spooner" Marcus, Raven Skyriver, Raya Friday, Brian Barber, and Ira Lujan. This book also highlights the glass works of major multimedia artists including Ramson Lomatewama, Marvin Oliver, Susan Point, Haila (Ho-Wan-Ut) Old Peter, Joe David, Joe Fedderson, Angela Babby, Ed Archie NoiseCat, Tammy Garcia, Carol Lujan, Rory Erler Wakemup, Lillian Pitt, Adrian Wall, Virgil Ortiz, Harlan Reano, Jody Naranjo, and several others. Four indigenous artists from Australia and New Zealand, who have collaborated with American Indian artists, are also included. This comprehensive look at this new genre of art includes multiple photographs of the impressive works of each artist.

"Visions for the Future celebrates contemporary Native American artists and shares their unique views on the twenty-first century. These provocative works capture the vivid emergence taking shape in the Native American art world. Each piece is accompanied by the young artists' perspectives on art, identity, and the future of Indian Country."--Back cover (Volume 1).

A study of the role blood quantum played in the assimilation period between 1887 and 1934 in the United States.

This work makes available for the first time in a single volume a representative collection of the major spiritual texts from the Native American Indian peoples of the East Coast. Elisabeth Tooker, professor of anthropology at Temple University and and editor of The Handbook of North American Indians, presents the sacred traditions of the Iroquois, Winnibego, Fox, Menominee, Delaware, Cherokee and others. Included here are cosmological myths, thanksgiving addresses, dreams and visions, speeches of the shamans, teachings of parents, puberty fasts, blessings, healing rites, stories, songs, ceremonials for fires, hunting wars, feasts and the rituals of various spiritual societies.

A compelling study that charts the influence of Indigenous thinkers on Franz Boas, the father of American anthropology

This innovative retelling of the classic Christmas tale takes a whimsical look at what Christmas Eve might be like for an American Indian family when Old Red Shirt (the Indian Santa Claus) comes a-calling. He brings with him his team of flying white buffalo to deliver fry bread, commodities, and other goodies. Renowned Cherokee artist Jesse Hummingbird’s inspired illustrations transform the author’s playful adaptation into a fresh, modern work of art. A delight for people of all ages and cultures. The title was the winner of the 2010 Moonbeam Award for Holiday Books. A glossary is included to explain terms commonly used in Native communities such as fry bread, commodities, and medicine bundles.

Despite unsubstantiated claims of best practice, the division of language-teaching professionals on the basis of their categorization as ‘native-speakers’ or ‘non-native speakers’ continues to cascade throughout the academic literature. It has become normative, under the rhetorical guise of acting to correct prejudice and/or discrimination, to see native-speakerism as having a single beneficiary – the ‘native-speaker’ – and a single victim – the ‘non-native’ speaker. However, this unidirectional perspective fails to deal with the more veiled systems through which those labeled as native-speakers and non-native speakers are both cast as casualties of this questionable bifurcation. This volume documents such complexities and aims to fill the void currently observable within mainstream academic literature in the teaching of both English, and Japanese, foreign language education. By identifying how the construct of Japanese native-speaker mirrors that of the ‘native-speaker’ of English, the volume presents a revealing insight into language teaching in Japan. Further, taking a problem-solving approach, this volume explores possible grounds on which language teachers could be employed if native-speakerism is rejected according to experts in the fields of intercultural communicative competence, English as a Lingua Franca and World Englishes, all of which aim to replace the ‘native-speaker’ model with something new.

Fifteen years in the making, Tangible Visions is a comprehensive study of the spectacular ritual objects created by Northwest Coast shamans, including the masks, rattles, costumes, amulets and other paraphernalia of shaman rituals, dating from as recently as the turn of the century. 600 illustrations, 325 in color.