With an eye for the events, an ear for the music, and a background in journalism which had included owning and operating a group of Illinois newspapers, Glaser kept pen in hand to record this unique history of the way it was and some of the people who made it that way in Nashville during the defining decade of the 1970s which ended with the industrys first platinum record: Wanted: The Outlaws.

The rough-and-tumble life of Special Forces vet and Sixties pop star Barry Sadler The top Billboard Hot 100 single of 1966 wasn’t “Paint It Black” or “Yellow Submarine”--it was “The Ballad of the Green Berets,” a hyper-patriotic tribute to the men of the Special Forces by Vietnam vet Staff Sergeant Barry Sadler. But Sadler’s clean-cut, all-American image hid a darker side, a Hunter Thompson-esque life of booze, girls, and guns. Unable to score another hit song, he wrote articles for Soldier of Fortune and pulp novels that made “Rambo look like a stroll through Disneyland.” He killed a lover’s ex-boyfriend in Tennessee. Settling in Central America, Sadler ran guns, allegedly trained guerrillas, provided medical care to residents, and caroused at his villa. In 1988 he was shot in the head by a robber on the streets of Guatemala and died a year later. This life-and-times biography of an American character recounts the sensational details of Sadler’s life vividly but soberly, setting his meteoric rise and tragic fall against the big picture of American society and culture during and after the Vietnam War.

"Nashville's Music Row is as complicated as the myths that surround it. And there are plenty, from an adulterous French fur trader to an adventurous antebellum widow, from the early Quonset hut recordings to record labels in glass high-rise towers and from "Your cheatin' heart' to 'Strawberry wine.' Untangle the legendary history with never-before-seen photos of Willie Nelson, Patsy Cline, Kris Kristofferson and Shel Silverstein and interviews with multi-platinum songwriters and star performers. Authors Brian Allison, Elizabeth Elkins and Vanessa Olivarez dig into the dreamers and the doers, the architects and the madmen, the ghosts and the hit-makers that made these avenues and alleys world-famous."--Unedited summary from page [4] of cover

…When I left the small hotel in the Montparnase section of Paris to enter the taxi I’d booked with the desk clerk the night before to take me to the Charles DeGaulle airport north of the city, I paused on the sidewalk and considered: Do I have all of my luggage? Yes. And my ticket and passport? Yes. Am I doing the right thing? Will this man be the right one . . . or perhaps I’m making another wrong turn on my road through life? But my last question went unanswered in my mind as I watched the driver put my bags in the trunk, then I began my journey to America. And to Jim…

In a nation reinventing itself following victory in World War II, Nashville’s self-portrait blended old with new. New businesses and skyscrapers, a shopping mall, the Interstate system, school integration, and other changes would ultimately bring Nashville into line with the direction of the nation at large, but alongside nationwide trends were treasures unique to the city: Fair Park for thrill-seekers, Sulphur Dell for baseball fans, the Grand Ole Opry at the Ryman for music, and the Maxwell House for visitors still arriving through Union Station and now from the air at Berry Field. In this companion volume to Historic Photos of Nashville, Ashley Driggs Haugen leads a tour past many Nashville landmarks from the recent past, reminiscing with Nashvillians who can remember and informing those new to the city who may not. Nearly 200 images reproduced in vivid black-and-white show the Opry at the Ryman, construction of the L&C Tower, 100 Oaks Mall, the Municipal Auditorium, Harveys Department Store downtown, and countless other subjects from yesteryear that remain key to the city’s past and present.

The Defining Decade has changed the way millions of twentysomethings think about their twenties—and themselves. Revised and reissued for a new generation, let it change how you think about you and yours. Our "thirty-is-the-new-twenty" culture tells us the twentysomething years don't matter. Some say they are an extended adolescence. Others call them an emerging adulthood. In The Defining Decade, Meg Jay argues that twentysomethings have been caught in a swirl of hype and misinformation, much of which has trivialized the most transformative time of our lives. Drawing from more than two decades of work with thousands of clients and students, Jay weaves the latest science of the twentysomething years with behind-closed-doors stories from twentysomethings themselves. The result is a provocative read that provides the tools necessary to take the most of your twenties, and shows us how work, relationships, personality, identity and even the brain can change more during this decade than at any other time in adulthood—if we use the time well. Also included in this updated edition: Up-to-date research on work, love, the brain, friendship, technology, and fertility What a decade of device use has taught us about looking at friends—and looking for love—online 29 conversations to have with your partner—or to keep in mind as you search for one A social experiment in which "digital natives" go without their phones A Reader's Guide for book clubs, classrooms, or further self-reflection

This book provides a manual for planning for arts and culture in cities, featuring chapters and case studies from Africa, the Americas, Australasia, the Middle East, South and East Asia, and more. The handbook is organized around seven themes: arts and planning for equity and social development; incorporating culture in urban planning; the intersection of creative and cultural industries and tourism planning; financing; public buildings, public space and public art; cultural heritage planning; and culture and the climate crisis. Urban planners are often tasked with preserving and attracting new art and culture to a city, but there are no common rules on how practitioners accomplish this work. This handbook will be an invaluable resource for city planners and designers, cultural workers, elected officials, artists, and social justice workers and advocates seeking to integrate creativity and culture into urban planning.

How did Melbourne earn its place as one of the world's 'music cities'? Beginning with the arrival of rock 'n' roll in the 1950s, this book explores the development of different sectors of Melbourne's popular music ecosystem in parallel with broader population, urban planning and media industry changes in the city. The authors draw on interviews with Melbourne musicians, venue owners and policy-makers, documenting their ambitions and experiences across different periods, with accompanying spotlights on the gendered, multicultural and indigenous contexts of playing and recording in Melbourne. Focusing on pop and rock, this is the first book to provide an extensive historical lens of popular music within an urban cultural economy that in turn investigates the contemporary nature and challenges of urban music activities and policy.

The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.

How Nashville Became Music City, U.S.A. was first published in 2006 and quickly became the go-to reference for those seeking to understand the Nashville music industry, or write about it. Now, Michael Kosser, prolific songwriter and author, returns with an updated and expanded edition, bringing the history of Music Row up to the present, since so much has changed over the last fifteen years. This new edition of How Nashville Became Music City, U.S.A. details the history of the Nashville song and recording industry from the founding of its first serious commercial music publishing company in 1942 to the present. Kosser tells the history of Music Row primarily through the voices of those who made and continue to make that history, including record executives, producers, singers, publishers, songwriters, studio musicians, studio engineers, record promoters, and others responsible for the music and the business, including the ambitious music executives who struggle to find an audience who will buy country records instead of just listening to them on the radio. The result is a book with insight far beyond the usual media stories, with plenty of emotion, humor, and historical accuracy. Kosser traces the growth and cultural changes of Nashville and the adventurous souls who fly to it to be a part of the music. He follows the changes from its hillbilly roots through its “Nashville Sound” quasi-pop days, from the outlaws, the new traditionalists, and the mega-sellers to the recent bro country and the rise of mini-trends. This edition also bears witness to the huge influence of Music Row on pop, folk, rock, and other American music genres.