This unique four-volume encyclopedia examines the historical significance of fashion trends, revealing the social and cultural connections of clothing from the precolonial times to the present day. This sweeping overview of fashion and apparel covers several centuries of American history as seen through the lens of the clothes we wear—from the Native American moccasin to Manolo Blahnik's contribution to stiletto heels. Through four detailed volumes, this work delves into what people wore in various periods in our country's past and why—from hand-crafted family garments in the 1600s, to the rough clothing of slaves, to the sophisticated textile designs of the 21st century. More than 100 fashion experts and clothing historians pay tribute to the most notable garments, accessories, and people comprising design and fashion. The four volumes contain more than 800 alphabetical entries, with each volume representing a different era. Content includes fascinating information such as that beginning in 1619 through 1654, every man in Virginia was required to plant a number of mulberry trees to support the silk industry in England; what is known about the clothing of enslaved African Americans; and that there were regulations placed on clothing design during World War II. The set also includes color inserts that better communicate the visual impact of clothing and fashion across eras.

This two-volume set presents information and images of the varied clothing and textiles of cultures around the world, allowing readers to better appreciate the richness and diversity of human culture and history. The contributors to Encyclopedia of National Dress: Traditional Clothing around the World examine clothing that is symbolic of the people who live in regions all over the world, providing a historical and geographic perspective that illustrates how people dress and explains the reasons behind the material, design, and style. The encyclopedia features a preface and introduction to its contents. Each entry in the encyclopedia includes a short historical and geographical background for the topic before discussing the clothing of people in that country or region of the world. This work will be of great interest to high school students researching fashion, fashion history, or history as well as to undergraduate students and general readers interested in anthropology, textiles, fashion, ethnology, history, or ethnic dress.

This volume provides a history of human decoration and adornment.

A cultural history of dress and fashion' presents an authoritative survey from ancient times to the present. This set of six volumes covers over 2,500 years of dress and fashion. Volume 1: Antiquity (500BCE-800AD), edited by Mary Harlow; Volume 2: The Medieval Age (800-1450), edited by Sarah-Grace Heller; Volume 3: The Renaissance (1450-1650), edited by Elizabeth Currie; Volume 4: The Age of Enlightenment (1650-1800), edited by Peter McNeil; Volume 5: The Age of Empire (1800-1920), edited by Denise Amy Baxter; Volume 6: The Modern Age (1920-2000+), edited by Alexandra Palmer. Each volume discusses the same key themes in its chapters: 1. Textiles 2. Production and Distribution 3. The Body 4. Belief 5. Gender and Sexuality 6. Status 7. Ethnicity 8. Visual Representations 9. Literary Representations. This structure means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume. Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on dress and fashion through history.

Whilst seemingly simple garments such as the tunic remained staples of the classical wardrobe, sources from the period reveal a rich variety of changing styles and attitudes to clothing across the ancient world. Covering the period 500 BCE to 800 CE and drawing on sources ranging from extant garments and architectural iconography to official edicts and literature, this volume reveals Antiquity's preoccupation with dress, which was matched by an appreciation of the processes of production rarely seen in later periods. From a courtesan's sheer faux-silk garb to the sumptuous purple dyes of an emperor's finery, clothing was as much a marker of status and personal expression as it was a site of social control and anxiety. Contemporary commentators expressed alarm in equal measure at the over-dressed, the excessively ascetic or at 'barbarian' silhouettes. Richly illustrated with 100 images, A Cultural History of Dress and Fashion in Antiquity presents an overview of the period with essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, visual representations, and literary representations.

"The Holistic Pine is India's first independent international monthly lifestyle journal " Sanskar News Authenticity, Brevity, and Clarity We experience information overload, the moment we search something online, especially when this search is regarding courses and careers. What guarantee do we have that the information we receive online is genuine or not? How many hours should we dedicate to sift through the data available? How could we identify the authenticity of information? Instead of spending hours and hours of time and energy, The Holistic Pine is making it easier for the reader to get authentic information within a short period of time. This is one of the reasons educational insitutions are moving massively towards The Holistic Pine, where you get Authenticity, Brevity, and Clarity. There is still another reason. Most academic journals subscribed by college/school libraries do not create readers out of students. Most students avoid them. However, The Holistic Pine is unique in its appeal. That's where The Holistic Pine becomes different. It has created a bridge between the magazine culture and journal culture, offering in each issue a highly stylised reading material that attracts students and scholars. The Holistic Pine, thus, becomes an academic asset in educational institutions, scholars, UPSC, PSC, and Civil Service or IAS aspirants, and general readers.

Rozemyne awakens from her two-year sleep to a world that isn’t as she remembers it. The strange sensation fills her with unease, but she has no time to rest—she is soon to be enrolled in the Royal Academy as an archduke candidate, where she will be taught how to control her mana, make magic tools, and perform the magic needed to rule as an archduke. She begins dormitory life with colorful teachers and students from other duchies, aiming to be the best big sister possible... but there is little chance things will go according to plan when there is a massive library on the premises. She charges there at once, the other archduke candidates and even the royal family disappearing from her mind entirely. She truly will do anything for books! Now begins a new chapter of this biblio-fantasy, with a school as its setting! This volume includes two original short stories, a four-panel manga drawn by You Shiina, and the results of the second popularity poll.

A new collection of the comic adventures of the Fox family.

Contains 640 alphabetized, cross-referenced entries on clothing and fashion, covering such disciplines as fashion design, anthropology, sociology, business, history, and art history.

The best new research on medieval clothing and textiles, drawing from a range of disciplines. Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl