"Mustafa Murrars stories span more than fifty year period. Jamal Assadi has translated a selection of these stories to introduce this Palestinian writer to a wider public through the English language. This volume includes serious stories with light and humorous scenes, love stories intermingled with tales of the unusual, and political stories interwoven with love scenes. This book enables Murrar to tell his own stories and the stories of his peoplestories of alienation and marginalization but also of hopes and dreams--in a new magnified voice. All readers will savor the aroma of a different culture, while scholars of Arabic literature will be given the chance to tread new fields for academic assessment and critique." ""Mustafa Murrar is an enormous literary edifice for readers of Arabic. Jamal Assadi's translation gives readers of English the opportunity to take pleasure in it."-Jamul Shalaatah, Head of the Department of Arabic, The College of Sakhnin for Teacher Education" "Jamal Assadi is Senior Lecturer and Chair of the Department of English at The College of Sakhnin for Teacher Education, Sakhnin, Israel. He received his Ph.D. in English literature from the University of Newcastle Upon Tyne in England. Dr. Assadi has written numerous articles in professional journals and his own children's stories. He is also the author of Acting, Rhetoric, and Interpretation in Selected Novels by F. Scott Fitzgerald and Saul Bellow (2006); A Distant Drummer: Foreign Perspectives on F. Scott Fitzgerald (2007); Mohammad Ali Taha's A Rose to Hafeeza's Eyes" and Other Stories (2008); Father and Son: Selected Short Fiction by Hanna Ibrahim Elias and Mohammad Ali Saeid (2009); and Three Voices from the Galilee: Selected Short Stories by Mohammad Naffaa, Zaki Darwish and Naji Daher (2010)."--BOOK JACKET.

This book is a result of the growing public and academic interest in the variety of childhoods that take place side by side in the multicultural state of Israel, despite its tiny geographical dimensions. In a collection of groundbreaking articles, the book describes various features of Israeli childhoods – in the present and recent past – in both Arab and Jewish societies. The first section of the book - 'Childhood and Environment in Israel' - addresses the various spaces in which childhood practices occurred and still occur in Israel – the intimate home environment, the educational environment, playgrounds, and many others. The second section – 'Childhoods and Power Structures in Israeli Literature' illuminates the perceptions and images of childhood, and describes the extensive and heterogenic variety of childhood representations in Jewish and Arab literature. Scholars of culture, society, education, and literature – Jews and Arabs – have joined forces to encourage in-depth thinking about perceptions of childhood in the diverse Israeli society, the status of children in Arab and Jewish societies, and the resources invested to nurture them from a global aspect (as individuals with universal duties and rights) and/or a local point of view (as a national asset, as designers of the nation's future, or, alternatively, as a burden, nuisance or threat).

A timely and significant contribution to Palestinian children’s literature from 1967 to the present day, Palestinian Memory and Identity in Modern Children’s Literature examines a myriad of motifs and popular culture, and the evolution of national identity and consciousness among young Palestinians. Utilizing analytical and in-depth readings, this text presents a thorough examination of the representations and role of folk culture in Palestinian children’s literature from both thematic and stylistic-linguistic perspectives. The analysis covers a wide range of diverse works representing popular culture published after 1967, including diverse works by writers from Israel, the West Bank, Gaza, and the Palestinian diaspora. This volume will be of interest to academics and students exploring the vast contexts of Arabic children’s literature and Palestinian folk lore.

Arabic fiction by Palestinian writers in Israel underwent a rebirth with the establishment of the State in 1948 - an event affecting not only the land that had been Palestine, but the entire region. In The Quest for a Lost Identity, Mahmud Ghanayim probes in considerable detail this creative process over the last half-century. Adopting a strictly literary treatment of the new situation, he reconstructs the various stages in the evolution of Palestinian literature and its difficult existence under martial law. Perusing works by such writers as Hanna Ibrahim, Atallah Mansur, Muhammad ?Ali- Taha, Tawfiq Fayyad, Muhammad Naffa Naji Zahir, Riyad Baydas, and others he highlights the efficacity of ideologically-driven literary criticism monitoring the direction and literary strategies underlying the cultural revival generated by this national minority. The author of this penetrating monograph deftly etches the new Palestinian self-image emerging from this literary rebirth with its ardent ambition to create an esthetically-inspired rather politically-monitored literature. Perhaps no Palestinian writer of calibre exemplified better than Emile Habibi the aspiration to break away from the grip of local cultural conventions to achieve artistic modernity. In effect, this doyen of Palestinian literature succeeded in meeting the expectations of three highly demanding readerships comprising the local Arab minority, the Jews, and the Arab world outside Israel.

Examines the complex relationship between the reality of the Palestinian minority in Israel and their literature through six novels, according to a literary communication model which enables Dr Taha to examine how authors who belong to this minority relate to their readers.

Studies of Palestinian society, economy, and politics are appearing with increasing frequency, but works in English about Palestinian literature, particularly that written in Israel, are still scarce. This book looks at this literature within the political and social context of Palestinian society, with a special focus on literature written during the Intifada "uprising" period (1987-93).

Four Readings of the Arabic Media Map P.218