A compelling study that charts the influence of Indigenous thinkers on Franz Boas, the father of American anthropology

The essays in Reclaiming Indigenous Voice and Vision spring from an International Summer Institute held in 1996 on the cultural restoration of oppressed Indigenous peoples. The contributors, primarily Indigenous, unravel the processes of colonization that enfolded modern society and resulted in the oppression of Indigenous peoples.

An experimental dub art book containing highlights of street art, graphic design, musical activism created by IR:: Indigenous Resistance (www.dubreality.com) & TFTT in the last ten years. It also contains writings on Indigenous rights especially in Brazil, the murder of Pataxo warrior Galdino and the connection between Black & Indigenous Peoples .Included are special chapters on joint resistance between Black & Native Americans and the spiritual connections between African and Indigenous peoples throughout the Americas. The book is highlighted by experimental dub art& graphic design created especially for this publication by Dubdem which compliments the words of Black & Indigenous writers and activists like John Trudell, Assata Shakur, Jeanette Armstrong, Jean "Binta" Breeze, Douglas Cardinal, Mutaburaka. Indigenous Resistance music is available on iTunes.

The expertise of Native glass artists, in combination with the stories of their cultures, has produced a remarkable new artistic genre. This flowering of glass art in Indian Country is the result of the coming together of two movements that began in the 1960s--the contemporary Native arts movement, championed by Lloyd Kiva New, and the studio glass art movement, founded by American glass artists such as Dale Chihuly, who started several early teaching programs. Taken together, these two movements created a new dimension of cultural and artistic expression. The glass art created by American Indian artists is not only a personal expression but also imbued with cultural heritage. Whether reinterpreting traditional iconography or expressing current issues, Native glass artists have created a rich body of work. These artists have melded the aesthetics and properties inherent in glass art with their respective cultural knowledge. The result is the stunning collection of artwork presented here. A number of American Indian artists were attracted to glass early in the movement, including Larry "Ulaaq" Ahvakana and Tony Jojola. Among the second generation of Native glass blowers are Preston Singletary, Daniel Joseph Friday, Robert "Spooner" Marcus, Raven Skyriver, Raya Friday, Brian Barber, and Ira Lujan. This book also highlights the glass works of major multimedia artists including Ramson Lomatewama, Marvin Oliver, Susan Point, Haila (Ho-Wan-Ut) Old Peter, Joe David, Joe Fedderson, Angela Babby, Ed Archie NoiseCat, Tammy Garcia, Carol Lujan, Rory Erler Wakemup, Lillian Pitt, Adrian Wall, Virgil Ortiz, Harlan Reano, Jody Naranjo, and several others. Four indigenous artists from Australia and New Zealand, who have collaborated with American Indian artists, are also included. This comprehensive look at this new genre of art includes multiple photographs of the impressive works of each artist.

This volume celebrates the visions of a more equitable global psychology as inspired by the late Professor K. S. Yang, one of the founders of the indigenous psychology movement. This unprecedented international debate among leaders in the field is essential for anyone who wishes to understand the movement from within—the thinking and the vision of those who are the driving forces behind the movement. This book should appeal to scholars and students of psychology, sociology, anthropology, ethnology, philosophy of science, and postcolonial studies.

Black Elk’s Vision is a stunning picture book biography of the celebrated Lakota-Oglala medicine man from award-winning author and illustrator S. D. Nelson. Black Elk (1863–1950) was a Lakota-Oglala medicine man and a cousin of Crazy Horse. This biographical account follows him from childhood through adulthood, recounting the visions he had as a young boy and describing his involvement in the battles of Little Big Horn and Wounded Knee, as well as his journeys to New York City and Europe with Buffalo Bill’s Wild West Show. Award-winning author and member of the Standing Rock Sioux tribe S. D. Nelson tells the story of Black Elk through the voice of the medicine man, bringing to life what it was like to be Native American from the mid-19th century to the early 20th century. The Native people found their land overrun by the wasichus (White Man), the buffalo slaughtered for sport, and their people gathered onto reservations. Interspersing archival images with his own artwork, inspired by the ledger-art drawings of the 19th-century Lakota, Nelson conveys how Black Elk clung to his childhood vision, which planted the seeds to help his people—and all people—understand their place in the Circle of Life. Backmatter includes a Lakota description of the Circle of Life, a brief history of the Lakota and a timeline.

Intimate portraits and personal stories reveal the wisdom of mothering in indigenous cultures around the world, beautifully expressed in this illustrated book. From the Arctic to the Sahara, from the Himalaya to the Amazon, award-winning journalist and photographer Jan Reynolds introduces us to women whose traditional parenting practices can enrich the lives of parents and children everywhere.

Materialism. Greed. Loneliness. A manic pace. Abuse of the natural world. Inequality. Injustice. War. The endemic problems facing America today are staggering. We need change and restoration. But where to begin? In Shalom and the Community of Creation Randy Woodley offers an answer: learn more about the Native American 'Harmony Way,' a concept that closely parallels biblical shalom. Doing so can bring reconciliation between Euro-Westerners and indigenous peoples, a new connectedness with the Creator and creation, an end to imperial warfare, the ability to live in the moment, justice, restoration -- and a more biblically authentic spirituality. Rooted in redemptive correction, this book calls for true partnership through the co-creation of new theological systems that foster wholeness and peace.

Indigenous Children’s Survivance in Public Schools examines the cultural, social, and political terrain of Indigenous education by providing accounts of Indigenous students and educators creatively navigating the colonial dynamics within public schools. Through a series of survivance stories, the book surveys a range of educational issues, including implementation of Native-themed curriculum, teachers’ attempts to support Native students in their classrooms, and efforts to claim physical and cultural space in a school district, among others. As a collective, these stories highlight the ways that colonization continues to shape Native students’ experiences in schools. By documenting the nuanced intelligence, courage, artfulness, and survivance of Native students, families, and educators, the book counters deficit framings of Indigenous students. The goal is also to develop educators’ anticolonial literacy so that teachers can counter colonialism and better support Indigenous students in public schools.

In The Knowledge Seeker, Blair Stonechild shares his sixty-year journey of learning-from residential school to PhD and beyond-while trying to find a place for Indigenous spirituality in the classroom. Encouraged by an Elder who insisted sacred information be written down, Stonechild explores the underlying philosophy of his people's teachings to demonstrate that Indigenous spirituality can speak to our urgent, contemporary concerns.