Beginning with a precise definition of the term mysticism, Spurgeon explores how mystical thought influenced many of England's finest writers.

This Study Offers A Fresh Perspective On Mysticism In Literature, Relating And Balan¬Cing The Western And Eastern Approaches. It Specifically Looks At The Mystical Poetry Of Coventry Patmore The Francis Thompson Through New Doors Of Perception Available To The Intelligent, Sensitive Indian Scholar, From A Point Of View Important In The Study Of Both Poets. There Are Perceptive Discriminations Made Between Immanent And Transcendental Experience, Between Purgative And Illuminative Stages Of The Mystic Way, And All These Subtle Distinc¬Tions Are Illustrated From Individual Works Of The Two Poets.A Special Strength Of The Work Is Its Use Of The Stylistic Approach To Bring To Light Aspects Of The Delicate Relationship Between Mystical Experience And Its Articulation Through Literary Language. The Book Has A Strong Textual Base And Will Be Of Interest To The General Reader As Well As To The Specialist Eager To Explore Comparative Literary Contexts. ...Mr. Dhar Has Studied The Subject With Loving Care, And He Has Imposed His Own Insight Quietly But Firmly In A Way Which Can Justifiably Be Commended As Original Work. Professor J.R. Watson, University Of Durham, England ...The Analysis Of Patmore S Poetry In The Specific Context Of The Combination Of The Erotic With The Divine Is Important (Chap¬Ter Iii). This Is An Area In Which The Indian Bhakti Poets Have Composed Their Finest Poems...The Discussion Of The Transcen¬Dental And The Immanent Aspects Of Mysticism And Their Impact On Patmore And Thompson Is A Very Refreshing Part Of This Valuable Study And Deserves Appreciation. Professor V.A. Shahane, Osmania University, Hyderabad ...It Is One Of The Attractions Of The Present Book That Dr. Dhar, Writing From Within The Traditions Of India Adds A Further Ring, Learned In His Understanding Of Christianity, Especially In His Sense Of The Central Importance Of The Incarna¬Tion, He Adds The Insights Of Another Spirituality, Not Dissonant But Distinct And So Additionally Illuminating. It Is A Book Much To Be Enjoyed And Savoured. Ronald Tamplin, University Of Exeter

This early work by Caroline Spurgeon was originally published in 1917 and we are now republishing it with a brand new introductory biography. 'Poetry in the Light of War' is a work of literary criticism on poetry written during wartime. Caroline Spurgeon was born on 24 October 1869, in India. She was educated at Cheltenham Ladies College, England and at King's College, London and also University College London. Spurgeon went on to become an esteemed literary critic, and was actually the first female professor of English literature. From 1900 onwards she lectured on the subject and was only the second female professor in England at the time. Through her various professional activities inside her own department, she participated in the academic literary-critical renaissance of the twenties and early thirties. She was an active militant in favour of women's eligibility to academic degrees and also advocated for more opportunities for foreign women to study in British Universities.

Originally published as an English translation in 1981, The Middle English Mystics is a crucial contribution to the study of the literature of English mysticism. This book surveys and analyses the language of metaphor in the writings of such mystics as Richard Rolle, Walter Hilton, Julian of Norwich, and in such anonymous works as The Cloud of Unknowing and the Ancrene Wisse. The main emphasis of this comparative and stylistic study is not theological but rather the means by which theological concepts are communicated through language. The book sets the English mystics in perspective by establishing their place in the European mystical movement of the Middle Ages. It shows how intricate the relationship between English, and continental mysticism really is. The book suggests that there is clear links between English and German female mysticism, yet the mysticism is in the main due not so much to specific influences as to the common background of Christian theology and mysticism.

Mysticism in India is a complete and informative description of the teachings, works, and lives of the great poet-saints of Maharashtra written by a scholar and professor who was also a mystic. Jnaneshwar, Namadev, Tukaram, Eknath, Ramdas, and the other saints discussed belonged to the great devotional religious movement that spread through medieval India. With the exception of Ramdas, they all belonged to the tradition of the Varkaris, the most popular sect in contemporary Maharashtra. Their compositions exemplify the universality of their faith and practice, and are recognized as literary treasures. Ranade was primarily interested in the poet-saints as mystics--teachers of the perennial philosophy--whose experiences have general metaphysical and religious implications. At the heart of his classic is a comprehensive, objective presentation of the thought of these saints, augmented by a deep appreciation of their value and relevance to present-day scholars and seekers. Mysticism in India is the only major study in English of medieval Indian religious literature. The book's enduring value has been enhanced by the addition of a foreword by a scholar currently working in Marathi literature, and a preface by a present-day poet-saint of Maharashtra.

The widespread view that 'mystical' activity in the Middle Ages was a rarefied enterprise of a privileged spiritual elite has led to isolation of the medieval 'mystics' into a separate, narrowly defined category. Taking the opposite view, this book shows how individual mystical experience, such as those recorded by Julian of Norwich and Margery Kempe, is rooted in, nourished and framed by the richly distinctive spiritual contexts of the period. Arranged by sections corresponding to historical developments, it explores the primary vernacular texts, their authors, and the contexts that formed the expression and exploration of mystical experiences in medieval England. This is an excellent, insightful introduction to medieval English mystical texts, their authors, readers and communities. Featuring a guide to further reading and a chronology, the Companion offers an accessible overview for students of literature, history and theology.

First collection of late medieval English mystical writing, which has been newly edited with notes and glossary.

Mysticism in Early Modern England traces how mysticism featured in polemical and religious discourse in seventeenth-century England and explores how it came to be viewed as a source of sectarianism, radicalism, and, most significantly, religious enthusiasm.

Weird Mysticism identifies and evaluates a new category of theoretical inquiry by showing the influence of speculative writing on three intersecting critical categories: horror fiction, apophatic mysticism, and philosophical pessimism. Exploring the work of Thomas Ligotti, Georges Bataille, and E. M. Cioran, Baumgartner argues that these “weird mystics” employ an innovative mode of negative writing that seeks to merge new conceptions of reality. While exploring perennial questions about “the absolute,” the Outside, and other philosophical concepts, these authors push the limits of representation, experimenting with literary form, genre-bending, and aphoristic discourse. As their works reveal, the category of weird mysticism both conjoins and obscures the link between traditional mysticism and philosophical horror fiction, with weirdness itself being the central magnet that draws the seemingly disparate realms of horror fiction, philosophy, and mysticism together. Highlighting the theoretical stakes of the horror genre, Baumgartner’s study reveals how the mystical potentially recuperates the limits of philosophical thinking, enabling reflection on—and possibly challenging—the limits of human understanding.