A collection of photographs from museums, collectors and private dealers that documents five centuries of Native American artistry.

Celebrating Native American design as an important force in the world of contemporary fashion, this book features beautiful, innovative, and surprising looks from Native American artists. Mainstream American fashion has always been influenced by Native American design, and that’s because Native artists have always created exquisite clothing, jewelry, and accessories of their own. But it’s only recently that Native designers themselves have started to break into the fashion industry in a big way. Current Native fashion is both wearable and beautiful and, as this volume reveals, increasingly fashion-forward. Divided into sections according to the designers’ personal styles, the book showcases the work of dozens of fashion designers, from Virgil Ortiz to Patricia Michaels to Jamie Okuma. The book even includes a few Native-influenced pieces by non-Native designers like Isaac Mizrahi and Ralph Lauren. Native Fashion Now designers have dressed presidents’ wives and been finalists on Project Runway, sold their work around the world, and seen it acquired by museums and private collectors. With examples that range from haute couture to casual streetwear, from evening gowns to beaded boots, and from skateboards to umbrellas, Native Fashion Now demonstrates the extraordinary range and talent of designers who honor important cultural traditions while creating breathtaking of-the-moment fashion.

Style is not just the clothes on our backs—it is self-expression, representation, and transformation. As a fashion-obsessed Ojibwe teen, Christian Allaire rarely saw anyone that looked like him in the magazines or movies he sought out for inspiration. Now the Fashion and Style Writer for Vogue, he is working to change that—because clothes are never just clothes. Men’s heels are a statement of pride in the face of LGTBQ+ discrimination, while ribbon shirts honor Indigenous ancestors and keep culture alive. Allaire takes the reader through boldly designed chapters to discuss additional topics like cosplay, make up, hijabs, and hair, probing the connections between fashion and history, culture, politics, and social justice. *A Junior Library Guild Gold Standard Selection

This beautiful book presents a fascinating array of complete women's and girls' outfits dating from the 1830s to the present, including dresses, shawls, shoes, belts, bags, fans, and hair accessories. Also included is historical and contemporary background information on Native life and Native women and their dress. To accompany a major exhibit of the same name at the NMAI in March 2007.

Explores the traditional dress of Native Americans in the nine major cultural areas of North America, with an emphasis on everyday or "work" clothes. Individual items of clothing are discussed in detail, including skirts & aprons from a variety of materials, dresses of many styles, capotes, robes, breechclouts, leggings, shirts, breastplates, parkas, hats, moccasins cradleboards and sandals. Selected pieces of dress clothing, primarily from the Plains, are also discussed. Included are drawings, patterns and ideas for making replicas of primitive clothing.

Assembles information on and photographs of the shirts, robes, moccasins, headdresses, and ceremonial clothing of various Plains Indian tribes, illuminating their history and culture

In her book, Patricia Anawalt describes through text and more than 350 illustrations and charts what the Indians of Middle America were wearing when Corts and his conquistadors arrived in the New World in 1519. The costumes reveal a great deal about those who wore them. To the peoples of Middle America, dress was identity; even a god had to don his proper attire. To the Aztecs and their neighbors, for example, the wearing of appropriate clothing was strictly controlled by both custom and law. An individuals attire immediately identified not only culture affiliation but rank and status as well. Since each group dressed in a distinctive and characteristic manner, a great deal of ethnographic and historical information can be gleaned from a study of what those groups wore.

This landmark publication reevaluates historical Native American art as a crucial but under-examined component of American art history. The Charles and Valerie Diker Collection, a transformative promised gift to The Metropolitan Museum of Art, includes masterworks from more than fifty cultures across North America. The works highlighted in this volume span centuries, from before contact with European settlers to the early twentieth century. In this beautifully illustrated volume, featuring all new photography, the innovative visions of known and unknown makers are presented in a wide variety of forms, from painting, sculpture, and drawing to regalia, ceramics, and baskets. The book provides key insights into the art, culture, and daily life of culturally distinct Indigenous peoples along with critical and popular perceptions over time, revealing that to engage Native art is to reconsider the very meaning of America. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR